Whither Quo Vadis? offers an engaging account of how theRoman world and its history are represented in film and the way inwhich the different adaptations reflect the shifting historicalsituations and ideological concerns of their own times. Explores five surviving film adaptations – Guazzoni's of1912; D’Annunzio/Jacoby of 1925; Mervyn LeRoy's of 1951; theItalian TV mini-series of 1985 by Franco Rossi; andKawalerowicz’s 2001 Polish version Examines how these different versions interpret, select from,and modify the novel and the ancient sources on which it isbased Offers an exceptionally clear view of how films have presentedancient Rome and how modern conditions determine itsreception Looks at rare and archival material which has not previouslyreceived close scholarly attention

Written at a time of global pandemic, when we have been forced to confront age-old existential questions—Why are we here? Where are we going?—perhaps for the first time, Quo Vadis? is extraordinarily relevant to leaders, managers and anyone who wants to bring meaning and authenticity into their work and life. Manfred Kets de Vries argues that we need to address these fundamental and disturbing questions if we are to live fully and meaningfully. Too many people wake up on a Monday morning and do the same things they have done every Monday. They go to work and function on autopilot without questioning their purpose. But how can we make sure our lives are rich and fulfilling? How do we know we’re on the right track? This is a book about death and the fear of death, about angst and absurdity; but it is also about endurance, honesty, well-being, responsibility, living with hard truths, creating meaning—and happiness. Quo Vadis? makes us look full on at the things we prefer not to see. It is a short book that pulls no punches but is far from bleak. Instead, Kets de Vries shows that our life is enriched, and our ability to make meaning and find happiness is increased, when we acknowledge the inevitable price we have to pay for knowing our own mind and understanding our inevitable end.

THE STORY: Utilizing the simple yet most imaginative theatrical techniques, and taking all of America as its target, the play offers scathing comments on the rigid socioeconomic stratification of modern society. The catalyst is one Horace Elgin, a

The Robe was the author's most successful book, going through multiple printings and remaining in the number one slot on the New York Times best seller list for almost a year. It was made into a film in which Richard Burton was the lead actor and which was nominated for a number of Academy awards. The book is a fictional telling of the story of the aftermath of the crucifixion of Jesus through the experiences of the Roman tribune Marcellus Gallio, who carried out the crucifixion, and his Greek slave Demetrius. Gallio wins the Robe through a toss of the dice and it comes to have an impact on his thinking and his life. Lloyd C. Douglas was an American minister and author born in Indiana in 1877. He was married and had two children. He did not write his first novel until the age of 50 but was considered to be one of the most popular writers of his time. His works usually had a moral and religious tone. Two of his best known works were The Robe and The Big Fisherman, which were made into major motion pictures. The Robe, written in 1942, sold over two million copies in hardcover alone. It held the number one position on the New York Times Best Seller list for over a year and remained on the list for an additional two years. The film version of The Robe hit the screen in 1953 and starred Richard Burton.

During the tumultuous reign of Nero, Vinicius, a pagan, and Ligia, a Christian, fall in love.

"A female private detective in Bologna attempts to unravel the circumstances surrounding her sister's death"--