The world-famous Rachmaninoff "Eighteenth Variation" has probably graced as many pianos and recitals as has any favorite solo. Lambert's arrangement has faithfully maintained the beauty of the original for intermediate pianists.

From an earlier Belwin Mills edition, this is Volume 6 of a series of the piano works of the great Russian-American composer. This book contains Variations on a Theme of Chopin, Opus 22, which is based on Chopin's C-Minor Prelude, Opus 28, No. 20; and also Variations on a Theme of Corelli, Opus 42, which is based on Corelli's Sonata for violin, violone, and harpsichord, Op. 5, No. 12 (which itself is a set of variations of the European musical theme, La Folia).

The six "Musical Moments" Opus 16 are a set of separate solo works for piano composed by Rachmaninoff in 1896. They present forms characteristic of previous musical eras, such as nocturne, song without words, barcarolle, etude, and theme and variations. Titles: No. 1 in B-Flat Minor * No. 2 in E-Flat Minor * No. 3 in B Minor * No. 4 in E Minor * No. 5 in D-Flat Major * No. 6 in C Major.

(Boosey & Hawkes Scores/Books). Another volume in the Masterworks Library of full scores collected in one volume.

This beautiful edition is made from the original 1934 2-piano score which is a reduction made by Rachmaninoff himself. The score is very clear and readable, and is configured in 4-staff systems, Piano I and Piano II, so two separate books are required for performance.

Drawing extensively on Russian-language sources, a concise yet comprehensive survey of the life and work of one of classical music’s great composers. Unquestionably one of the most popular composers of classical music, Sergei Rachmaninoff has not always been so admired by critics. Detractors have long perceived Rachmaninoff as part of an outdated Romantic tradition from a bygone Russian world, aloof from the modernist experimentation of more innovative contemporaries such as Igor Stravinsky. In this new assessment, Rebecca Mitchell resituates Rachmaninoff in the context of his time, bringing together the composer and his music within the remarkably dynamic era in which he lived and worked. Both in Russia and later in America, Rachmaninoff and his music were profoundly modern expressions of life in tune with an uncertain world. This concise yet comprehensive biography will interest general readers as well as those more familiar with this giant of Russian classical music.