A 17th-century whodunnit - It's 1653 and Lady Jane Tremayne has inherited the estate of her late husband. When a young woman is raped, as Lady of the Manor, Jane decides to investigate, assisted by her closest friend, Lady Olivia Courtney. Then the stakes are raised when the rapist strikes again.More than just a whodunnit, this is an absorbing tale of a brave woman living in dangerous and unique times.

Todd Butler here proposes a new epistemology of early modern politics, one that sees-as did writers of the period-human thought as a precursor to political action. By focusing not on reason or the will but on the imagination, Butler uncovers a political culture in seventeenth-century England that is far more shifting and multi-polar than has been previously recognized. Pursuing the connection between individual thought and corporate political action, he also charts the existence of a discourse that grounds modern scholarly interests in the representational nature of early modern politics - its images, rituals and entertainment-within a language early moderns themselves used. Through analysis of a wide variety of seventeenth-century texts, including the writings of Francis Bacon and Thomas Hobbes, Caroline Court masques, and the poetry and prose of John Milton, he reveals a society deeply concerned with the fundamentally imaginative nature of politics. It is a strength of the study that Butler looks at unusual or slighted texts by these authors alongside their more canonical texts. The study also ranges widely across disciplines, engaging literature alongside both natural and political philosophy. By emphasizing the human mind rather than human institutions as the primary site of the period's political struggles, this study reframes critical understandings of seventeenth-century English politics and the texts that helped define them.

Though central to contemporary debates over identity, politics, and culture, the concept of tradition often remains unexamined. In a series of readings that transgress cultural and disciplinary boundaries, Daniel Cottom subjects this concept to close scrutiny. He calls into question conventional accounts of tradition, with their reliance on standard oppositions between dogma and reason, animality and humanity, community and society, religion and science, and modernity and its predecessors. Tradition, as Cottom envisions it, is a complex of cultural forces that moves, divides, and undoes those it touches; it ravishes, is ravished, and is centrally etched with acts of ravishment. Engaging writers from William Shakespeare to John Ashbery and from Phillis Wheatley to Antonin Artaud, Cottom examines literary history within the contexts of war, rape, and slavery; education, technology, and sexuality; repetition, imitation, stereotypy, and travesty; censorship, grief, and ecstasy. He also evaluates the work of various theorists who address questions of tradition, such as Sigmund Freud, Walter Benjamin, Jacques Derrida, and Adrienne Rich. Cottom draws on works in social and cultural history as well as on literary texts from different eras, nations, and genres. At once using and critiquing contemporary literary and cultural theory, this eloquent book shows why tradition continues to be of compelling interest and importance.