2018 PEN America Literary Award Finalist! In her first nonfiction collection, award-winning novelist Rilla Askew casts an unflinching eye on American history, both past and present. As she traverses a line between memoir and social commentary, Askew places herself—and indeed all Americans—in the role of witness to uncomfortable truths about who we are. Through nine linked essays, Most American: Notes from a Wounded Place evokes a vivid impression of the United States: police violence and gun culture, ethnic cleansing and denied history, spellbinding landscapes and brutal weather. To render these conditions in the particulars of place, Askew spotlights the complex history of her home state. From the Trail of Tears to the Tulsa Race Riot to the Murrah Federal Building bombing, Oklahoma appears as a microcosm of our national saga. Yet no matter our location, Askew argues, we must own our contradictory selves—our violence and prejudices, as well as our hard work and generosity—so the wounds of division in our society can heal. In these writings, Askew traces a personal journey that begins with her early years as an idealistic teenager mired in what she calls “the presumption of whiteness.” Later she emerges as a writer humble enough to see her own story as part of a larger historical and cultural narrative. With grace and authority she speaks honestly about the failures of the dominant culture in which she grew up, even as she expresses a sense of love for its people. In the wake of increasing gun violence and heightened national debate about race relations and social inequality, Askew’s reflections could not be more relevant. With a novelist’s gift for storytelling, she paints a compelling portrait of a place and its people: resilient and ruthless, decent but self-deceiving, generous yet filled with prejudice—both the best and the worst of what it means to be American.

Focuses on rattlesnake ecology, taxonomy, physiology, reproduction, and behavior.

The amazing story of one man’s obsession with an enigmatic and deadly reptile. Raymond Ditmars (1876–1942), the first curator of reptiles at New York’s famous Bronx Zoo, brought cold-blooded animals to public attention as never before. Through wildly successful books and movies, he inspired a generation of zoologists with his fascination for snakes, insects, and other misunderstood creatures. Ditmars was among the most celebrated naturalists in America. His reptile-collecting trips for the zoo spawned newspaper headlines across the world. Although a serpent lover, he was all too aware of the devastating effects of snakebites and was instrumental in the development of antivenom. His films and writings brought him fame, but he remained a devoted zoo employee, doing what he loved most: caring for animals. Bushmaster tells the story of this remarkable man and what became an obsession with the mysterious bushmaster of the South American rainforest. Measuring up to thirteen feet in length, this is the world’s largest viper, and its scientific name, Lachesis muta, translates as “silent fate.” Despite numerous expeditions to jungles from Honduras to Brazil, Ditmars could never capture a bushmaster for himself. Now, British author Dan Eatherley follows in Ditmars’s footsteps, revisiting his early haunts in the United States and South America. He attempts to do what Ditmars himself failed to achieve: to find a bushmaster in the wild. But eighty years later, will Dan have any more luck? Through the author’s own quest, Bushmaster reveals the life of a pioneer herpetologist, wildlife filmmaker, and zoo curator.

The acclaimed naturalist offers an in-depth profile of the timber rattlesnake, from its unique biological adaptations to its role in American history. The ominous rattle of the timber rattlesnake is one of the most famous—and terrifying—sounds in nature. Today, they are found in thirty-one states and many major cities. Yet most Americans have never seen a timber rattler, and only know them from movies or our frightened imaginations. Ted Levin aims to change that with America’s Snake. This portrait of the timber rattler explores its significance in American frontier history, and sheds light on the heroic efforts to protect the species against habitat loss, climate change, and the human tendency to kill what we fear. Taking us from labs where the secrets of the snake’s evolutionary adaptations are being unlocked to far-flung habitats that are protected by dedicated herpetologists, Levin paints a picture of a fascinating creature: peaceable, social, long-lived, and, despite our phobias, not inclined to bite. The timber rattler emerges here as an emblem of America, but also of the struggles involved in protecting the natural world. A wonderful mix of natural history, travel writing, and exemplary journalism, America’s Snake is loaded with remarkable characters—none more so than the snake itself: frightening, fascinating, and unforgettable. A CHOICE Outstanding Academic Title Award-winner

Boy Life on the Prairie was first published in 1899, some eighteen years before the appearance of Hamlin Garland?s A Son of the Middle Border. The broad scope of the latter book, as B. R. McElderry, Jr., tells us in the introduction to this new edition of Boy Life, has overshadowed the ?earlier and better book of reminiscence dealing specifically with Garland?s boyhood experiences on an Iowa farm from 1869 to about 1881. When he wrote Boy Life on the Prairie Garland was much closer to the subject than he was in 1917, and he had the advantage of a more restricted aim: to tell directly and specifically what it was like to grow up in northeast Iowa in the years just after the Civil War. It may safely be said that no one else has given so clear and informative an account. When one considers other accounts of boyhood in nineteenth-century America?those of Aldrich, Clemens, Warner, and Howells, for example?one is impressed with the thoroughness and precision of Garland?s book. Aside from Main-Travelled Roads, Boy Life, is probably the best single book that Garland ever wrote.? The Bison Book edition is the first in more than fifty years to reproduce in full the 1899 text. It also includes an introduction addressed ?To My Young Readers? and the ?Author?s Notes? which appeared in the 1926 edition published by Allyn & Bacon. The forty-seven line drawings and six full-page illustrations by E. W. Deming are reproduced from the 1899 edition. In his introduction, Dr. McElderry provides a thorough and interesting analysis of Boy Life and compares it with the sketches written in 1888 which were Garland?s first attempt at reminiscence, as well as with A Son of the Middle Border.

Willful Baby Rattlesnake throws tantrums to get his rattle before he's ready, but he misuses it and learns a lesson. Adapted by Lynn Moroney.