This collection of out-of-print books brings together research on the key aspects of Korea: its business world; religious world; society; and language. It is an essential reference collection.

This volume, first published in 2002, presents a sophisticated analysis of the musical instruments, repertoires, musicians and ensembles, and symbolism of the ritual music of Shamans of Seoul, Korea. Placed firmly in a social and historical context, it shows that Shamanism, considered superstition by many today, is alive and well in Seoul in a rich tradition reaching back to the Chosôn Dynasty (1392-1910), the capital of which was Hanyang (now Seoul). The instruments, dress and other accoutrements of courtly life from the Chosôn Dynasty have been taken up, although transformed, in contemporary rituals among spirit-possessed Shamans. Through a comparison of Hanyang kut - the rituals of the Hanyang Shamans - and the ritual practice of Inner Asian Shamans, and through an analysis of the relations of spirit-possession music rituals to musok, the indigenous religion of Korea, Seo sheds light on the role of music, spiritual practice and culture in present-day Korea.

This work is mainly comprised of a translation into English of four complete large-scale Korean Shaman ritual songs transcribed from tape recordings, which, until the present time, have remained either entirely untranslated, or, if otherwise, are only quoted in the form of brief excerpts in a few short articles. The song contents cover a broad regional spectrum which contain invaluablematerials related to Korean folklore, mythology, literature, history, and religion, and offer deep insight into a facet of Korean culture that has remained largely overlooked and unexplored.

"Most studies of Korean shamanism--a popular religion that is both celebrated and stigmatized--have minimized regional differences, focusing on shamans from central Korea whose work involves spirit possession. Less attention has been paid to hereditary shamans, a number of whom have resided for centuries on Cheju Island, off Korea's southwest coast. Although simbang (native Cheju shamans) are relied upon to perform important rituals, for which they receive lavish offerings, they are often perceived as charlatans who swindle innocent people. This first study of the material exchange and politics of Korean shamanism describes interactions between shamans and their clients in order to show how this ritual exchange is distinct from other forms of transaction, such as barter, purchase, bribery, and gift-giving. The "ritual economy" of Korean simbang involves not only monetary payment, but also reciprocity, sincerity, and the expressive forms that practitioners use to authenticate ritual actions that both emphasize ritual exchange and distinguish it from other forms social and economic transactions"--