Radical Hermeneutics forges a closer collaboration between hermeneutics and deconstruction than has previously been attempted. For John D. Caputo, hermeneutics means radical thinking without transcendental justification: attending to the ruptures and irregularities in existence before the metaphysics of presence has a chance to smooth them over. Part One shows how Kierkegaardian repetition and Husserlian constitution are fused in Heidegger's classic of hermeneutic statement, Being and Time. Part Two takes up the radicalization of Husserl's and Heidegger's questioning carried out by Derrida. Here, Caputo urges a more radical reading of Heidegger as well as a more hermeneutic reading of Derrida. Part Three argues that radical thinking is not an exercise in nihilism, as its critics charge, but a renewed vigilance about the gaps and differences inherent in our experience. Caputo projects the possibility of a postmetaphysical conception of rationality, an ethics of dissemination, and a notion of faith liberated from the onto-theo-logic. Radical Hermeneutics addresses the most trenchant issues in recent Continental thought.

In these spirited essays, John D. Caputo continues the project he launched with Radical Hermeneutics of making hermeneutics and deconstruction work together. Caputo claims that we are not born into this world hard-wired to know Being, Truth, or the Good, and we are not vessels of a Divine or other omnipotent supernatural force. Focusing on how various contemporary philosophers develop aspects of this fragmented view of the life world in areas such as madness, friendship, democracy, gender, science, the "end of ethics," religion, and mysticism, this animated study by one of America's leading continental philosophers shakes the foundations of religion and philosophy, even as it gives them new life.

Is anything ever not an interpretation? Does interpretation go all the way down? Is there such a thing as a pure fact that is interpretation-free? If not, how are we supposed to know what to think and do? These tantalizing questions are tackled by renowned American thinker John D Caputo in this wide-reaching exploration of what the traditional term 'hermeneutics' can mean in a postmodern, twenty-first century world. As a contemporary of Derrida's and longstanding champion of rethinking the disciplines of theology and philosophy, for decades Caputo has been forming alliances across disciplines and drawing in readers with his compelling approach to what he calls "radical hermeneutics." In this new introduction, drawing upon a range of thinkers from Heidegger to the Parisian "1968ers" and beyond, he raises a series of probing questions about the challenges of life in the postmodern and maybe soon to be 'post-human' world.'

These essays focus on and explore the idea of radicalizing hermeneutics, first proposed in John D. Caputo's study Radical Hermeneutics. They address the confrontation of hermeneutics and postmodernism, and include contributors from the fields of philosophy, literature and science.

Laila Storch is a world-renowned oboist in her own right, but her book honors Marcel Tabuteau, one of the greatest figures in twentieth-century music. Tabuteau studied the oboe from an early age at the Paris Conservatoire and was brought to the United States in 1905, by Walter Damrosch, to play with the New York Symphony Orchestra. Although this posed a problem for the national musicians' union, he was ultimately allowed to stay, and the rest, as they say, is history. Eventually moving to Philadelphia, Tabuteau played in the Philadelphia Orchestra and taught at the Curtis Institute of Music, ultimately revamping the oboe world with his performance, pedagogical, and reed-making techniques. In 1941, Storch auditioned for Tabuteau at the Curtis Institute, but was rejected because of her gender. After much persistence and several cross-country bus trips, she was eventually accepted and began a life of study with Tabuteau. Blending archival research with personal anecdotes, and including access to rare recordings of Tabuteau and Waldemar Wolsing, Storch tells a remarkable story in an engaging style.

Essays describe Italian philosopher Gianni Vattimo’s unique and radical hermeneutic philosophy.