"A powerful and timely book from one of the most provocative and engaging voices in contemporary environmental writing." —MICHAEL P. BRANCH, author of How to Cuss in Western When the pandemic struck, nature writer David Gessner turned to Henry David Thoreau, the original social distancer, for lessons on how to live. Those lessons—of learning our own backyard, re–wilding, loving nature, self–reliance, and civil disobedience—hold a secret that could help save us as we face the greater crisis of climate. DAVID GESSNER is the author of Leave It As It Is: A Journey Through Theodore Roosevelt's American Wilderness and the New York Times–bestselling All the Wild That Remains: Edward Abbey, Wallace Stegner and the American West. Chair of the Creative Writing Department at the University of North Carolina Wilmington, and founder and editor–in–chief of Ecotone, Gessner lives in Wilmington, North Carolina, with his wife, the novelist Nina de Gramont, and their daughter, Hadley.

Bestselling author David Gessner asks what kind of planet his daughter will inherit in this coast-to-coast guide to navigating climate crisis. The world is burning and the seas are rising. How do we navigate this new age of extremes? In A Traveler's Guide to the End of the World, David Gessner takes readers on an eye-opening tour of climate hotspots from the Gulf of Mexico to the burning American West to New York City to the fragile Outer Banks, where homes are being swallowed by the seas. He does so with his usual sense of humor, compassion, and a willingness to talk to anyone, providing an informative and sobering yet convivial guide for the age of fire, heat, wind, and water. Gessner approaches scientists and thinkers with a father’s question: What will the world be like in forty-two years? Gessner was forty-two when his daughter, Hadley, was born. What will the world be like in 2064, when Hadley is his age now? What is the future of weather? The future of heat, storms, and fire? What exactly will our children be facing? A Traveler's Guide to the End of the World tells a story of climate crisis that will both entertain and shake people awake to the necessity of navigating this new age together.

From twenty-seven of today’s leading writers, an anthology of original pieces on the author of Walden Features essays by Jennifer Finney Boylan • Kristen Case • George Howe Colt • Gerald Early • Paul Elie • Will Eno • Adam Gopnik • Lauren Groff • Celeste Headlee • Pico Iyer • Alan Lightman • James Marcus • Megan Marshall • Michelle Nijhuis • Zoë Pollak • Jordan Salama • Tatiana Schlossberg • A. O. Scott • Mona Simpson • Stacey Vanek Smith • Wen Stephenson • Robert Sullivan • Amor Towles • Sherry Turkle • Geoff Wisner • Rafia Zakaria • and a cartoon by Sandra Boynton The world is never done catching up with Henry David Thoreau (1817–1862), the author of Walden, “Civil Disobedience,” and other classics. A prophet of environmentalism and vegetarianism, an abolitionist, and a critic of materialism and technology, Thoreau even seems to have anticipated a world of social distancing in his famous experiment at Walden Pond. In Now Comes Good Sailing, twenty-seven of today’s leading writers offer wide-ranging original pieces exploring how Thoreau has influenced and inspired them—and why he matters more than ever in an age of climate, racial, and technological reckoning. Here, Lauren Groff retreats from the COVID-19 pandemic to a rural house and writing hut, where, unable to write, she rereads Walden; Pico Iyer describes how Thoreau provided him with an unlikely guidebook to Japan; Gerald Early examines Walden and the Black quest for nature; Rafia Zakaria reflects on solitude, from Thoreau’s Concord to her native Pakistan; Mona Simpson follows in Thoreau’s footsteps at Maine’s Mount Katahdin; Jennifer Finney Boylan reads Thoreau in relation to her experience of coming out as a trans woman; Adam Gopnik traces Thoreau’s influence on the New Yorker editor E. B. White and his book Charlotte’s Web; and there’s much more. The result is a lively and compelling collection that richly demonstrates the countless ways Thoreau continues to move, challenge, and provoke readers today.

Located within the field of environmental humanities, this volume engages with one of the most pressing contemporary environmental challenges of our time: how can we shift our understanding and realign what water means to us? Water is increasingly at the centre of scientific and public debates about climate change. In these debates, rising sea levels compete against desertification; hurricanes and floods follow periods of prolonged drought. As we continue to pollute, canalise and desalinate waters, the ambiguous nature of our relationship with these entities becomes visible. From the paradisiac and pristine scenery of holiday postcards through to the devastated landscapes of post-tsunami news reports, images of waters surround us. And while we continue to damage what most sustains us, collective precarity grows. Breaking down disciplinary boundaries, with contributions from scholars in the visual arts, history, earth systems, anthropology, architecture, literature and creative writing, archaeology and music, this edited collection creates space for less-prominent perspectives, with many authors coming from female, Indigenous and LGBTQIA+ contexts. Combining established and emerging voices, and practice-led research and critical scholarship, the book explores water across its scientific, symbolic, material, imaginary, practical and aesthetic dimensions. It examines and interrogates our cultural construction and representation of water and, through original research and theory, suggests ways in which we can reframe the dialogue to create a better relationship with water sources in diverse contexts and geographies. This expansive book brings together key emerging scholarship on water persona and agency and would be an ideal supplementary text for discussions on the blue humanities, climate change, environmental anthropology and environmental history.

An investigation into the bioethics of fish pain and suffering leads to a lifestyle-changing discovery for monster-fisher Mark Spitzer. Monster Fishing is a bestiary of gar, sharks, ratfish, buffalo, carp, pike, gaspergou, and the human spirit fighting to preserve a planet in distress. After fifty years of fishing waters worldwide, extreme angler Mark Spitzer takes a hard look at his impact on monster fish and their environments. With plenty of humor and a slew of action-packed adventures exploring both familiar and foreign waters during a deadly global pandemic, this deep dive into the neurobiology of fish suffering and stress invites a new way of seeing aquatic species and holding ourselves accountable for the health of our shared planet.

Explorer Morgan Sjogren retraces the 1920s Bernheimer expeditions into the heart of Glen Canyon and Bears Ears National Monument to learn from and defend these uniquely wild places. Path of Light treks back through time as author and explorer Morgan Sjogren retraces the 1920s expeditions led by Charles L. Bernheimer into the heart of Glen Canyon and Bears Ears National Monument. Using journals and photographs from the expeditions to recreate these historic routes, Sjogren encounters powerful perspectives and stories about land management and human rights issues that carry forth into the present. Mindful of the pervasive effects of colonization and motivated by a deeply personal care for the land, Sjogren asks what it means to be an explorer while learning from the people who have loved the land for millennia and moments. Path of Light walks towards an illuminated understanding of the landscape and its history in an effort to help preserve it for the future.

All environmentalism is local: “A wonderfully readable book” about saving the planet by focusing first on our own habitats (The Boston Globe). Though environmental awareness is on the rise, our march toward ecological collapse continues. What was once a movement based primarily on land preservation, endangered species, and policy reform is now a fractured mess of back-to-the-landers, capitalist “green lifestyle” vendors, technology worshipers, and countless special interest groups. Inspired by a rough-and-tumble journey across country and down river, David Gessner, a John Burroughs Award winner, makes the case for a new environmentalism. In a frank, funny, and incisive call to arms that spans from the Cape Wind Project to the Monkey Wrench Gang, he considers why we do or do not fight to protect and restore wilderness, and reminds us why it’s time to join the fray. Known as an environmental advocate “reminiscent of Edward Abbey” (Library Journal), Gessner rebels against this fragmented environmentalism and holier-than-thou posturing. He also suggests that global problems, though real, are disempowering. While introducing us to lovable, stubborn Dan Driscoll, “a regular guy fighting a local fight for a limited wilderness,” he argues for a movement focused on local issues and grounded in a more basic, more holistic—and ultimately more effective—defense of home. “Funny and inspiring.” —Publishers Weekly (starred review)