Since the accession of Queen Victoria in 1837, Buckingham Palace has been the private London home of the royal family and the headquarters of the British monarchy. Subsequent generations have made their mark, but the Palace remains, in purpose and in essence, the creation of Queen Victoria and Prince Albert.00Victoria was a modern and enlightened monarch, and introduced a number of innovations to the Palace, from the construction of the iconic East Front and elegant Ballroom to the new facilities of electricity and the telephone.00This book traces the transformation of Buckingham Palace from a relatively minor royal residence into a grand stage for state occasions, a symbol of the British monarchy and a national monument.

This book tells the full story of the Boy Jones, one of the first celerity stalkers in history

Entrusted by His Majesty the King with the duty of making a selection from Queen Victoria's correspondence, we think it well to describe briefly the nature of the documents which we have been privileged to examine, as well as to indicate the principles which have guided us throughout. It has been a task of no ordinary difficulty. Her Majesty Queen Victoria dealt with her papers, from the first, in a most methodical manner; she formed the habit in early days of preserving her private letters, and after her accession to the Throne all her official papers were similarly treated, and bound in volumes. The Prince Consort instituted an elaborate system of classification, annotating and even indexing many of the documents with his own hand. The result is that the collected papers form what is probably the most extraordinary series of State documents in the world. The papers which deal with the Queen's life up to the year 1861 have been bound in chronological order, and comprise between five and six hundred volumes. They consist, in great part, of letters from Ministers detailing the proceedings of Parliament, and of various political memoranda dealing with home, foreign, and colonial policy; among these are a few drafts of Her Majesty's replies. There are volumes concerned with the affairs of almost every European country; with the history of India, the British Army, the Civil List, the Royal Estates, and all the complicated machinery of the Monarchy and the Constitution. There are letters from monarchs and royal personages, and there is further a whole series of volumes dealing with matters in which the Prince Consort took a special interest. Some of them are arranged chronologically, some by subjects. Among the most interesting volumes are those containing the letters written by Her Majesty to her uncle Leopold, King of the Belgians, and his replies.1 The collection of letters from and to Lord Melbourne forms another hardly less interesting series. In many places Queen Victoria caused extracts, copied from her own private Diaries, dealing with important political events or describing momentous interviews, to be inserted in the volumes, with the evident intention of illustrating and completing the record.

The story of the queen who defied convention and defined an era A passionate princess, an astute and clever queen, and a cunning widow, Victoria played many roles throughout her life. In Queen Victoria: Twenty-Four Days That Changed Her Life, Lucy Worsley introduces her as a woman leading a truly extraordinary life in a unique time period. Queen Victoria simultaneously managed to define a socially conservative vision of Victorian womanhood, while also defying its conventions. Beneath her exterior image of traditional daughter, wife, and widow, she was a strong-willed and masterful politician. Drawing from the vast collection of Victoria’s correspondence and the rich documentation of her life, Worsley recreates twenty-four of the most important days in Victoria's life. Each day gives a glimpse into the identity of this powerful, difficult queen and the contradictions that defined her. Queen Victoria is an intimate introduction to one of Britain’s most iconic rulers as a wife and widow, mother and matriarch, and above all, a woman of her time.

In January 1839, photography was announced to the world. Two years prior, a young Queen Victoria ascended to the throne of Great Britain and Ireland. These two events, while seemingly unrelated, marked the beginnings of a relationship that continued throughout the nineteenth century and helped construct the image of an entire age. A Royal Passion explores the connections between photography and the monarchy through Victoria’s embrace of the new medium and her portrayal through the lens. Together with Prince Albert, her beloved husband, the Queen amassed one of the earliest collections of photographs, including works by renowned photographers such as Roger Fenton, Gustave Le Gray, and Julia Margaret Cameron. Victoria was also the first British monarch to have her life recorded by the camera: images of her as wife, mother, widow, and empress proliferated around the world at a time when the British Empire spanned the globe. The featured essays consider Victoria’s role in shaping the history of photography as well as photography’s role in shaping the image of the Queen. Including more than 150 color images—several rarely seen before—drawn from the Royal Collection and the J. Paul Getty Museum, this volume accompanies an exhibition of the same name, on view at the J. Paul Getty Museum from February 4 to June 20, 2014.

Interior designer and artist Ashley Hicks presents his photographs and description of the interior design of Buckingham Palace, home of Britain's royal family since 1837. An important representation of Regency, Victorian, and Edwardian styles, the palace is the work of such noted architects as John Nash and Sir Aston Webb. Hicks records the formal spaces with vibrancy, capturing the magnificent rooms furnished with treasures from the Royal Collection. Starting at the Grand Staircase, Hicks leads us through the state rooms, which include the White Drawing Room and the Blue Drawing Room that both overlook the palace gardens; the Ballroom, which is the setting for twenty investiture ceremonies each year; and the Throne Room, used by Queen Victoria for spectacular costume balls in the 1840s. The long, skylit Picture Gallery is hung with important works of art from the Royal Collection by Rembrandt van Rijn, Peter Paul Rubens, Nicolas Poussin, Anthony van Dyck, Johannes Vermeer, and Canaletto, among others. Decorative furnishings from George IV's exotic Brighton Pavilion lend a fanciful turn to many of the rooms.

An insight into the private life of this royal couple, as reflected in the family home they created together.