One of the threads that runs through Elena Poniatowska’s oeuvre is that of foreigners who have fallen in love with Mexico and its people. This is certainly the case of Querido Diego, te abraza Quiela--a brief novel (so short it was originally published in its entirety in Octavio Paz’s literary magazine Vuelta). The Russian exile and painter Angelina Beloff writes from the cold and impoverished post-war Paris to Diego Rivera, her spouse of over ten years. Beloff sends these letters to which there is no response during a time when the emancipation of women has broken many of the standard models and the protagonist struggles to fashion her own. Elena Poniatowska has (re)created these letters and within them one finds the unforgettable testimony of an artist and her lover during the valuable crossroads of a new time when Diego Rivera was forging a new life in his native country. In this edition, Nathanial Gardner comments on the truth and fiction Poniatowska has woven together to form this compact, yet rich, modern classic. Using archives in London, Paris and Mexico City (including Angelina’s correspondence held in Frida Kahlo’s own home) as well as interviews from the final remaining characters who knew the real Angelina, Gardner offers a mediation of the text and its historical groundings as well as critical commentary. This edition will appeal to both students and scholars of Latin American Studies as well as lovers of Mexican Literature and Art in general.

Fictionalized story of Diego Rivera based on letters written by his first wife, Angelina Beloff, after he moved away from Paris (and her) to Mexico. English and Spanish on facing pages.

Mexican culture has long been the object of scholarly interest and popular curiosity, notably since the 1910 Revolution and most recently in the 1990 Metropolitan Museum of Art exhibit "Mexico: Splendors of Thirty Centuries". During these eight decades in the evolution of the modern Mexican nation, shifting relations of power have constantly met with voices of opposition that have challenged the national vision of progress and unity. Textured Lives explores some of these cracks in the Mexican national edifice by examining the works of women in literature and the arts, with focus on individuals who represent crucial phases in Mexico's cultural history: Frida Kahlo and postrevolutionary nationalism, Rosario Castellanos and the promises of institutionalized revolution, Elena Poniatowska and the legacy of 1968, and Angeles Mastretta and the "golden age" of the oil boom. Schaefer argues that exploring the social context of cultural representation highlights the tensions between master narratives and these women's transgressive forays into those spaces of power. Combining literary theory, cultural analysis, gender study, and theories of artistic representation, her book embraces painting, literary journalism, the epistolary novel, and autobiographical narrative to question the traditional forms of these genres as well as to debate the boundaries between the self and the national identity.

This fictionalized account of the life of Tina Modotti is a fascinating story of the complex woman caught up in the social and political turbulence of the pre-World War II era.

The Latin American Literary Boom was marked by complex novels steeped in magical realism and questions of nationalism, often with themes of surreal violence. In recent years, however, those revolutionary projects of the sixties and seventies have given way to quite a different narrative vision and ideology. Dubbed the new sentimentalism, this trend is now keenly elucidated in Love and Politics in the Contemporary Spanish American Novel. Offering a rich account of the rise of this new mode, as well as its political and cultural implications, Aníbal González delivers a close reading of novels by Miguel Barnet, Elena Poniatowska, Isabel Allende, Alfredo Bryce Echenique, Gabriel García Márquez, Antonio Skármeta, Luis Rafael Sánchez, and others. González proposes that new sentimental novels are inspired principally by a desire to heal the division, rancor, and fear produced by decades of social and political upheaval. Valuing pop culture above the avant-garde, such works also tend to celebrate agape—the love of one's neighbor—while denouncing the negative effects of passion (eros). Illuminating these and other aspects of post-Boom prose, Love and Politics in the Contemporary Spanish American Novel takes a fresh look at contemporary works.

A remarkable novel that uniquely melds journalism with fiction, by Elena Poniatowska, the recipient of the prestigious 2013 Cervantes Prize Jesusa is a tough, fiery character based on a real working-class Mexican woman whose life spanned some of the seminal events of early twentieth-century Mexican history. Having joined a cavalry unit during the Mexican Revolution, she finds herself at the Revolution's end in Mexico City, far from her native Oaxaca, abandoned by her husband and working menial jobs. So begins Jesusa's long history of encounters with the police and struggles against authority. Mystical yet practical, undaunted by hardship, Jesusa faces the obstacles in her path with gritty determination. Here in its first English translation, Elena Poniatowska's rich, sensitive, and compelling blend of documentary and fiction provides a unique perspective on history and the place of women in twentieth-century Mexico.

In this collection of stories, Poniatowska weaves together the disparate lives that make up Mexico's rich cultural tapestry. These are stories about servants and matriarchs, street sweepers and sorceresses, shop keepers, nannies, mothers, travelers, prostitutes, and drug addicts. They are stories of broken lives and broken hearts, of betrayal and rebirth. The language is melodic, sensual, plain, coarse, aristocratic. It reflects the varied idioms of Mexico's diverse social classes. Poniatowska constructs characters of immense complexity, then slowly peels away the emotional and psychological layers to expose their greatest vulnerability. Nowhere is this more visible than in the title story The Heart of the Artichoke.