A new collection of Teffi's best autobiographical non-fiction writings Ranging from portraits of Rasputin and Lenin to observations on the Russian Revolution, and from profiles of cultural figures to moving domestic scenes, this short collection includes writings by the inimitable Teffi never before published in English. Everything is here - politics, society, art and literature, love and family life - and all is told in Teffi's multifaceted style: amusing, sincerely moving, ironic and always honest, pervaded by an intensely felt understanding of humanity's simultaneous tragedy and absurdity. Teffi (1872-1952) wrote poems, plays, stories, satires and feuilletons, and was renowned in Russia for her wit and powers of observation. Following her emigration in 1919 she settled in Paris, where she became a leading figure in the émigré literary scene. Now her genius has been rediscovered by a new generation of readers, and she once again enjoys huge acclaim in Russia and across the world. Her short-story collection Subtly Wordedis also published by Pushkin Press, and>em>Memories - From Moscow to the Black Sea, her account of her final journey across Russia and into exile, will also be published in May 2016.

Early in her literary career Nadezhda Lokhvitskaya, born in St. Petersburg in 1872, adopted the pen-name of Teffi, and it is as Teffi that she is remembered. In prerevolutionary Russia she was a literary star, known for her humorous satirical pieces; in the 1920s and 30s, she wrote some of her finest stories in exile in Paris, recalling her unforgettable encounters with Rasputin, and her hopeful visit at age thirteen to Tolstoy after reading War and Peace. In this selection of her best autobiographical stories, she covers a wide range of subjects, from family life to revolution and emigration, writers and writing. Like Nabokov, Platonov, and other great Russian prose writers, Teffi was a poet who turned to prose but continued to write with a poet’s sensitivity to tone and rhythm. Like Chekhov, she fuses wit, tragedy, and a remarkable capacity for observation; there are few human weaknesses she did not relate to with compassion and understanding.

WINNER OF THE 2018 READ RUSSIA PRIZE AND THE PUSHKIN HOUSE BEST BOOK IN TRANSLATION IN 2017 Considered Teffi’s single greatest work, Memories: From Moscow to the Black Sea is a deeply personal account of the author’s last months in Russia and Ukraine, suffused with her acute awareness of the political currents churning around her, many of which have now resurfaced. In 1918, in the immediate aftermath of the Russian Revolution, Teffi, whose stories and journalism had made her a celebrity in Moscow, was invited to read from her work in Ukraine. She accepted the invitation eagerly, though she had every intention of returning home. As it happened, her trip ended four years later in Paris, where she would spend the rest of her life in exile. None of this was foreseeable when she arrived in German-occupied Kiev to discover a hotbed of artistic energy and experimentation. When Kiev fell several months later to Ukrainian nationalists, Teffi fled south to Odessa, then on to the port of Novorossiysk, from which she embarked at last for Constantinople. Danger and death threaten throughout Memories, even as the book displays the brilliant style, keen eye, comic gift, and deep feeling that have made Teffi one of the most beloved of twentieth-century Russian writers.

A selection of the finest short stories from “one of the most popular writers in Russia,” praised by many as the female Chekhov (The New York Times) Teffi's genius with the short form made her a literary star in pre-revolutionary Russia, beloved by Tsar Nicholas II and Vladimir Lenin alike. These stories, taken from the whole of her career, show the full range of her gifts. Extremely funny—a wry, scathing observer of society—she is also capable, as capable even as Chekhov, of miraculous subtlety and depth of character. There are stories here from her own life (as a child, going to meet Tolstoy to plead for the life of War and Peace's Prince Bolkonsky, or, much later, her strange, charged meetings with the already-legendary Rasputin). There are stories of émigré society, its members held together by mutual repulsion. There are stories of people misunderstanding each other or misrepresenting themselves. And throughout there is a sly, sardonic wit and a deep, compelling intelligence. Pushkin Collection editions feature a spare, elegant series style and superior, durable components. The collection is typeset in Monotype Baskerville, litho-printed on Munken Premium White Paper and notch-bound by the independently owned printer TJ International in Padstow. The covers, with French flaps, are printed on Colorplan Pristine White Paper. Both paper and cover board are acid-free and Forest Stewardship Council (FSC) certified.

Stories about the occult, folk religions, superstition, and spiritual customs in Russia by one of the most essential twentieth-century writers of short fiction and essays. Though best known for her comic and satirical sketches of pre-Revolutionary Russia, Teffi was a writer of great range and human sympathy. The stories on otherworldly themes in this collection are some of her finest and most profound, displaying the acute psychological sensitivity beneath her characteristic wit and surface brilliance. Other Worlds presents stories from across the whole of Teffi’s long career, from her early days as a literary celebrity in Moscow to her post-Revolutionary years as an émigré in Paris. In the early story “A Quiet Backwater,” a laundress gives a long disquisition on the name days of the flora and fauna and on the Feast of the Holy Ghost, a day on which “no one dairnst disturb the earth.” The story “Wild Evening” is about the fear of the unknown; “The Kind That Walk,” a penetrating study of antisemitism and of xenophobia; and “Baba Yaga,” about the archetypal Russian witch and her longing for wildness and freedom. Teffi traces the persistent influence of the ancient Slavic gods in superstitions and customs, and the deep connection of the supernatural to everyday life in the provinces. In “Volya,” the autobiographical final story, the power and pain of Baba Yaga is Teffi’s own.

From the bestselling author of Stalin and The Last Tsar comes The Rasputin File, a remarkable biography of the mystical monk and bizarre philanderer whose role in the demise of the Romanovs and the start of the revolution can only now be fully known. For almost a century, historians could only speculate about the role Grigory Rasputin played in the downfall of tsarist Russia. But in 1995 a lost file from the State Archives turned up, a file that contained the complete interrogations of Rasputin’s inner circle. With this extensive and explicit amplification of the historical record, Edvard Radzinsky has written a definitive biography, reconstructing in full the fascinating life of an improbable holy man who changed the course of Russian history. Translated from the Russian by Judson Rosengrant.

Rasputin’s relationship with Russia’s last Tsarina, Alexandra, notorious from the famous Boney M song, has never been adequately addressed; biographies are always for one or the other, or simply Alexandra and her husband Nicholas. In this new work, Mickey Mayhew reimagines Alexandra for the #MeToo generation: ‘neurotic’; ‘hysterical’; ‘credulous’ and ‘fanatical’ are shunted aside in favor of a sympathetic reimagining of a reserved and pious woman tossed into the heart of Russian aristocracy, with the sole purpose of providing their patriarchal monarchy with an heir. When the son she prayed for turns out to be a hemophiliac, she forms a friendship with the one man capable of curing the child’s agonizing attacks. Some say that between them, Grigori and Alexandra brought down 300 years of Romanov rule and ushered in the Russian Revolution, but theirs was simply the story of a mother fighting for the health of her son against a backdrop of bigotry, sexism and increasing secularism. Bubbling with his trademark bon mots, Mickey Mayhew’s new book breathes fresh life into two of history’s most fascinating - and polarizing - figures. She liked to pray and he liked to party, but when they found themselves steering Russia into the First World War, her gender and his class meant that society simply had to crush them. This is the real story of Rasputin and his Russian queen, Alexandra.