Celebrating the life and work of English artist Eric Ravilious (1903-42), ‘A Country Life’ (the third book in the Ravilious in Pictures series) features twenty-two beautiful watercolours painted in north-west Essex and on the East Anglian coast. Accompanying essays by James Russell explore the artist’s home life, introducing the people and places he know around the villages of Castle Hedingham and Great Bardfield, and offering insights into the culture and customs of 1930s England.--Publisher.

'Ravilious in Pictures: The War Paintings' celebrates and commemorates the wartime career of Eric Ravilious, who died on active service in Iceland at the age of 39. One of a series of books, it creates a vivid portrait both of the artist himself and of life in wartime Britain.

Ravilious in Pictures: A Travelling Artist is the fourth in a series of books celebrating the life and work of Eric Ravilious (1903-42). This volume features twenty-two pictures, each of which is both an exquisite painting in its own right and part of something bigger: the artist’s idiosyncratic study of Britain in the 1930s. Although Ravilious often completed paintings in his studio, with the help of pencilled notes, his pictures invariably began as a sketch of a real place, at a particular time of day – often dawn, or soon after – and in whatever weather conditions the moment offered. The quest for new subjects took Ravilious around Britain and beyond, on a decade-long journey of discovery. Inspired by places as diverse as Dungeness in Kent and the Welsh valley of Capel-y-Ffin, Ravilious also sought out unusual subjects, like the Greenwich Observatory, and strange perspectives, such as the view from inside the Belle Tout lighthouse. Following his habit of painting in series he drew the ports of Bristol and Rye, Newhaven and Le Havre; he painted lifeboats and pilot boats and the picturesque interiors of dockside inns. Each painting depicts a particular aspect of a fascinating place and each is accompanied by a concise essay which explores the location further, introducing characters and stories hidden behind the scenes. Taken as a whole, the twenty-two pictures in this volume provide a uniquely compelling portrait of Britain in the years before World War II.--Publisher.

More popular than ever, the work of Eric Ravilious (1903-42) is rooted in the landscape of mid-20th-century England. This new survey of his work by Alan Powers, the established authority on Ravilious, is the first to provide a comprehensive overview of his art in all media - watercolour, illustration, printmaking, graphic design, textiles and ceramics - and positions Ravilious firmly as a major figure in the history of early 20th-century British art. In an accessible and engaging text, copiously illustrated with reproductions of work drawn from a range of sources, Alan Powers discusses the reception of Ravilious's work since his death in 1942 and the part it has played in creating an English style of the time, positioned between tradition and Modernism, and borrowing from naive and popular art of the past.

The Art of Fine Gifts: Twentieth-century painter, designer and wood engraver Eric Ravilious was responsible for a fascinating range of different works, from illustrations for books to designs for ceramics for the established Wedgwood pottery firm. This gorgeous new book features beautiful woodcut images of countryside life, watercolours of rolling landscapes and many of Ravilious' acute and profound war paintings.

This beautifully illustrated book is the first full-length critical study to focus on the watercolours of multitalented British artist and designer Eric Ravilious (1903–1942). Adopting the wide-ranging approach familiar to readers of his previous books on the artist, author James Russell explores the evolution of a remarkable talent. An introductory section offers an intimate portrait of Ravilious, an artist for whom personal relationships, particularly with women, were paramount. It goes on to describe the extraordinary achievements of an all-too-brief career, drawing on new research to seek out artistic influences and examine Ravilious's relationships with fellow-artists, as well as the development of his mark making. There follows the most comprehensive display of Ravilious watercolours yet assembled. Some have never been published, while others are familiar and well loved. Many are explored in short accompanying essays, some with full-bleed images that show details of paintings at full size. These texts are designed to entertain and enlighten, looking at composition, technique, influence and inspiration, or discussing the significance of particular subjects and the people behind the scenes. This is the definitive guide to the luminous, evocative and timeless watercolours of Eric Ravilious, an artist now regarded as one of the finest of the twentieth century.