Life for East End families like Pat's was always a struggle. She worked for years in Tate & Lyle's sugar factory while her husband Charlie took on two jobs so their growing family could survive. Until one day Charlie came home with a brilliant idea - they should take over The Rising Sun pub in Bromley-by-Bow. In this charming memoir Pat describes her years as a pub landlady and vividly evokes the East End community she served in the 1960s, the extraordinary characters she encountered and the changes that swept through society at that time. She also reveals why she and Charlie moved to Essex, and what it felt like to become a star of The Only Way is Essex in her seventies.

An unforgettable story of an extraordinary love and a town's prejudice during World War II. Sophie and the Rising Sun "suggests the small but heartwarming triumphs made possible by human dignity and courage." -Publisher's Weekly. In sleepy Salty Creek, Georgia, strangers are rare. When a quiet, unassuming stranger arrives--a Japanese man with a secret history of his own--he becomes the talk of the town and a new beginning for lonely Sophie, who lost her first love during World War I. Middle-aged Sophie had resigned herself to a passionless existence. That all begins to change as she finds herself drawn to the mysterious Mr. Oto. When the Japanese bomb Pearl Harbor, Mr. Oto's newfound life comes under siege; his safety, even in Salty Creek, is no longer certain. Sophie must decide how much she is willing to risk for a future with the man who has brought such joy into her life. Visit the author at: www.AugustaTrobaugh.com

Chasing the Rising Sun is the story of an American musical journey told by a prize-winning writer who traced one song in its many incarnations as it was carried across the world by some of the most famous singers of the twentieth century. Most people know the song "House of the Rising Sun" as 1960s rock by the British Invasion group the Animals, a ballad about a place in New Orleans -- a whorehouse or a prison or gambling joint that's been the ruin of many poor girls or boys. Bob Dylan did a version and Frijid Pink cut a hard-rocking rendition. But that barely scratches the surface; few songs have traveled a journey as intricate as "House of the Rising Sun." The rise of the song in this country and the launch of its world travels can be traced to Georgia Turner, a poor, sixteen-year-old daughter of a miner living in Middlesboro, Kentucky, in 1937 when the young folk-music collector Alan Lomax, on a trip collecting field recordings, captured her voice singing "The Rising Sun Blues." Lomax deposited the song in the Library of Congress and included it in the 1941 book Our Singing Country. In short order, Woody Guthrie, Pete Seeger, Lead Belly, and Josh White learned the song and each recorded it. From there it began to move to the planet's farthest corners. Today, hundreds of artists have recorded "House of the Rising Sun," and it can be heard in the most diverse of places -- Chinese karaoke bars, Gatorade ads, and as a ring tone on cell phones. Anthony began his search in New Orleans, where he met Eric Burdon of the Animals. He traveled to the Appalachians -- to eastern Kentucky, eastern Tennessee, and western North Carolina -- to scour the mountains for the song's beginnings. He found Homer Callahan, who learned it in the mountains during a corn shucking; he discovered connections to Clarence "Tom" Ashley, who traveled as a performer in a 1920s medicine show. He went to Daisy, Kentucky, to visit the family of the late high-lonesome singer Roscoe Holcomb, and finally back to Bourbon Street to see if there really was a House of the Rising Sun. He interviewed scores of singers who performed the song. Through his own journey he discovered how American traditions survived and prospered -- and how a piece of culture moves through the modern world, propelled by technology and globalization and recorded sound.

London, 1471. The War of the Roses rages on. Edward of York has claimed the English throne and his Yorkist supporters gleefully slaughter their adversaries; there's no mercy for anyone who supported the Lancastrian cause. Margaret Beaufort - mother of Henry Tudor, the only hope for the House of Lancaster - knows her enemies are closing in. Desperate for help she turns to Christopher Urswicke for protection. But when ruthless scheming and pitiless killings are the only routes to survival, Urswicke will have to choose where his loyalties truly lie.

Abigail and Hugo have just helped restore the balance of power in Orkney by defeating the powerful alchemist Vertulious when Abigail discovers that Capricorn, the mermaid queen she trusted to help them, has unleashed the powerful Midgard Serpent named Jormungand—who, years ago, encircled the world of mankind and held it captive until Odin banished it to an underwater prison. Capricorn is determined to force Odin to make her goddess of the seas over Aegir, and she’s ready to use the massive serpent to bend him to her will—threatening all of Orkney. Abigail and Hugo must embark on an adventure across the seas to Odin’s island sanctuary to find a way to stop Capricorn and return Jormungand to his watery cell. But when Abigail finds that her powers are not enough, she has to tap into her dark magic again and again. As she is drawn further down this path, a dark presence makes itself known to her—one that may alter her path forever.

Considered by many to be the finest Irish writer now working in prose, John McGahern's That They May Face the Rising Sun vividly brings to life a whole world and its people with insight and humour and deep sympathy. Joe and Kate Ruttledge have come to Ireland from London in search of a different life. In passages of beauty and truth, the drama of a year in their lives and those of the memorable characters that move about them unfolds through the action, the rituals of work, religious observances and play. By the novel's close we feel that we have been introduced, with deceptive simplicity, to a complete representation of existence - an enclosed world has been transformed into an Everywhere. 'It is a simple and ordinary story, calmly, wryly crafted with subtle detail - and therein lies McGahern's genius. As sharply, brilliantly observed as any he has written . . . McGahern, a supreme chronicler of the ordinary . . . has created a novel that lives and breathes as convincingly as the characters who inhabit it.' Irish Times