Butterfly Bill's personal narrative of Rainbow Gatherings from 1987 to 2000.

A fictional re-creation of a day in the life of a Rainbow character named Sunflower begins the book, illustrating events that might typically occur at an annual North American Rainbow Gathering. Using interviews with Rainbows, content analysis of media reports, participant observation, and scrutiny of government documents relating to the group, Niman presents a complex picture of the Family and its relationship to mainstream culture - called "Babylon" by the Rainbows. Niman also looks at internal contradictions within the Family and examines members' problematic relationship with Native Americans, whose culture and spiritual beliefs they have appropriated.

If you were to stumble across a Rainbow Gathering, you'd be forgiven for thinking you'd walked through a time warp to the 1960's. People are singing and dancing, going naked with feathers in their hair, and offering prayers to the Great Spirit. But this is the 21st century and it turns out that peace and love are still going strong.Held across the world on mountains and beaches, in forests and deserts, Rainbow Gatherings draw thousands of people to celebrate together for a cycle of the moon.. There's no electricity, alcohol, or commerce of any kind. And there's no one in charge.In Somewhere Under the Rainbow, Tom Thumb shares how he found his true colours with the Rainbow Family and how, just maybe, you could find yours, too.

This book explores the phenomenon of Rainbow Gatherings in Europe. These countercultural events form radically alternative temporary societies in the peripheries of modern states and manage themselves without centralized power, market economy or institutionalized forms of religion. The volume offers a vivid description of life in the Gatherings, analyses the main ideological tenets and places the meetings in historical and cultural context. It considers how the Rainbow Gathering tradition is rooted in networks of alternative spirituality and environmental counterculture but also reflects broader shifts in religion and religiosity.

“[A] fascinating debut . . . documenting the lives of teenage runaways who traverse America as part of a freewheeling counterculture.” —Publishers Weekly At age twenty-two, writer Chris Urquhart left a life of middle-class comfort to document the lives of these young nomads for a magazine feature. Captivated, she followed them for three more years. In honest prose interspersed with photographs portraying the grimy beauty of nomadic life, Dirty Kids tells the story of how Urquhart lived alongside runaways, crust punks, and dropouts, hippies, Deadheads, and Rainbows in an attempt to belong in their world. But the road took its toll, and along the way, Urquhart found suffering alongside the freedom—mental health issues, substance abuse, and fears of violence marred her journey. Despite all that, the warm, welcoming family of travelers and their radically alternative culture of sharing, generosity, and non-capitalistic collaboration forever changed her outlook on life and her understanding of freedom. “An illuminating and memorable twenty-first-century journey. From this angle, Burning Man looks bourgeois.” —Ted Conover, National Book Critics Circle Award-winning author of Newjack: Guarding Sing Sing “Brings readers face-to-face with the bliss of freedom, the terror of loneliness, and the hard but true realities of life on the road—and on the rails—in modern day Babylon.” —Peter Conners, author of Growing Up Dead: The Hallucinated Confessions of a Teenage Deadhead “Urquhart shows us a seldom-glimpsed slice of America with poetic flair and journalistic objectivity.” —Ken Ilgunas, award-winning author of Trespassing Across America

*** A NEW YORK TIMES "100 Notable Books of 2020" *** A stunning, complex narrative about the fractured legacy of a decades-old double murder in rural West Virginia—and the writer determined to put the pieces back together. In the early evening of June 25, 1980 in Pocahontas County, West Virginia, two middle-class outsiders named Vicki Durian, 26, and Nancy Santomero, 19, were murdered in an isolated clearing. They were hitchhiking to a festival known as the Rainbow Gathering but never arrived. For thirteen years, no one was prosecuted for the “Rainbow Murders” though deep suspicion was cast on a succession of local residents in the community, depicted as poor, dangerous, and backward. In 1993, a local farmer was convicted, only to be released when a known serial killer and diagnosed schizophrenic named Joseph Paul Franklin claimed responsibility. As time passed, the truth seemed to slip away, and the investigation itself inflicted its own traumas—-turning neighbor against neighbor and confirming the fears of violence outsiders have done to this region for centuries. In The Third Rainbow Girl, Emma Copley Eisenberg uses the Rainbow Murders case as a starting point for a thought-provoking tale of an Appalachian community bound by the false stories that have been told about. Weaving in experiences from her own years spent living in Pocahontas County, she follows the threads of this crime through the complex history of Appalachia, revealing how this mysterious murder has loomed over all those affected for generations, shaping their fears, fates, and desires. Beautifully written and brutally honest, The Third Rainbow Girl presents a searing and wide-ranging portrait of America—divided by gender and class, and haunted by its own violence.

Part memoir, part eyewitness history, part storytelling, this book takes you on a rollicksome ride through a generation of experiences. True Stories traces the evolution of a New World Culture from the Beatnik 1950s through the passions and protests and psychedelics of the 1960s, and onward into environmental and cross-cultural arts and political movements which today are thriving around the world. Told with humor and peppered with the authors philosophy, these stories take the reader to party with author Jack Kerouac, protest with the saintly Dorothy Day, and drop acid with Merry Prankster Ken Kesey. The history recounted here uncovers the origins of The Oregon Country Faire, the Rainbow Gatherings and the infamous Vortex Festival. The tales thread their way through the intimacies of Americas West Coast communes, caustic anti-Vietnam War protests, the beauty of creating community gardens in vacant city lots, and the untold tale of what really brought down the Soviet Union.