At its most basic, re-Orientalism is defined as forms of Orientalism practiced and manifested by Orientals in representing the Orient. This book looks at the application and discourse of re-Orientalism in contemporary Indian and South Asian writing in English, particularly social realism fiction.

At its most basic, re-Orientalism is defined as forms of Orientalism practiced and manifested by Orientals in representing the Orient. This book looks at the application and discourse of re-Orientalism in contemporary Indian and South Asian writing in English, particularly social realism fiction.

This book examines the use of book covers as marketing devices, asking what exactly they communicate to their readers and buyers, and what images they associate with a genre and create about a culture. Focusing on Indian women's writing in English, it combines the study of text with the study of materiality of the book.

This volume explores various new forms, objects and modes of circulation that sustain this renovated form of Orientalism in South Asian culture. The contributors identify and engage with pressing recent debates about postcolonial South Asian identity politics, discussing a range of different texts and films such as The White Tiger, Bride & Prejudice and Kama Sutra: A Tale of Love.

Indian English Writing Is A Vast Arena Today. With New Trends Emerging, New Talents Making Their Mark, New Creative And Critical Branches Sprouting In Various Directions, As Well As With The Thematic Varieties, Technical Experiments, And Linguistic Innovations, It Is Now God S Plenty. The Extraordinary Richness And Variety Of Indian Writing Today, Indeed, Pose A Challenging Task For Any Critic Or Anthologist In The Area, Since It Has Become Next To Impossible To Give Any Comprehensive View Or Idea Of This Fast-Growing Literature In Its Totality Within The Compass Of A Single Volume.Still It Remains The Critic S Responsibility As Well As Pleasure To Find The New Authors And Texts Side By Side With The Older And Already Canonized Ones. As Robert Kroetsch, The Canadian Author, Says, We Want The Critic To Find Us Out Our Indian Authors Today Also Should Legitimately Expect The Perceptive-Responsive Critic To Find Them Out. It Is Especially Needed In The Present Case Since The Indian Writers In English Are Still Engaged In The Process Of Writing From Outside The Mainstream, And, Therefore, Are In Serious Need Of The Right Critical Attention And Understanding.It Is Precisely This Situation That Has Been Kept In View In Compiling The Present Anthology Of A Bunch Of Critical Essays On A Cross-Section Of Indian Fiction, Poetry And Drama In English. Quite A Number Of The Texts Discussed In This Volume Have Been Written In Recent Years, Whereas A Few Earlier Texts M.R. Anand S, For Example Have Also Been Included In Order To Help The Reader To View The Spectrum In A Total Perspective. The Critical Range Of This Volume Includes Mulk Raj Anand, Khushwant Singh, Ruth Jhabvala, Anita Desai, Manju Kapur, Amitav Ghosh In Fiction, A.K. Ramanujan, Nissim Ezekiel, Kamala Das In Poetry, Girish Karnad S Tuglaq And Hayavadana In Drama.The Articles Included In The Present Volume Will Allow Us A Glimpse Into Some Of The Representative Authors, Texts, And Trends.Students, Teachers, Scholars, As Well As The Common Reader Will Find The Book Useful And Interesting.

This study offers a comprehensive overview of Indian writing in English in the 21st century. Through ten exemplary analyses in which canonical authors stand next to less well-known and diasporic ones Christoph Senft provides deep insights into India’s complex literary world and develops an argumentative framework in which narrative texts are interpreted as transmodern re-readings of history, historicity and memory. Reconciling different postmodern and postcolonial theoretical approaches to the interpretation and construction of literature and history, Senft substitutes traditional, Eurocentric and universalistic views on past and present by decolonial and pluralistic practices. He thus helps to better understand the entanglements of colonial politics and cultural production, not only on the subcontinent.