A young man describes his torment as he struggles to reconcile the diverse influences of Western culture and the traditions of his own Japanese heritage.

"Early Light" (Shinjitsu Ichiro / 真昼の光) by Dazai Osamu is a collection of short stories that highlights the author’s characteristic blend of personal reflection, melancholy, and humor. The stories in this collection often focus on ordinary moments or mundane interactions, revealing deeper emotional and psychological undercurrents. Dazai uses a deceptively simple narrative style to explore themes like human frailty, social alienation, and personal failure. Some of the stories convey a sense of nostalgia, reflecting on fleeting moments of happiness amid life's struggles. Others delve into darker aspects of human nature, consistent with Dazai’s broader body of work. Though less well-known than his major novels (No Longer Human or The Setting Sun), Early Light provides valuable insight into Dazai’s talent for transforming everyday experiences into profound literary reflections. It captures the contradictions of life—joy and sorrow, light and darkness—in ways that resonate deeply with readers.

"A rich boy turned drop-out, a radical turned drug addict, obsessed with self destruction and suicide, Osamu Dazai retains his cult status among Japan's intellectual youth more than forty years after his death. These stories, based on his own experiences and arranged chronologically, provide insight into the sources of Dazai's enduring appeal as well as his art."--

This powerful novel of a nation in social and moral crisis in the early postwar years probes the transition from a feudal Japan to an industrial society. The influence of this book, often considered Dazai's masterpiece, made the term 'people of the setting sun' -- the declining aristocracy -- a permanent part of the Japanese language. Dazai's heroine, Kazuko, the strong-willed young aristocrat who deliberately abandons her class, stands as a symbol of the anomie that pervades so much of the modern world. The distinguished translator Donald Keene has said of the author's work: 'His world...suggest Chekhov or possibly postwar France...but there is a Japanese sensibility in the choice and presentation of the material. A Dazai novel is at once immediately intelligible in Western terms and quite unlike any Western book.'

Crackling Mountain and Other Stories features eleven outstanding works by Osama Dazai, widely regarded as one of the 20th century Japan's most gifted writers. Dazai experimented with a wide variety of short story styles and brought to each a sophisticated sense of humor, a broad empathy for the human condition, and a tremendous literary talent. The eleven stories in this collection of Japanese literature present the most fully rounded portrait available of a tragic, multifaceted genius of modern Japanese letters.

Dazai Osamu (1909-1948) is one of Japan's most famous literary suicides, known as the earliest postwar manifestation of the genuinely alienated writer in Japan. In this first deconstructive reading of a modern Japanese novelist, Alan Wolfe draws on contemporary Western literary and cultural theories and on a knowledge of Dazai's work in the context of Japanese literary history to provide a fresh view of major texts by this important literary figure. In the process, Wolfe revises Japanese as well as Western scholarship on Dazai and discovers new connections among suicide, autobiography, alienation, and modernization. As shown here, Dazai's writings resist narrative and historical closure; while he may be said to serve the Japanese literary establishment as both romantic decadent and representative scapegoat, his texts reveal a deconstructive edge through which his posthumous status as a monument of negativity is already perceived and undone. Wolfe maintains that cultural modernization pits a Western concept of the individual as realized self and coherent subject against an Eastern absent self--and that a felt need to overcome this tension inspires the autobiographical fiction so prevalent in Japanese novels. Suicidal Narrative in Modern Japan shows that Dazai's texts also resist readings that would resolve the gaps (East/West, self/other, modern/premodern) still prevalent in Japanese intellectual life. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The war is over. Japan is defeated. Together with his country, a young man must rebuild his life. To recover from illness, he retreats to a quirky sanatorium in the mountains. At this unusual institution, where everyone gets a nickname, he is surrounded by a delightful ensemble of patients and caregivers.