Thirteen scripts from Weekly Reader's Read magazine feature age-appropriate play adaptations from some of Shakespeare's greatest and best-known works.

This book, focusing on active, engaging material, will fill a void in the literature that currently exists for these students, their teachers, and literacy coaches. Readers theatre for boys and particularly middle school boys is a publishing gap that needs to be filled. Selections have been chosen to tempt middle school boys interest (the blood and gore in Masque of the Red Death for example). Literacy remains a major topic of concern in all academic circles, especially the inadequate performance of reading and writing by boys. These scripts will entertain as they build reading fluency. Grades 6-8.

Improve students' reading fluency while providing fun and purposeful practice and performance through Reader's Theater Scripts. Engage students through Reader's Theater to make learning fun while building knowledge of Texas history and the significant people, events, and places that make Texas what it is today. Improve vocabulary and comprehension with repeated practice and performance of the scripts along with TEKS-based activities in the lesson plans, which include word study, comprehension questions, and extension activities. Make your classroom a Reader's Theater classroom today!

Looking for a novel approach to the children's sermon -- something more creative than a simple story or object lesson? This collection of 40 dramatic sketches in readers' theater format will teach your young people about the events of Jesus' life -- while also actively involving your members in the worship service. Each scene vividly relates a story from the gospels in easy-to-read dialogue that can be performed with minimal rehearsal by teenagers or adults -- providing a memorable illustration that's certain to captivate the attention of everyone in your congregation. Discussion questions accompany each skit, so you can maximize the educational value by focusing youngsters' attention on the main themes. Ideal for use during the "children's moment" in Sunday morning worship, these brief pieces are also a perfect resource for children's church, Vacation Bible School, youth meetings, and many other settings. Sketches include: - Jesus And The Shepherds Of Bethlehem - Jesus And The Devil - Jesus Preaches In Nazareth - Jesus' Parable Of The Prodigal Son - Jesus And The Rich Young Man - Jesus Predicts Things To Come - Jesus In The Upper Room - Jesus On The Road To Emmaus ... and many more! Robert E. Lakey is a retired pastor who served Presbyterian congregations in Michigan during more than four decades of active ministry. For more than 25 years, Lakey led drama conferences and traveled throughout the country with groups of high school performers. He is a graduate of the University of Michigan and Princeton Theological Seminary.

This is an utterly original and completely beguiling prose novel about a boy who has to write a poem, and then another, and then even more. Soon the little boy is writing about all sorts of things he has not really come to terms with, and astounding things start to happen.

How dull plays are killing theatre and what we can do about it. Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendencethat kept me coming back. But why did they come so few and far between? A lot of plays are dull. And one dull play, it seems, can turn us off theatre for good. Playwright and theatre director Jordan Tannahill takes in the spectrum of English-language drama – from the flashiest of Broadway spectacles to productions mounted in scrappy storefront theatres – to consider where lifeless plays come from and why they persist. Having travelled the globe talking to theatre artists, critics, passionate patrons and the theatrically disillusioned, Tannahill addresses what he considers the culture of ‘risk aversion’ paralyzing the form. Theatre of the Unimpressed is Tannahill’s wry and revelatory personal reckoning with the discipline he’s dedicated his life to, and a roadmap for a vital twenty-first-century theatre – one that apprehends the value of ‘liveness’ in our mediated age and the necessity for artistic risk and its attendant failures. In considering dramaturgy, programming and alternative models for producing, Tannahill aims to turn theatre from an obligation to a destination. ‘[Tannahill is] the poster child of a new generation of (theatre? film? dance?) artists for whom "interdisciplinary" is not a buzzword, but a way of life.’ —J. Kelly Nestruck, Globe and Mail ‘Jordan is one of the most talented and exciting playwrights in the country, and he will be a force to be reckoned with for years to come.’ —Nicolas Billon, Governor General's Award–winning playwright (Fault Lines)