A black preacher returns home to rural Georgia to claim an inheritance and bring down the ruthless plantation owner that he once served. He finds a surprise ally in the plantation owner's son.

An African American preacher returns to his hometown to open a church, outwitting a segregationist plantation owner to make it happen.

EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.

This text examines American norms of masculinity and their role in the law, with essays from legal academics, literary scholars, and judges. Together, these papers reinvigorate the law-and-literature movement by bringing a range of methodological and disciplinary perspectives to bear on the complex interactions of masculinity with both law and literature - ultimately shedding light on all three.

THE STORY: When Anna, an unmarried schoolteacher, is diagnosed with ATD, Acquired Toilet Disease, a fatal new malady with a high risk factor for elementary school teachers, she and her brother Carl take flight to Europe. Anna decides she wants to d

Star actor of stage, film, and television, civil rights activist, screenwriter, and director, Ossie Davis was among the most beloved and respected men in Hollywood and American society as a whole, whose brilliant oratory style was among his most inspiring and celebrated gifts—and all of his written essays, tributes, letters, and more have been collected for this book. This book represents the best of the scores of speeches and talks, written and delivered by the great Ossie Davis. While the sound of his voice will be missed in the reading, his unique gift for expressing himself, articulating his thoughts and his visions are present on every page of this moving collection. Davis had intended to assemble these disparate pieces long before his passing in the spring of 2005. His wife and his family have followed-up and delivered to us the text of his speeches, essays, tributes and eulogies, letters, and the brilliant monologue that was "The Benediction" from his groundbreaking play, first produced in 1961, "Purlie Victorious." In the end, this is a book that will resonate from Hollywood to the heartlands across the country as a document of one man's wisdom and generosity, and a legacy that enriches all of us.

The rich history of African-American theatre has often been overlooked, both in theoretical discourse and in practice. This volume seeks a critical engagement with black theatre artists and theorists of the twentieth century. It reveals a comprehensive view of the Art or Propaganda debate that dominated twentieth century African-American dramatic theory. Among others, this text addresses the writings of Langston Hughes, W.E.B. DuBois, Alain Locke, Lorraine Hansberry, Amiri Baraka, Adrienne Kennedy, Sidney Poitier, and August Wilson. Of particular note is the manner in which black theory collides or intersects with canonical theorists, including Aristotle, Keats, Ibsen, Nietzsche, Shaw, and O'Neill.