Observant, passionate, witty, offbeat, Mike Parker tours Powys from the border towns of Hay on Wye, Presteigne and Knighton, through the interior and on to the furthest points of Newtown, Penybont, Ystradgynlais and Brecon. What surprises does he stumble upon among the mountains, forests, streams and farms of this mysterious countryside?

The life of Theodore Francis Powys, the man and the writer (1875–1953), is a story of determined withdrawal from the contemporary world. While his two literary brothers John Cowper and Llewellyn travelled a great deal abroad, Theodore, after early unsuccessful attempts to join the active world, settled into a sedentary life in a remote rural part of Dorset. In his retreat, protected from the outside world by his omnipresent hills, Powys constructed a world, half-real and half-imaginary, in which the man and the writer, reality and fancy and past and present coexisted and sometimes merged. For Powys, fear in its various manifestations, as fear of God, of evil, of death and of self, was a powerful incentive to write and a source of inspiration for almost everything remarkable in his writings. It did not take Powys long to realize that allegory was a literary genre better suited to his literary leanings and peculiar turn of mind than the realism of his early novel-writing ventures. Under the combined influence of the Bible, Bunyan and Hawthorne, he adapted allegory to his specific literary purpose. In that regard, two distinctive aspects of his allegorical stories, namely supernatural visitors and animal symbolism, generally overlooked by his critics, deserve close attention, and are the special focus of this book. Few writers have been so strongly and avowedly marked by so many literary and philosophical influences as Powys. These range from the Bible, Bunyan and Hawthorne to Darwin, Hardy, Lawrence and Freud. However, Powys’s short stories, fables and novels also stand as a unique and original achievement. Indeed, the influence he himself exerted on some novelists of the younger generation, such as William Golding, testifies to the power and originality of his writings.

T. F. Powys is a forgotten genius like no other—and Unclay is his masterpiece New Directions is proud to present one of the most spellbinding novels you will read this year, and certainly the weirdest. First published in 1931, Unclay glows with an unworldly light—Death has come to the small village of Dodder to deliver a parchment with the names of two local mortals and the fatal word unclay upon it. When he loses the precious sheet, he is at a loss, and also free of his errand. Hungry to taste the sweet fruits of human life, Mr. John Death, as he is now known, takes a holiday in Dorsetshire and rests from his reaping. The village teems with the old virtues (love, kindness, patience) and the old sins (lust, avarice, greed). What unfolds is a witty, earthy, metaphysical, and delicious novel of enormous moral force and astonishing beauty.

A frightening collection of true ghost stories, which will turn skeptics and nonbelievers into people who sleep with one eye open! Ancient philosophers suggested that the appearance of spirits is evidence that we are part of a larger community of intelligences, a universe of interrelated species, both physical and nonphysical. Master ghost hunter and best-selling author Brad Steiger invites you to join him as he explores the many dark and nightmarish pathways leading to this shadowy world of spirits and hauntings. Real Ghosts, Restless Spirits, and Haunted Places is the defining work on spirit phenomena. It is a comprehensive classification of the spirit world touching on every possibility from time travel to parallel universes, presenting the full range of ghostly manifestations and haunted locations. A major work sure to be heralded by paranormal enthusiasts (whatever their corporeal state). Do you know the difference between poltergeists and spirits of the dead? The differences between spirits residue, spirit parasites and spirit masqueraders? With its 30 topical chapters, Real Ghosts, covers those differences and many more: Spirits Seen at Death Beds and Funerals Haunted Churches, Cemeteries, and Burial Grounds Phantoms on Roads and Highways Battlefields Where Phantom Armies Eternally Wage War Speaking to Spirits: The Mystery of Mediumship Animal Ghosts—Domesticated and Wild Spirit Parasites That Possessed Apparitions of Religious Figures Haunted Hotels, Motels, and Inns Did you know that ghosts still haunt Ohio’s State Reformatory, otherwise known as Shawshank? Or that the Hollywood Roosevelt Hotel is home to some of the most famous ghosts in the world? With Real Ghosts, you’ll discover that Abe Lincoln regularly consulted “spooks” and mediums, Rudolph Valentino haunts his old mansion, and the ghosts of Anne Boleyn, Henry VIII, Katharine Howard, Jane Seymour, Elizabeth I, and King George III all still haunt some of England’s most famous castles. You’ll also learn how to perform a cleansing ritual to rid your home of unwanted spectral visitors. More than a collection of true ghost stories, this book plunks you square into the middle of the eerie action with captivating stories that would be at home at any midnight campfire. The only difference is these stories aren't urban legends employing hooks, needles, or long, metal fingernails for their scare. These stories exist outside of the mind and live right next door to every one of us. Real Ghosts shouldn't be read when you are home alone and the lights begin to flicker!

At his death in 2000, R. S. Thomas was widely considered to be one of the major poets of the English-speaking world, having been nominated for the Nobel prize for Literature. With Dylan Thomas, R. S. Thomas is probably Wales's best-known poet internationally.Tony Brown provides an introduction to R. S. Thomas's life and work, as well as new perspectives and insights for those already familiar with the poetry. His approach is broadly chronological, interweaving life and work in order to evaluate Thomas's poetic achievement. In addition to presenting a full discussion of Thomas's poetry, and its movements over time between personal, spiritual and political concerns, Tony Brown also examines Thomas's contribution to the culture of Wales, not just in his writing but also his political interventions and activism on behalf of Welsh language and culture.

Mid-Century Romance chronicles a revival of the historical novel chronicles a revival of the historical novel in the middle decades of the twentieth century in the cultures of British modernism and international communism. Born of a national turn in world politics, these novels met the turbulence of mid-century history with narratives of national becoming, roadmaps to situate their readers in the pattern of social change. Their writers were often mindful of the genre's romantic-era heritage: they saw themselves as following in the footsteps of Sir Walter Scott and they drew on the same rescued remains of primitive poetry and popular antiquities that romanticism first used to construct its versions of national identity, culture, and tradition. This book shows how the impulse to salvage traces of ancestral culture and press them to new purpose links the mid-century national-historical novel to the rise of radical social history and magical realism. Post-war anticommunism shaped a tradition of the novel as a preserve of art and the individual. Mid-Century Romance counters with a different genealogy of the British and world novel, whose object is society and the future of community, the nation and its people. It situates its cast of British writers--including the modernists Hope Mirrlees and Virginia Woolf, the communists Jack Lindsay and Sylvia Townsend Warner, the eccentric modernist and sometime fellow traveller John Cowper Powys, and the New Left luminary Raymond Williams--in a transnational perspective that reaches from Bihar, India to Bahia, Brazil.