In this final, stand-alone volume of the Morton River Valley Trilogy, Annie Heaphy, beloved hero of LynchÕs classic Toothpick House, has moved to the Valley and reunited with her old crowd. She loves her job driving for a sheltered workshop Ð until being gay becomes an issue. Valley gays unite to defend her as she dabbles in love with the right, and wrong, women. Readers rave about catching up with their old friendsÑ LynchÕs charactersÑ and about the warm, engaging way she tells the story. Whitney Scott, in Booklist, said, ÒLynch portrays a lesbian-gay community of enormous range, strength, and diversity.Ó In Rafferty Street, Sarah Aldridge called Lynch ÒÉa mature novelist who retains the freshness of a young writer.Ó

Eight years ago, Poke Rafferty, an American travel writer, and his Thai wife, Rose, adopted a Bangkok street child named Miaow, forming an unconventional intercultural family. That family has weathered extreme challenges—each of its three members carried the scars of a painful and dangerous history—but has stuck together with tenacity and love (and a little help from some friends). Now that family is in jeopardy: the birth of Poke and Rose’s newborn son has littered their small apartment with emotional land mines, forcing Poke to question his identity as a dad and Miaow to question her identity as a daughter. At the same time, the most cantankerous member of the small gang of Old Bangkok Hands who hang out at the Expat Bar suddenly goes missing under suspicious circumstances. Engaged in the search for the missing American, Poke is caught completely off-guard when someone he thought was gone forever resurfaces—and she has the power to tear the Raffertys apart.

Gerald 'Gerry' Rafferty, born on 16th April 1947, Underwood Lane, Ferguslie Park, Paisley, Renfrewshire, Scotland, UK was a musician, singer, songwriter and record producer. His solo hits of the late '70s included Baker Street, Right Down the Line and Night Owl, following another with the band Stealers Wheel during 1973, 'Stuck in the Middle with You'. Gerry's mum taught him Irish and Scottish folk songs when he was growing up, later being influenced by The Beatles and Bob Dylan. Rafferty joined the folk-pop group The Humblebums in 1969 then recorded his 1st solo album, Can I Have My Money Back? after they folded during 1971. Gerry formed the group Stealers Wheel with Joe Egan the following year, having several hits, including Stuck in the Middle with You and Star. Rafferty recorded his 2nd solo L.P, City to City in 1978, which produced Baker Street, his biggest hit.

Beginning outside the boarded-up windows of Columbine High School and ending almost twelve years later on the fields of Shiloh National Military Park, Hallow This Ground revolves around monuments and memorials—physical structures that mark the intersection of time and place. In the ways they invite us to interact with them, these sites teach us to recognize our ties to the past. Colin Rafferty explores places as familiar as his hometown of Kansas City and as alien as the concentration camps of Poland in an attempt to understand not only our common histories, but also his own past, present, and future. Rafferty blends the travel essay with the lyric, the memoir with the analytic, in this meditation on the ways personal histories intersect with History, and how those intersections affect the way we understand and interact with Place.

The story of how four young bohemians on the make - Bob Dylan, Joan Baez, Mimi Baez, and Richard Farina - converged in Greenwich Village, fell into love, and invented a sound and a style that are one of the most lasting legacies of the 1960s When Bob Dylan, age twenty-five, wrecked his motorcycle on the side of a road near Woodstock in 1966 and dropped out of the public eye, he was recognized as a genius, a youth idol, and the authentic voice of the counterculture: and Greenwich Village, where he first made his mark as a protest singer with an acid wit and a barbwire throat, was unquestionably the center of youth culture. So embedded are Dylan and the Village in the legend of the Sixties--one of the most powerful legends we have these days--that it is easy to forget how it all came about. In Positively Fourth Street, David Hajdu, whose 1995 biography of jazz composer Billy Strayhorn was the best and most popular music book in many seasons, tells the story of the emergence of folk music from cult practice to popular and enduring art form as the story of a colorful foursome: not only Dylan but his part-time lover Joan Baez - the first voice of the new generation; her sister Mimi - beautiful, haunted, and an artist in her own right; and her husband Richard Farina, a comic novelist (Been Down So Long It Looks Like Up To Me) who invented the worldliwise bohemian persona that Dylan adopted--some say stole--and made as his own. The story begins in the plain Baez split-level house in a Boston suburb, moves to the Cambridge folk scene, Cornell University (where Farina ran with Thomas Pynchon), and the University of Minnesota (where Robert Zimmerman christened himself Bob Dylan and swapped his electric guitar for an acoustic and a harmonica rack) before the four protagonists converge in New York. Based on extensive new interviews and full of surprising revelations, Positively Fourth Street is that rare book with a new story to tell about the 1960s. It is, in a sense, a book about the Sixties before they were the Sixties--about how the decade and all that it is now associated with it were created in a fit of collective inspiration, with an energy and creativity that David Hajdu captures on the page as if for the first time.

Four couples fled their European homes, desperate to escape the poverty, war, and tyranny. Seeking a better life, they embarked for America, relocating to coal towns in eastern Pennsylvania. They lived in squalor, faced discrimination, and endured danger. In the summer of 1897, unrest erupted among miners in the coal towns.

Discovering painting at the age of 40, Sir Winston Churchill revelled in his new pastime. He went on to produce over 550 paintings, with over 130 of them on the French Riviera. The fellow artist and Riviera resident Paul Rafferty has tracked down many of the locations Churchill used in Provence, an area the great man so aptly called 'paintatious'. Many of these locations are newly discovered and his 'fearless impressions' stand alongside to illustrate how Churchill captured them on canvas.