Finally, here is the first complete biography of the important Navajo painter, Quincy Tahoma (1917-1956). Over 260 beautiful full color images of his paintings complement the dramatic story told of his life and career as one of the best artists of his generation. Tahoma's life journey includes early adoption, recognition of his unique talent, and a meteoric rise to fame in the Santa Fe art world followed by alcoholism. Following research into spotty records, the authors completed this compelling true story through oral histories from over 50 people, most of whom knew Tahoma personally. This book includes his work from his formative years discovering art at the Santa Fe Indian School to his winning the coveted Philbrook Award. The paintings display the range of the artist's considerable talents, from the tranquil scene of a napping baby antelope to action-packed buffalo hunts. Many of the pieces shown in the book have never before been seen in public.

AskART.com presents a biographical sketch of American artist Quincy Tahoma (1921-1956). Additional information for Tahoma includes a bibliography of publications about the artist, museum holdings, current exhibits, etc. Auction records, including highest prices, are available only to AskART members.

Collects the author's writings on sacred geography, Billy the Kid, actor Jay Silverheels, ecological ethics, Navajo place names, and old ways of knowing.

Art book by Logan Maxwell Hagege

This book is a lush and beautiful memoir of a very special house and a superb recreation of a bygone era.

For the Southwestern Indians, painting was a natural part of all the arts and ceremonies through which they expressed their perception of the universe and their sense of identification with nature. It was wholly lacking in individualism, included no portraits, singled out no artists. But the roving life of the Plains Indians produced a more personal art. Their painted hides were records of an individual's exploits intended, not to supplicate or appease unearthly powers, but to gain prestige within the tribe and proclaim invincibility to an enemy. Plains painting served man-to-man relationships, Southwestern painting those of man to nature, man to God. Such characteristics, and the ways they persist in contemporary Indian painting, are documented by the 157 examples Miss Dunn has chosen to illustrate her story. Thirty-three of these pictures, in full color, are here published for the first time.