Poet, wordsmith and storyteller Jay Joslin continues his journey of awe, passion and absurdity in this, his second collection. With a troubadour's spirit and a daring verve, he makes metaphorical play with the quintessential signs and portents which remind us that we are indeed on a planet, and are very fortunate to exist at all, astronomically speaking.

Contributors: Jeff Hood Lisa A. Dordal Jonathan Freeman-Coppadge Tyler Heston Kenny Pierce Riley Chattin Richard Barham Jennifer Hasler Andrew Dykstra S. R. Davis Todd McGraw Stephen V. Sprinkle Ray Jordan Peterson Toscano LGBTQ Christians read, love, scrutinize, become absorbed with, and find deep spiritual meaning in the Bible. As these testimonies show, lesbian, gay, bisexual, transgender, and other queer Christians are inaugurating a fresh, exciting, new era in biblical interpretation. It is they whose rare insights into particular Bible stories and characters, told with poignancy and clarity, reveal a gay-friendly Bible and a gay-friendly God who cherishes and needs them just as they are. It is they who are running to the Bible with a longing for the Holy Spirit that far surpasses that of too many straight Christians. If given free rein, these inventive, challenging, and profoundly engaged evangelists may be the ones we have been waiting for to rescue biblical interpretation from those who too often are not only hurtful but dismal and boring. Thank God for them!

In 1652 a small group of Dutch farmers landed on the southernmost tip of Africa. Sent by the powerful Dutch India Company, their mission was simply to grow vegetables and supply ships rounding the cape. The colonists, however, were convinced by their strict Calvinist faith that they were among God's “Elect,” chosen to rule over the continent. Their saga—bloody, ferocious, and fervent—would culminate three centuries later in one of the greatest tragedies of history: the establishment of a racist regime in which a white minority would subjugate and victimize millions of blacks. Called apartheid, it was a poisonous system that would only end with the liberation from prison of one of the moral giants of our time, Nelson Mandela. A Rainbow in the Night is Dominique Lapierre's epic account of South Africa's tragic history and the heroic men and women—famous and obscure, white and black, European and African—who have, with their blood and tears, brought to life the country that is today known as the Rainbow Nation.

“Both a memoir and manifesto for education reform . . . chronicles [Cummins’s] remarkable career as a teacher, headmaster, and school founder.” —Kirkus Reviews In this entertaining and inspiring memoir, renowned educator Paul Cummins candidly shares his journey from privileged kid and ivory-tower scholar to hands-on progressive educator, working to achieve social justice through education for all youth: from children of celebrities to foster and incarcerated youth and those facing sometimes unimaginable circumstantial hurdles to education and accomplishment—proving time and again that all children can succeed given appropriate support. Confessions of a Headmaster is “the story of the birth of the kind of open, enlightened, diverse education we all take for granted today, told in a warm and engaging way by the visionary in our midst who made it happen” (Victoria Shorr, cofounder of the Archer School for Girls and of the Pine Ridge Girls’ School). “The story of a man who brought the romance back into teaching at a time when the field of education is a field of constant national controversy, and our most popular books have titles with militarist references, such as The Teacher Wars.” —Mona Simpson, national bestselling author of Anywhere But Here “As Paul Cummins once remarked, ‘Passion without intelligence is of limited value’—and the inverse is also true—for who would want intelligence without passion? In Confessions, we see what can happen when these two qualities work in sync!” —John Densmore, drummer for the Doors

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Contributions by Emma Frances Bloomfield, Sheila Bock, Kristen Bradley, Hannah Chapple, James Deutsch, Máirt Hanley, Christine Hoffmann, Kate Parker Horigan, Shelley Ingram, John Laudun, Jordan Lovejoy, Lena Marander-Eklund, Jennifer Morrison, Willow G. Mullins, Anne Pryor, Todd Richardson, and Claire Schmidt The weather governs our lives. It fills gaps in conversations, determines our dress, and influences our architecture. No matter how much our lives may have moved indoors, no matter how much we may rely on technology, we still monitor the weather. Wait Five Minutes: Weatherlore in the Twenty-First Century draws from folkloric, literary, and scientific theory to offer up new ways of thinking about this most ancient of phenomena. Weatherlore is a concept that describes the folk beliefs and traditions about the weather that are passed down casually among groups of people. Weatherlore can be predictive, such as the belief that more black than brown fuzz on a woolly bear caterpillar signals a harsh winter. It can be the familiar commentary that eases daily social interactions, such as asking, “Is it hot (or cold) enough for you?” Other times, it is simply ubiquitous: “If you don’t like the weather, wait five minutes and it will change.” From detailing personal experiences at picnics and suburban lawns to critically analyzing storm stories, novels, and flood legends, contributors offer engaging multidisciplinary perspectives on weatherlore. As we move further into the twenty-first century, an increasing awareness of climate change and its impacts on daily life calls for a folkloristic reckoning with the weather and a rising need to examine vernacular understandings of weather and climate. Weatherlore helps us understand and shape global political conversations about climate change and biopolitics at the same time that it influences individual, group, and regional lives and identities. We use weather, and thus its folklore, to make meaning of ourselves, our groups, and, quite literally, our world.

Psychoanalysis as a navigation device for the cultural maze of the twenty-first century. "Can Freud be 'updated' in the twenty-first century, or is he a venerated but outmoded genius?" asks Jerry Aline Flieger. In Is Oedipus Online? Flieger stages an encounter between psychoanalysis and the new century, testing the viability of Freud's theories in light of the emergent realities of our time. Responding to prominent critics of psychoanalysis and approaching our current preoccupations from a Freudian angle, she presents a reading of Freudian theory that coincides with and even clarifies new concepts in science and culture. Fractals, emergence, topological modeling, and other nonlinearities, for example, can be understood in light of both Freud's idea of the symptom as a nodal point and Lacan's concept of networks (rather than sequential cause and effect) that link psychic realities. At the same time, Flieger suggests how emerging paradigms in science and culture may elucidate Freud's cultural theory. Like Slavoj Zizek, editor of the Short Circuits series, Flieger shifts effortlessly from field to field, discussing psychoanalysis, millennial culture, nonlinear science, and the landscape of cyberspace. In the first half of the book, "Re-siting Oedipus," she draws on the work of Lyotard, Zizek, Deleuze, Virilio, Baudrillard, Haraway and others, to refute the assumption of Freud's outdatedness in the new century. Then, in "Freud Sitings in Millennial Theory," she recasts oedipal theory, siting/sighting/citing Freud in a twenty-first-century context. Thinking of Oedipus—decipherer of enigmas, wanderer—as a navigator or search engine allows us to see psychoanalysis as a navigation device for the cultural maze of the "bimillennial" era, and Oedipus himself as a circuit of intersubjective processes by which we become human. For humanity—still needed in the "posthuman" century—is at the core of Freud's theory: "Reading Freud today," Flieger writes, "reminds us of the complications of the Sphinx's riddle, the enigma that Oedipus only thought he solved: the question of what it is to be human. Psychoanalysis continues to pose that question at the crossroads between instincts and their vicissitudes."