In this book, Wm. Blake Tyrrell and Larry J. Bennett examine Sophocles' Antigone in the context of its setting in fifth-century Athens. The authors attempt to create an interpretive environment that is true to the issues and interests of fifth-century Athenians, as opposed to those of modern scholars and philosophers. As they contextualize the play in the dynamics of ancient Athens, the authors discuss the text of the Antigone in light of recent developments in the study of Greek antiquity and tragedy, and they turn to modern Greek rituals of lamentation for suggestive analogies. The result is a compelling book which opens new insights to the text, challenges the validity of old problems, and eases difficulties in its interpretation.

''I would call the register 'restrained colloquial'. The language ranges between the straightforward and the genuinely poetic, its dominant characteristic being freshness. This is not the usual dull translationese, which reads as if the original were not in a language people once spoke and wrote and created art with... One of the most effective styles I have seen in a translation.'' -- Reader's report. Paul Woodruff is Professor of Philosophy, University of Texas at Austin.

Here, for the first time in English, is celebrated French classicist Jacques Jouanna's magisterial account of the life and work of Sophocles. Exhaustive and authoritative, this acclaimed book combines biography and detailed studies of Sophocles' plays, all set in the rich context of classical Greek tragedy and the political, social, religious, and cultural world of Athens's greatest age, the fifth century. Sophocles was the commanding figure of his day. The author of Oedipus Rex and Antigone, he was not only the leading dramatist but also a distinguished politician, military commander, and religious figure. And yet the evidence about his life has, until now, been fragmentary. Reconstructing a lost literary world, Jouanna has finally assembled all the available information, culled from inscriptions, archaeological evidence, and later sources. He also offers a huge range of new interpretations, from his emphasis on the significance of Sophocles' political and military offices (previously often seen as honorary) to his analysis of Sophocles' plays in the mythic and literary context of fifth-century drama. Written for scholars, students, and general readers, this book will interest anyone who wants to know more about Greek drama in general and Sophocles in particular. With an extensive bibliography and useful summaries not only of Sophocles' extant plays but also, uniquely, of the fragments of plays that have been partially lost, it will be a standard reference in classical studies for years to come.

This book explores the figure of Antigone and her many reconceptualizations from antiquity to the present. One of the most popular heroines of classical literature, Antigone defied political authority to carry out the forbidden burial of her brother. Readers will become familiar with the key themes of Antigone’s story, such as the law and politics, gender, and death, tracing their survival and transformations over time. Notably, the book explores the thorough de-politicization of the heroine in philosophy and psychoanalysis, followed by a reversal and re-politicization through feminist and socio-political theories. It provides a useful tool to approach postmodern receptions of Antigone in the arts and society in the modern era, particularly in the contexts of occupied and civil war-era Greece, in Palestine, and in Syrian refugee camps in Lebanon. It also addresses issues of Antigone-like struggles of individuals or collectivities to overcome obstacles of systemic and racialized violence and gender-based oppression in the 21st century, while challenging heteronormative practices and policies to allow new subjectivities to emerge. Though Antigone’s story is complex, Karakantza provides an accessible, fascinating overview of this enduring figure’s legacy and impact over the course of history. Antigone provides a comprehensive study of this classical heroine, suitable for students and scholars of classical literature, reception studies, and gender studies. It also appeals to theatre practitioners interested in adapting and staging Sophocles’ Antigone, or any Antigone of the ancient sources.

This anthology provides some of today's most relevant views on Sophocles' classic and its many interpretations from an interdisciplinary, cross-cultural perspective. It critically investigates the work of artists and theoreticians who have occupied Antigone ever since she appeared onstage in antiquity, dealing with questions of the relationship between performance and philosophy and of how Antigone can be appropriated to criticize reigning discourses. Occupy Antigone makes an original contribution to the vibrant life the mythical figure enjoys in contemporary performance practice and theory.

Surveys important Greek and Roman authors, plays, characters, genres, historical figures and more.

In this groundbreaking book, Tina Chanter challenges the philosophical and psychoanalytic reception of Sophocles' Antigone, which has largely ignored the issue of slavery. Drawing on textual and contextual evidence, including historical sources, she argues that slavery is a structuring theme of the Oedipal cycle, but one that has been written out of the record. Chanter focuses in particular on two appropriations of Antigone: The Island, set in apartheid South Africa, and Tègònni, set in nineteenth-century Nigeria. Both plays are inspired by the figure of Antigone, and yet they rework her significance in important ways that require us to return to Sophocles' "original" play and attend to some of the motifs that have been marginalized. Chanter explores the complex set of relations that define citizens as opposed to noncitizens, free men versus slaves, men versus women, and Greeks versus barbarians. Whose Antigone? moves beyond the narrow confines critics have inherited from German idealism to reinvigorate debates over the meaning and significance of Antigone, situating it within a wider argument that establishes the salience of slavery as a structuring theme.