The Delaware Valley is a distinct region situated within the Middle Atlantic states, encompassing portions of Delaware, Pennsylvania, New Jersey, and Maryland. With its cultural epicenter of Philadelphia, its surrounding bays and ports within Maryland and Delaware, and its conglomerate population of European settlers, Native Americans, and enslaved Africans, the Delaware Valley was one of the great cultural hearths of early America. The region felt the full brunt of the American Revolution, briefly served as the national capital in the post-Revolutionary period, and sheltered burgeoning industries amidst the growing pains of a young nation. Yet, despite these distinctions, the Delaware Valley has received less scholarly treatment than its colonial equals in New England and the Chesapeake region. In Historical Archaeology of the Delaware Valley, 1600–1850, Richard Veit and David Orr bring together fifteen essays that represent the wide range of cultures, experiences, and industries that make this region distinctly American in its diversity. From historic-period American Indians living in a rapidly changing world to an archaeological portrait of Benjamin Franklin, from an eighteenth-century shipwreck to the archaeology of Quakerism, this volume highlights the vast array of research being conducted throughout the region. Many of these sites discussed are the locations of ongoing excavations, and archaeologists and historians alike continue to debate the region’s multifaceted identity. The archaeological stories found within Historical Archeology of the Delaware Valley, 1600–1850 reflect the amalgamated heritage that many American regions experienced, though the Delaware Valley certainly exemplifies a richer experience than most: it even boasts the palatial home of a king (Joseph Bonaparte, elder brother of Napoleon and former King of Naples and Spain). This work, thoroughly based on careful archaeological examination, tells the stories of earlier generations in the Delaware Valley and makes the case that New England and the Chesapeake are not the only cultural centers of colonial America.

Vols. for 1893-1923 includes section: "Reviews."

Rounds out Edward J. Lenik’s comprehensive and expert study of the rock art of northeastern Native Americans Decorated stone artifacts are a significant part of archaeological studies of Native Americans in the Northeast. The artifacts illuminated in Amulets, Effigies, Fetishes, and Charms: Native American Artifacts and Spirit Stones from the Northeast include pecked, sculpted, or incised figures, images, or symbols. These are rendered on pebbles, plaques, pendants, axes, pestles, and atlatl weights, and are of varying sizes, shapes, and designs. Lenik draws from Indian myths and legends and incorporates data from ethnohistoric and archaeological sources together with local environmental settings in an attempt to interpret the iconography of these fascinating relics. For the Algonquian and Iroquois peoples, they reflect identity, status, and social relationships with other Indians as well as beings in the spirit world. Lenik begins with background on the Indian cultures of the Northeast and includes a discussion of the dating system developed by anthropologists to describe prehistory. The heart of the content comprises more than eighty examples of portable rock art, grouped by recurring design motifs. This organization allows for in-depth analysis of each motif. The motifs examined range from people, animals, fish, and insects to geometric and abstract designs. Information for each object is presented in succinct prose, with a description, illustration, possible interpretation, the story of its discovery, and the location where it is now housed. Lenik also offers insight into the culture and lifestyle of the Native American groups represented. An appendix listing places to see and learn more about the artifacts and a glossary are included. The material in this book, used in conjunction with Lenik’s previous research, offers a reference for virtually every known example of northeastern rock art. Archaeologists, students, and connoisseurs of Indian artistic expression will find this an invaluable work.