First Published in 2002. The Italian phenomenon known as raddoppiamento sintattico, or sometimes raddoppiamento fonosintattico, has received a vast amount of attention. Long recognized in Italian grammar books, the process consists of the gemination of a word-initial consonant in certain environments. The word raddoppiamento means “doubling,” and it is deemed “syntactic” or “phonosyntactic” because the process spans word boundaries. This offers a synchronic and diachronic cross-dialectical study of this phenomenon.

This book provides an overview of the phonology of Italian. It covers the different levels of analysis from individual sounds up to the phrasal level. It focuses on the most widely dispersed features of the language reflecting its significant regional and social variation and its most prominent regionally restricted patterns. Martin Krämer provides a critical survey of the generative literature on Italian phonology. He reports on current debates in the field, considers their particular and general theoretical interest, and provides both syntheses and original analyses. His accounts of the main aspects and characteristics of Italian phonology are couched in the framework of Optimality Theory, but he keeps formal aspects and theory-internal matters to a minimum and separate from the presentation and description of the data. His exposition is thus fully accessible to students and researchers who are not familiar with or do not subscribe to the tenets of the theory. Individual chapters may thus serve as starting points for in-depth investigations into particular aspects of Italian phonology in whatever framework the reader chooses to employ. The Phonology of Italian is the first fully comprehensive account of its subject for many years. It will interest scholars and advanced students of Italian, Romance phonology, and phonology as a system.

This book evaluates the predictions of syllable-based analyses of Italian in three domains: native speaker intuition of consonant cluster syllabification, definite article allomorphy, and segment duration, and tests the claimed convergence of multiple phenomena on the same syllable structure.

These articles provide new explorations into phonological patterns attested in the minor Romance languages (‘dialects’) spoken in Italy. The goal of this book is both theoretical and empirical. First, it aims to introduce non-Italianists to the phonological structures of the Italian dialects, including northern Gallo-Romance dialects, central and southern dialects, plus a Francoprovençal dialect spoken in southern Italy and a Catalan dialect spoken in Sardinia. Second, the collection provides readers with sophisticated analyses of complex and poorly understood and under-studied phonological phenomena. Over half of the articles contain data collected by the authors, and most of the data have not been available in English language publications. The richness of the empirical material and the sophistication of the theoretical analyses make this collection a particularly important contribution to both phonology and Romance language studies.

This volume presents current work on a topic in Romance linguistics that still informs linguistic theory to this day: metaphony in the languages of Italy. Papers discuss fundamental research topics such as phonological opacity in the light of chain shifts, post-tonic harmony and consonant transparency, the role of morphosyntax in the typology of metaphony, the explanatory adequacy of feature-based versus element-based analyses, and the locus of metaphony in grammar. Other chapters present new experimental data, thus building a more accurate empirical foundation for the study of metaphony. We envision the volume to become a reference book not only for an updated descriptive survey of metaphonic patterns in Italy but also a thorough discussion of the challenges that metaphony poses for different (morpho)phonological theories. The book bridges the gap between descriptive works and theoretical thinking in the study of metaphony.

Marit Julien investigates the relation between morphology and syntax, or more specifically, the relation between the form of inflected verbs and the position of those verbs. She surveys 530 languages and shows that, with the exception of agreement markers, the positioning of verbal inflectional markers relative to verb stems is compatible with a syntactic approach to morphology.

The 20 papers in this volume are a selection from those presented at the 34th LSRL, held in Salt Lake City, in 2004. The papers deal with a wide range of theoretical issues in Romance Linguistics and include several from the conference parasession, which focused on experimental approaches to problems in Romance Linguistics. The book will be of interest to anyone interested in current issues in theoretical Romance Linguistics.