He’s not giving up his family without a fight James Calhoun has never been able to resist Mara Tyler, or her knack for mischief. Her reputation as a reckless teenager drove Mara from their hometown. So Slippery Rock is the last place James ever expected to see her, and Mara’s timing couldn’t be worse. With the upcoming election for sheriff, she threatens the squeaky-clean image James needs to win. Because Mara has brought with her the result of their steamy affair: his two-year-old son, Zeke. After the initial shock, James is determined to have both his family and career. He just needs to convince Mara that her home is where it’s always been. With him.

The face of scrapbooking is about to get a youthful, cutting-edge makeover! Despite the craft’s popularity, all the books flooding the market focus on the same images of weddings, baby showers, and Little League. So where’s a scrapbooking rebel to go? To Scrap City of course. With its edgy and artistic points of reference, it fills the gap to reach those urban hipsters, downtown secretaries, big city divas, and small-town nonconformists. Along with a basics section and scrapping tips, is the pièce de résistance: a gallery of real-life scrapbook pages from people of all stripes, from the single mom to the skate kid. These contributors celebrate their panty collection; reveal why single is fun; list their tattoos; and, yes—even redefine the baby shower. Paul Gambino has taught screenwriting at the School of Visual Arts, was a production consultant and writer for NBC, and was Creative Director for the magazines Gener8 and Ultra. He has spent endless nights in NYC’s hottest clubs; years as a punk on London’s King’s Road; and college days with Keith Haring and Jean Michael Basquiat. Now a father, he has a special appreciation for time’s fleeting nature and how important it is to preserve memories for yourself and others.

He's not giving up his family without a fight. James Calhoun has never been able to resist Mara Tyler, or her knack for mischief. Her reputation as a reckless teenager drove Mara from their hometown. So Slippery Rock is the last place James ever expected to see her, and Mara's timing couldn't be worse. With the upcoming election for sheriff, she threatens the squeaky-clean image James needs to win. Because Mara has brought with her the result of their steamy affair: his two-year-old son, Zeke. After the initial shock, James is determined to have both his family and career. He just needs to convince Mara that her home is where it's always been. With him.

Haunted by history. Bound by mystery. Lori Chase doesn't know what to think about ghosts. She may have seen a few in the past, but those were just childish imaginings . . . right? Only now that she is living in Gettysburg, Pennsylvania, spirits seem to be on everyone's mind. The town is obsessed with its bloody Civil War history, and the old inn that Lori's parent run is supposedly haunted by the souls of dead soldiers. Then Lori meets one such soldier -- the devastatingly handsome Nathaniel Pierce. Nathaniel's soul cannot rest, and he desperately needs Lori's help. Because Nathaniel was not killed in the famous battle. He was murdered. Lori begins to investigate the age-old mystery, stumbling upon shocking clues and secrets. At the same time, she can't help falling for Nathaniel, just as he is falling for her . . . .

Caminar is the story of a boy who joins a small band of guerilla fighters who must decide what being a man during a time of war really means.

In literature and popular culture, small town America is often idealized as distilling the national spirit. Does the myth of the small town conceal deep-seated reactionary tendencies or does it contain the basis of a national re-imagining? During the period between 1940 and 1960, America underwent a great shift in self-mythologizing that can be charted through representations of small towns. Authors like Henry Bellamann and Grace Metalious continued the tradition of Sherwood Anderson in showing the small town--by extension, America itself--profoundly warping the souls of its citizens. Meanwhile, Ray Bradbury, Toshio Mori and Ross Lockridge, Jr., sought to identify the small town's potential for growth, away from the shadows cast by World War II toward a more inclusive, democratic future. Examined together, these works are key to understanding how mid-20th century America refashioned itself in light of a new postwar order, and how the literary small town both obscures and reveals contradictions at the heart of the American experience.

An engaging and impassioned look at Turkey's identity crisis 'A brilliant literary thriller, an incursion into forbidden territory that is all the more gripping for being true' The Times 'Sifting through propaganda, partisan accounts and evasive oral histories, de Bellaigue delivers a comprehensive primer in Turkish political history' Guardian _______________________________ What is the meaning of love and death in a remote, forgotten, impossibly conflicted part of the world? In Rebel Land the acclaimed author and journalist Christopher de Bellaigue journeys to Turkey's inhospitable eastern provinces to find out. Immersing himself in the achingly beautiful district of Varto, a place left behind in Turkey's march to modernity, medieval in its attachment to race and religious sect, he explores the violent history of conflict between Turks, Kurds and Armenians, and the maelstrom, of emotion and memories, that defines its inhabitants even today. The result is a compellingly personal account of one man's search into the past, as de Bellaigue, mistrusted by all he meets, and particularly by the secret agents of the State, applies his investigative flair and fluent Turkish to unlock jealously-guarded taboos and hold humanity's excesses up to the light of a very modern sensibility.