It is raininga?|Guy Renford is fresh out of prison. His life is in ruins; he is estranged from his wife and daughter. So he returns to the Yorkshire town of Stonegrave to try and recover what he once held dear. But a presence is watching from behind the endless rainstorm, something that wants revenge and has not come alone.a?|and still it rainsa?|Rosie sees ghosts, and has done since childhood. These sorrowful visions of drowned schoolgirls are linked to a past she fled to America to escape. But you can never run from your destiny, and something is calling Rosie back to rainy Stonegrave, the home of her worst nightmares.a?|and rainsa?|Slowly the lives of these two people are drawn together in a town cut off by floods, and at the height of the storm they will be forced to battle a relentless foe that uses the deluge as cover, stalking them from within a merciless onslaught of rain.

Tom Waits's distinctive, bourbon-soaked growl, his unique persona, and his incorporation of musical styles from blues to experimental to vaudeville have secured for him a top-shelf cult following and an extraordinary critical respect. The idea of the Wanderer - someone who seeks an escape from all of life's problems, and dreams himself into oblivion - serves as the fundamental personality type around which all Waits's music revolves. Ten years of producing and touring with Waits's macabre folktale adaptation across Canada and the U.S. has given author Corinne Kessel direct access to his work, creative process, and his associates. In this comprehensive analysis, Kessel examines all of the many characters that have appeared throughout the course of Waits' musical career, from Closing Time (1973) to Orphans: Brawlers, Bawlers, and Bastards. His raw form of expression and his evocative lyrics work together to form an emotional chronicle of society's misfits, outcasts, and lowlifes. He is not the sort of composer to chase after shiny red fire trucks to awesome blazing fires, but instead looks after the intangible dreams found dissipating in the last wisp of smoke from a cigarette, held in the weathered hands of a broken soul. Here, author Corinne Kessel pursues Waits into this distinctly murky and unsettled atmosphere to address in particular Waits's enduring questions of reality, landscape, and identity.

Matthew Worth is a mess. Somewhere between a good cop and a bad screwup, he botched a marriage and a career. His fellow officers think he’s a joke. His commanders are tired of cutting him breaks. Even his wife has left him for a flashy homicide detective. Busted to night patrol at a robbery-prone Omaha supermarket, Worth is doing time, wearing his uniform and asking shoppers if they want paper or plastic. If that isn’t enough, he suspects he might be falling for Gwen, the shy checkout girl who may be an even bigger mess than he is. It couldn’t get any worse. Until it does. When Gwen comes to him one night scared and desperate for help, Worth discovers just how far he’s willing to go to protect and serve. The next thing he knows, he’s driving a stolen car with a corpse in the trunk, a pistol in the glove box, and no way to turn back. Everything he doesn’t know could get them killed. And things haven’t even begun to get messy yet....

This full length biography is the first comprehensive account of a truly legendary artist. It covers every aspect of the life and career of a man who has never seemed to be in the slightest danger of losing his credibility to mainstream success. With twenty albums to his credit and a legion of passionate fans, the uncompromising Waits continues to conjure up tender, ragged and magical songs that have attracted cover versions by artists as esteemed as Bruce Springsteen, Rod Stewart, The Eagles, Elvis Costello, Meat Loaf, The Ramones and Johnny Cash. Abrasive and single-minded, the gravel voiced singer/songwriter and occasional movie actor has followed one of the most unlikely career paths in popular music. Patrick Humphries' biography finally does this unique character justice with an in-depth critical overview of his life and work supplemented with authoritative discography and filmography.

Two entwined narratives run through the creation of Swordfishtrombones and form the backbone of this book. As the 1970s ended, Waits felt increasingly constrained and trapped by his persona and career. Bitter and desperately unhappy, he moved to New York in 1979 to change his life. It wasn't working. But at his low point, he got the phone call that changed everything: Francis Ford Coppola tapped Tom to write the score for One From the Heart. Waits moved back to Los Angeles to work at Zoetrope's Hollywood studio for the next 18 months. He cleaned up, disciplined himself as a songwriter and musician, collaborated closely with Coppola, and met a script analyst named Kathleen Brennan - his "only true love". They married within 2 months at the Always and Forever Yours Wedding Chapel at 2am. Swordfishtrombones was the first thing Waits recorded after his marriage, and it was at Kathleen's urging that he made a record that conceded exactly nothing to his record label, or the critics, or his fans. There aren't many love stories where the happy ending sounds like a paint can tumbling in an empty cement mixer. Kathleen Brennan was sorely disappointed by Tom's record collection. She forced him out of his comfortable jazzbo pocket to take in foreign film scores, German theatre, and Asian percussion. These two stories of a man creating that elusive American second act, and also finding the perfect collaborator in his wife give this book a natural forward drive.

We are living in the midst of the Earth's sixth great extinction event, the first one caused by a single species: our own. In Wild Dog Dreaming, Deborah Bird Rose explores what constitutes an ethical relationship with nonhuman others in this era of loss. She asks, Who are we, as a species? How do we fit into the Earth's systems? Amidst so much change, how do we find our way into new stories to guide us? Rose explores these questions in the form of a dialogue between science and the humanities. Drawing on her conversations with Aboriginal people, for whom questions of extinction are up-close and very personal, Rose develops a mode of exposition that is dialogical, philosophical, and open-ended. An inspiration for Rose--and a touchstone throughout her book--is the endangered dingo of Australia. The dingo is not the first animal to face extinction, but its story is particularly disturbing because the threat to its future is being actively engineered by humans. The brazenness with which the dingo is being wiped out sheds valuable, and chilling, light on the likely fate of countless other animal and plant species. "People save what they love," observed Michael Soul , the great conservation biologist. We must ask whether we, as humans, are capable of loving--and therefore capable of caring for--the animals and plants that are disappearing in a cascade of extinctions. Wild Dog Dreaming engages this question, and the result is a bold account of the entangled ethics of love, contingency, and desire.

With his trademark growl, carnival-madman persona, haunting music, and unforgettable lyrics, Tom Waits is one of the most revered and critically acclaimed singer-songwriters alive today. After beginning his career on the margins of the 1970s Los Angeles rock scene, Waits has spent the last thirty years carving out a place for himself among such greats as Bob Dylan and Neil Young. Like them, he is a chameleonic survivor who has achieved long-term success while retaining cult credibility and outsider mystique. But although his songs can seem deeply personal and somewhat autobiographical, fans still know very little about the man himself. Notoriously private, Waits has consistently and deliberately blurred the line between fact and fiction, public and private personas, until it has become impossible to delineate between truth and self-fabricated legend. Lowside of the Road is the first serious biography to cut through the myths and make sense of the life and career of this beloved icon. Barney Hoskyns has gained unprecedented access to Waits’s inner circle and also draws on interviews he has done with Waits over the years. Spanning his extraordinary forty-year career from Closing Time to Orphans, from his perilous “jazzbo” years in 1970s LA to such shape-shifting albums as Swordfishtrombones and Rain Dogs to the Grammy Award winners of recent years, this definitive biography charts Waits’s life and art step by step, album by album. Barney Hoskyns has written a rock biography—much like the subject himself—unlike any other. It is a unique take on one of rock’s great enigmas.