The clandestine festival QueerBeograd created spaces of critique and transformation in order to foster a politics of interconnectedness. Ivana Marjanovi explores the festival's transnational activist cabaret between 2006 and 2008, which was devised, directed and produced by Jet Moon, a founding member of the QueerBeograd collective. This pioneering study demonstrates how the process of staging QueerBeograd Cabaret created a shared space between queer, anti-fascism and No Borders politics, contributing to the advancement of the intersectionality perspective beyond identity. The study thus investigates historical genealogies of gender and political difference in the former and post-Yugoslav space, bringing these into relation with global social and art movements.

This volume combines empirically oriented and theoretically grounded reflections upon various forms of LGBT activist engagement to examine how the notion of intersectionality enters the political context of contemporary Serbia and Croatia. By uncovering experiences of multiple oppression and voicing fear and frustration that accompany exclusionary practices, the contributions to this book seek to reinvigorate the critical potential of intersectionality, in order to generate the basis for wider political alliances and solidarities in the post-Yugoslav space. The authors, both activists and academics, challenge the systematic absence of discussions of (post-)Yugoslav LGBT activist initiatives in recent social science scholarship, and show how emancipatory politics of resistance can reshape what is possible to imagine as identity and community in post-war and post-socialist societies. This book will be of interest to scholars and students in the areas of history and politics of Yugoslavia and the post-Yugoslav states, as well as to those working in the fields of political sociology, European studies, social movements, gay and lesbian studies, gender studies, and queer theory and activism.

What explains the popularity and widespread appeal of numerous post-Yugoslav feminist and LGBTQ+ festivals in the last decade? This book argues that the millennial generation expresses "reparative politics", as a distinct type of activism, through festivals. Reparative political acting, as identified here, characteristically relies on playfulness and creativity, interpretative (gender) dissent, acceptance of organizational and programmatic messiness and hybridity, belonging, and positive affect. The reparative politics is vital in a context that is marked by an individual and collective trauma of heteropatriarchy, violent breakdown of the common state, and post-transitional economic precarity. The book uses excerpts from programs, interviews and observations collected through the multi-sited ethnographic research. Siročić’s focus on contemporary activism in Southeastern Europe challenges the narrow geopolitical understanding of the recent feminist politics and refutes the common assumptions of a passive millennial generation. Yet, the book’s relevance surpasses its area of study, as it argues against the popular deriding of "artivist" expressions as the "merely cultural" or "merely aesthetic" engagement. In contrast, the book claims that such activities urge a redefined understanding of political agency. Festivals as Reparative Politics demonstrates that contemporary feminist festivals represent a distinct reformulation of contentious politics of gender whose constitutive principles can be exemplary for other types of political engagements.

To what extent is queer anti-identitarian? And how is it experienced by activists at the European level? At queer festivals, activists, artists and participants come together to build new forms of sociability and practice their ideals through anti-binary and inclusive idioms of gender and sexuality. These ideals are moreover channelled through a series of organisational and cultural practices that aim at the emergence of queer as a collective identity. Through the study of festivals in Amsterdam, Berlin, Rome, Copenhagen, and Oslo, Queer Festivals: Challenging Collective Identities in a Transnational Europe thoughtfully analyses the role of activist practices in the building of collective identities for social movement studies as well as the role of festivals as significant repertoires of collective action and sites of identitarian explorations in contemporary Europe.

William Gibson, author of the extraordinary multiaward-winning novel Neuromancer, has written his most brilliant and thrilling work to date . . .The Mona Lisa Overdrive. Enter Gibson's unique world—lyric and mechanical, sensual and violent, sobering and exciting—where multinational corporations and high tech outlaws vie for power, traveling into the computer-generated universe known as cyberspace. Into this world comes Mona, a young girl with a murky past and an uncertain future whose life is on a collision course with internationally famous Sense/Net star Angie Mitchell. Since childhood, Angie has been able to tap into cyberspace without a computer. Now, from inside cyberspace, a kidnapping plot is masterminded by a phantom entity who has plans for Mona, Angie, and all humanity, plans that cannot be controlled . . . or even known. And behind the intrigue lurks the shadowy Yazuka, the powerful Japanese underworld, whose leaders ruthlessly manipulate people and events to suit their own purposes . . . or so they think.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.