For years readers have written to Mary Summer Rain requesting interpretations of their dreams. In both Earthway and Daybreak, she addressed this need, adding a short list of interpreted dream symbols. Here, Mary Summer Rain and Alex Greystone present a reference guide to over 20,000 dream symbols alongside succint, easy-to-understand interpretations. Mary shares her insight into the world of spirit, giving the reader an interpretive tool to help in their own transformative journeys.

Vancouver is now North America’s third largest center for film and television production, recently witnessing the filming of Halle Berry’s Catwoman and Will Smith’s I, Robot, among others. But Vancouver has been hosting filmmakers for years, coming into its own in the early 1970s when Robert Altman, Warren Beatty and Julie Christie made McCabe and Mrs. Miller and Mike Nichols, Jack Nicholson and Candice Bergen filmed Carnal Knowlege. Dreaming in the Rain tells the story of how Vancouver became North by Northwest, from its early days as a Hollywood studio backlot to its becoming home to a vibrant indigenous scene that is among the most acclaimed, provocative, independent filmmaking communities anywhere. But with Hollywood’s growing concern over “runaway” productions, Vancouver’s growing filmmaking scene is wrought with controversy. The city’s American-based film industry is powerful enough to inspire loathing and threats from Hollywood. Along with tracing the art and commerce of Vancouver filmmaking, Vancouver Province movie critic David Spaner brings to life the flamboyant film personalities who left their marks. From visitors like Errol Flynn and Robert Altman, to local heroes such as The Matrix’s Carrie Anne Moss, who grew up in Vancouver, and Kissed star Molly Parker and director Lynne Stopkewich, vital players in the groundbreaking Vancouver indie scene. Includes more than 40 black and white photographs. “. . . [Spaner] has . . . scrupulous attention to detail and an obvious curiosity and passion for both Vancouver and its film industry.”—Entertainment Today David Spaner is a movie critic for the Vancouver Province.

Thirty-nine days ago, Dyston disappeared and the world suffered for it. Scarlett doesn’t understand why he had to leave, but Dyston is being haunted by the demons of his past, and also the truth of what he is—he is tainted. But leaving is also a ploy. Dyston can’t let Scarlett find out the real reason for his leaving, for if she does find out, he fears she could never forgive him. In the search for the missing journals of the nine archangels, Dyston also discovers some things he didn’t know about himself. But little does he know, the one journal he can’t find lies with his heart. Will Dyston be able to forgive himself and return to his loved ones, or will he hide away forever? In the fourth installment of the Legend of the Archangel series, will love prevail over darkness?

Includes index.