In rock art, humanlike images appear widely throughout the ages. The artworks discussed in this book range from paintings, engravings or scratchings on cave walls and rock shelters, images pecked into rocky surfaces or upon standing stones, and major sacred sites, in which exists the possibility of recovering the meanings intended by the artists.

Indigenous and non-Indigenous voices come together in this volume to discuss both the wounds of colonial history and the opportunities for decolonization, reconciliation, and hope in the relationship between the church and Indigenous peoples across the Americas. Scholars and pastoral leaders from Chile, Bolivia, Brazil, Mexico, the United States, and Canada, and Indigenous peoples of Mapuche, Chiquitano, Tzeltal Maya, Oglala Sioux, Mi'kmaw, and Anishinaabe-Ojibwe reflect on the possibility of constructing decolonial theology and pastoral praxis, and on the urgent need for transformation of church structures and old theology. The book opens new horizons for different ways of thinking and acting, and for the emergence of a truly intercultural theology.

The Canadian Sioux are descendants of Santees, Yanktonais, and Tetons from the United States who sought refuge in Canada during the 1860s and 1870s. Living today on eight reserves in Manitoba and Saskatchewan, they are the least studied of all the Sioux groups. This book, originally published in 1984, helps fill that gap in the literature and remains relevant even in the twenty-first century. Based on Howard’s fieldwork in the 1970s and supplemented by written sources, The Canadian Sioux, Second Edition descriptively reconstructs their traditional culture, many aspects of which are still practiced or remembered by Canadian Sioux although long forgotten by their relatives in the United States. Rich in detail, it presents an abundance of information on topics such as tribal divisions, documented history and traditional history, warfare, economy, social life, philosophy and religion, and ceremonialism. Nearly half the book is devoted to Canadian Sioux religion and describes such ceremonies as the Vision Quest, the Medicine Feast, the Medicine Dance, the Sun Dance, warrior society dances, and the Ghost Dance. This second edition includes previously unpublished images, many of them photographed by Howard, and some of his original drawings.