Modern scholars have often viewed the Abbasid caliphs of the eleventh and twelfth centuries as pale imitations of their eighth- and ninth- century ancestors. Following the rise of the Buyid amirate in the tenth century, scholars have turned their attention away from the Abbasids - viewing them as inconsequential puppets controlled by stronger powers - and focused their studies on the development of the Buyid and Saljuq dynasties. After the Buyid deposition of the Abbasid caliph, al-Mustakfi, in the mid-tenth century, the Caliphate is said to have been relegated to puppet status, vainly clinging to its past glory until its destruction at the hands of the Mongols in 1258. away their ability to administer and defend the central Islamic lands. All that was left to them was the prestige of their institution, however vaguely defined. For this reason, there has been little if any modern research on the Abbasid caliphs of this period.

By turns hilarious and harrowing, this work by an acclaimed English travel writer is the story of his family's move from the gray skies of London to the sun-drenched city of Casablanca, where Islamic tradition and African folklore converge--and nothing is as easy as it seems.

The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)

The Caliph’s Splendor is a revelation: a history of a civilization we barely know that had a profound effect on our own culture. While the West declined following the collapse of the Roman Empire, a new Arab civilization arose to the east, reaching an early peak in Baghdad under the caliph Harun al-Rashid. Harun is the legendary caliph of The Thousand and One Nights, but his actual court was nearly as magnificent as the fictional one. In The Caliph’s Splendor, Benson Bobrick eloquently tells the little-known and remarkable story of Harun’s rise to power and his rivalries with the neighboring Byzantines and the new Frankish kingdom under the leadership of Charlemagne. When Harun came to power, Islam stretched from the Atlantic to India. The Islamic empire was the mightiest on earth and the largest ever seen. Although Islam spread largely through war, its cultural achievements were immense. Harun’s court at Baghdad outshone the independent Islamic emirate in Spain and all the courts of Europe, for that matter. In Baghdad, great works from Greece and Rome were preserved and studied, and new learning enhanced civilization. Over the following centuries Arab and Persian civilizations made a lasting impact on the West in astronomy, geometry, algebra (an Arabic word), medicine, and chemistry, among other fields of science. The alchemy (another Arabic word) of the Middle Ages originated with the Arabs. From engineering to jewelry to fashion to weaponry, Arab influences would shape life in the West, as they did in the fields of law, music, and literature. But for centuries Arabs and Byzantines contended fiercely on land and sea. Bobrick tells how Harun defeated attempts by the Byzantines to advance into Asia at his expense. He contemplated an alliance with the much weaker Charlemagne in order to contain the Byzantines, and in time Arabs and Byzantines reached an accommodation that permitted both to prosper. Harun’s caliphate would weaken from within as his two sons quarreled and formed factions; eventually Arabs would give way to Turks in the Islamic empire. Empires rise, weaken, and fall, but during its golden age, the caliphate of Baghdad made a permanent contribution to civilization, as Benson Bobrick so splendidly reminds us.

A history of the Abbasid Caliphate from its foundation in 750 and golden age under Harun al-Rashid to the conquest of Baghdad by the Mongols in 1258, this study examines the Caliphate as an empire and an institution, and its imprint on the society and culture of classical Islamic civilization.

From a preeminent scholar of Islamic history, the authoritative history of caliphates from their beginnings in the 7th century to the modern day In Caliphate, Islamic historian Hugh Kennedy dissects the idea of the caliphate and its history, and explores how it became used and abused today. Contrary to popular belief, there is no one enduring definition of a caliph; rather, the idea of the caliph has been the subject of constant debate and transformation over time. Kennedy offers a grand history of the caliphate since the beginning of Islam to its modern incarnations. Originating in the tumultuous years following the death of the Mohammad in 632, the caliphate, a politico-religious system, flourished in the great days of the Umayyads of Damascus and the Abbasids of Baghdad. From the seventh-century Orthodox caliphs to the nineteenth-century Ottomans, Kennedy explores the tolerant rule of Umar, recounts the traumatic murder of the caliph Uthman, dubbed a tyrant by many, and revels in the flourishing arts of the golden eras of Abbasid Baghdad and Moorish Andalucí Kennedy also examines the modern fate of the caliphate, unraveling the British political schemes to spur dissent against the Ottomans and the ominous efforts of Islamists, including ISIS, to reinvent the history of the caliphate for their own malevolent political ends. In exploring and explaining the great variety of caliphs who have ruled throughout the ages, Kennedy challenges the very narrow views of the caliphate propagated by extremist groups today. An authoritative new account of the dynasties of Arab leaders throughout the Islamic Golden Age, Caliphate traces the history-and misappropriations-of one of the world's most potent political ideas.