This volume of essays focuses on films of the so-called quinqui genre, films created during the 1970s–1980s depicting the lives of young criminals from the outskirts of Spanish cities, that arose/spread during the uncertain transitional period in a Spain moving from a dictatorship to a democracy. The quinqui films, produced and released on a shoestring budget, were nonetheless immensely popular, although never fully considered as part of the national film production in academic circles due to their “B” nature and low quality. These films encapsulate many of the concerns that Spaniards were facing (unemployment, class conflict and disparity, wild economic growth, increasing violence and crime activity, illegal drugs ravaging the youth, etc.) and consequently they had an impact on social, cultural, and emotional levels in the reborn country. In addition to recent interest in these films as cultural products, this book presents a thorough and multi-perspective analysis of the implications for film and society that these films reveal, clarifying both: the Spanish filmic panorama as well as the canon, and the socio-political situation in a country that was going through one of the most controversial and tumultuous times of its contemporary history.

This volume of essays focuses on films of the so-called quinqui genre, films created during the 1970s–1980s depicting the lives of young criminals from the outskirts of Spanish cities, that arose/spread during the uncertain transitional period in a Spain moving from a dictatorship to a democracy. The quinqui films, produced and released on a shoestring budget, were nonetheless immensely popular, although never fully considered as part of the national film production in academic circles due to their “B” nature and low quality. These films encapsulate many of the concerns that Spaniards were facing (unemployment, class conflict and disparity, wild economic growth, increasing violence and crime activity, illegal drugs ravaging the youth, etc.) and consequently they had an impact on social, cultural, and emotional levels in the reborn country. In addition to recent interest in these films as cultural products, this book presents a thorough and multi-perspective analysis of the implications for film and society that these films reveal, clarifying both: the Spanish filmic panorama as well as the canon, and the socio-political situation in a country that was going through one of the most controversial and tumultuous times of its contemporary history.

This is first English-language study of cine quinqui, a cycle of Spanish delinquent-themed films made in the 1970s and 1980s. Exploring how the films reflected the auditory experience of marginal youth cultures during this period, the book casts new light on the criminological, economic and political fault lines of Spain's transition to democracy.

This is the first major study in English of cine quinqui, a cycle of popular Spanish films from the late 1970s and early 1980s that starred real-life juvenile delinquents. The book provides a close analysis of key quinqui films by directors such as Eloy de la Iglesia, José Antonio de la Loma and Carlos, as well as the moral panics, public fears and media debates that surrounded their controversial production and reception. In paying particular attention to the soundtrack of the films, the book shows how marginal youth cultures during Spain’s transition to democracy were shaped by sound. It will be of interest to scholars and students of Spanish film, history and cultural studies, and those working in sound studies and youth subcultures more broadly.

The first comprehensive scholarly study of Spanish erotic cinema, from the 1920s until the present dayThis book covers a significant part of the history of Spanish film, from the 1920s until the present day. Starting with a study of the kiss in silent films, the volume explores homoerotic narratives in the crusade films of the 1940s, the commodification of bodies in the late Franco period, and the so-called destape (literally aundressing) period that followed the abolition of censorship during the democratic transition.Reclaiming the importance of Spanish erotic cinema as a genre in itself, a range of international scholars demonstrate how the explicit depiction of sex can be a useful tool to illuminate current and historic social issues including ageism, colonialism, domestic violence, immigration, nationalisms, or women and LGBT rights. Covering a wide range of cinematic genres, including comedy, horror and melodrama, this book provides an innovative and provocative overview of Spanish cinema history and society in the twentieth and twenty-first centuries.ContributorsBrad Epps, Cambridge UniversitySally Faulkner, University of ExeterSantiago Fouz-HernA!ndez, Durham UniversityAntonio LA!zaro-Reboll, University of KentAnnabel MartA-n, Dartmouth CollegeAlejandro Melero Salvador, Universidad Carlos III in MadridJorge PA(c)rez, University of Texas, AustinCarolina Sanabria, University of Costa Rica Rob Stone, University of BirminghamTom Whittaker, University of LiverpoolEva Woods PeirA Vassar CollegeSarah Wright, Royal Holloway, University of LondonBarbara Zecchi, University of Massachusetts Amherst

The transition to democracy that followed the death of Spanish dictator Francisco Franco in 1975 was once hailed as a model of political transformation. But since the 2008 financial crisis it has come under intense scrutiny. Today, a growing divide exists between advocates of the Transition and those who see it as the source of Spain’s current socio-political bankruptcy. This book revisits the crucial period from 1962 to 1992, exposing the networks of art, media and power that drove the Transition and continue to underpin Spanish politics in the present. Drawing on rare archival materials and over three hundred interviews with politicians, artists, journalists and ordinary Spaniards, including former prime minister Felipe Gonzalez (1982–96), Following Franco unlocks the complex and often contradictory narratives surrounding the foundation of contemporary Spain.

Beginning film studies offers the ideal introduction to this vibrant subject. Written accessibly and with verve, it ranges across the key topics and manifold approaches to film studies. Andrew Dix has thoroughly updated the first edition, and this new volume includes new case studies, overviews of recent developments in the discipline, and up-to-the-minute suggestions for further reading. The book begins by considering some of film's formal features - mise-en-scène, editing and sound - before moving outwards to narrative, genre, authorship, stardom and ideology. Later chapters on film industries and on film consumption - where and how we watch movies - assess the discipline's recent geographical 'turn'. The book references many film cultures, including Hollywood, Bollywood and contemporary Hong Kong. Case studies cover such topics as sound in The Great Gatsby and narrative in Inception. The superhero movie is studied; so too is Jennifer Lawrence. Beginning film studies is also interactive, with readers enabled throughout to reflect critically upon the field.