Critical annotations and supportive text will direct scholars to the most relevant studies in their discipline Multiple indices make it easy to locate items within the guide

The Choral-Orchestral Works of Ralph Vaughan Williams: Autographs, Context, Discourse combines contextual knowledge, a musical commentary, an inventory of the holograph manuscripts, and a critical assessment of the opus to create substantial and meticulous examinations of Ralph Vaughan Williams’s choral-orchestral works. The contents include an equitable choice of pieces from the various stages in the life of the composer and an analysis of pieces from the various stages of Williams’s life. The earliest are taken from the pre-World War I years, when Vaughan Williams was constructing his identity as an academic and musician—Vexilla Regis (1894), Mass (1899), and A Sea Symphony (1910). The middle group are chosen from the interwar period—Sancta Civitas (1925), Benedicite (1929), Magnificat (1932), Five Tudor Portraits (1935), Dona nobis pacem (1936)—written after Vaughan Williams had found his mature voice. The last cluster—Thanksgiving for Victory (1944), Fantasia (Quasi Variazione) on the ‘Old 104’ Psalm Tune(1949), Sons of Light (1950), Hodie (1954), The Bridal Day/Epithalamion (1938/1957)—typify the works finished or revisited during the final years of the composer’s life, near the end of the Second World War and immediately before or after his second marriage (1953).

This authoritative account of Vaughan William's musical life portrays the story of a great composer's career, and traces the course of music in England during his lifetime. The edition includes a comprehensive list of his work, and an index.

This collection is filled with songs that tell of the pleasures and pains of love, the patterns of the countryside and the lives of ordinary people. Here are unfaithful soldiers, ghostly lovers, whalers on stormy seas, cuckolds and tricksters. By turns funny, plain-speaking and melancholic, these songs evoke a lost world and, with their melodies provided, record a vital musical tradition. Generations of inhabitants have helped shape the English countryside � but it has profoundly shaped us too.It has provoked a huge variety of responses from artists, writers, musicians and people who live and work on the land � as well as those who are travelling through it.English Journeys celebrates this long tradition with a series of twenty books on all aspects of the countryside, from stargazey pie and country churches, to man�s relationship with nature and songs celebrating the patterns of the countryside (as well as ghosts and love-struck soldiers).

A comprehensive reassessment of this towering figure of twentieth-century music, examining works, cultural context and reception in Britain and beyond.

(Meredith Music Resource). This exciting work, by one of today's most highly regarded music scholars, brings new light to the more than two dozen works by Ralph Vaughan Williams for military band, brass band and wind ensemble. Vaughan Williams' unique relationship with fellow composer Gustav Holst is examined as well as his relationships with personnel at the Royal Military School of Music, the BBC and the Salvation Army. There's much more in this hard-to-put-down volume for conductors, performers, students and aficionados! "...the contributions of Jon Mitchell have become a cornerstone of serious scholarship in our field. ...a welcome insight into the life and works of Vaughan Williams. Contained within are valuable insights into the world of Vaughan Williams that, for the majority of us, will be an undiscovered country." Craig Kirchhoff Professor of Music/Director of Bands University of Minnesota (a href="http://youtu.be/8U3fN1SPXVE" target="_blank")Click here for a YouTube video on Ralph Vaughan Williams' Wind Works(/a)