The 3rd Field Company Engineers holds a distinguished place in the history of the Australian Army, being the first unit of the AIF to deploy on active service and to come under enemy fire, in defence of the Suez Canal against a Turkish attack in February 1915, almost three months before the Gallipoli landing. This book, the result of many years of research, details the work of the Company from its raising in August 1914 until the end of the war in November 1918. Drawing on both official records and personal papers, it explores the varied activities of an engineering unit, ranging from the taxing work of building bridges and other vital infrastructure in and behind battle zones to the highly dangerous task of extending trenches and barbed wire obstructions on the front line. From senior command levels down to the rank-and-file Sappers, the book combines a careful account with personal experiences and observations to present a compelling portrait of the unsung heroes of the AIF. As an example of the role of engineers in the First World War, Purple Patch offers an authoritative examination of the achievements of this most notable unit.

The 3rd Field Company Engineers holds a distinguished place in the history of the Australian Army, being the first unit of the AIF to deploy on active service and to come under enemy fire, in defence of the Suez Canal against a Turkish attack in February 1915, almost three months before the Gallipoli landing.

Michael Steinberg's 1996 volume The Symphony: A Reader's Guide received glowing reviews across America. It was hailed as "wonderfully clear...recommended warmly to music lovers on all levels" (Washington Post), "informed and thoughtful" (Chicago Tribune), and "composed by a master stylist" (San Francisco Chronicle). Seiji Ozawa wrote that "his beautiful and effortless prose speaks from the heart." Michael Tilson Thomas called The Symphony "an essential book for any concertgoer." Now comes the companion volume--The Concerto: A Listener's Guide. In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach's Brandenburg Concertos, eighteen of Mozart's piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm and bright style. He is a master of capturing the expressive, dramatic, and emotional values of the music and of conveying the historical and personal context in which these wondrous works were composed. His writing blends impeccable scholarship, deeply felt love of music, and entertaining whimsy. Here then is a superb journey through one of music's richest and most diverse forms, with Michael Steinberg along as host, guide, and the best of companions.