Pulcinella, a Neapolitan clown born of the commedia dell’arte tradition, went viral in Europe in the seventeenth and eighteenth centuries. He was an unlikely hero, grotesque in his mannerisms, with a bulging belly, occasional hunchback, and an insatiable desire for macaroni. Still, this bulbous misfit took his place next to kings, caliphs, and intellectual heavyweights. Pulcinella’s Brood traces the transnational arc of the Enlightenment-era Pulcinella, from his native Naples to Paris, from Rome to London. The book explores how Pulcinella was inserted into discourses about social order, aesthetics, and politics – how he became a revolutionary, a critic of the Catholic Church, and a champion of education. It examines how Pulcinella, along with his transnational brood, was a constant, pervasive presence during the Enlightenment and a squeaky-voiced participant in the ideological and theoretical debates that defined the era. Exploring the diffusion of Italian popular comedy throughout Europe, Pulcinella’s Brood proposes that Pulcinella, a grotesque, food-obsessed clown, can be wielded as a historical disruptor and a rich and dynamic source for casting both the Enlightenment and our contemporary world in a different light.

In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.

The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castrato’s comic cousin Pulcinella. Sacrifice in turn was inseparable from the system of patriarchy—involving teachers, patrons, colleagues, and relatives—whereby castrated males were produced not as nonmen, as often thought nowadays, but as idealized males. Yet what captivated audiences and composers—from Cavalli and Pergolesi to Handel, Mozart, and Rossini—were the extraordinary capacities of castrato voices, a phenomenon ultimately unsettled by Enlightenment morality. Although the castrati failed to survive, their musicality and vocality have persisted long past their literal demise.

An Eric Banyon fantasy.

Most people think they have Flanders - the Dutch-speaking northern half of Belgium - figured out: beer, chocolate and the EU are the standard tag lines. However, dig beneath the surface and you will discover a region of quirk and style. Author Emma Thomson introduces travellers not only to the World Heritage Sites of Brussels' Grand Place or Bruges' romantic canals but also to snug spots, like the bewitched village of Laarne and Geraardsbergen, the real home of Manneken-Pis. Flanders provides something for everyone: the city-break or business tourist seeking restaurants and shopping; the wildlife and outdoor enthusiast after bird-watching and rural walks; the traveller wishing to seek out towns, villages and countryside off the beaten track; and the visitor in search of luxury and pampering. Dress up and join the merry madness of Aalst Carnival, spend the night in a traditional begijnhof, or simply people-watch over a bowl of mosselen-friet in Bruges' medieval town square. Entertaining and instructing in equal measure, Bradt's Flanders is the first guidebook to cover the entire region in depth. Join Emma Thomson on a journey along romantic canals, through bewitched villages and to bohemian cafés in this beguiling corner of Europe. Proost!

An enthralling coming-of-age debut novel about a young woman in late 19th-century Venice who becomes a man to join the male-dominated world of the theater as a puppeteer—in the vein of Sarah Waters. Ever since her grandfather introduced her to eight-string marionettes, Francesca has dreamed of performing from the rafters of Venice’s popular Minerva Theater. There’s just one problem: the profession is only open to men. When her father arranges to sell her into marriage to pay off his gambling debts, Francesca flees her home. Masquerading as a male orphan named Franco, she secures an apprenticeship with the Minerva’s eccentric ensemble of puppeteers. Amid the elaborate set-pieces, the glittering limes, and the wooden marionettes, she finds a place where she belongs—and grows into the person she was always meant to be: Franco. The past threatens to catch up with Franco when his childhood friend Annella reappears and recognizes him at the theater. Now a paid companion to an influential woman, Annella understands the lengths one must go to survive, and she promises to keep Franco’s secret. Desire sparks between them, and they find themselves playing a dangerous game against the most powerful figures of Venice’s underworld. With their lives—and the fate of the Minerva—hanging in the balance, Franco must discover who is pulling the strings before it’s too late. Rich in historic detail and imbued with sharp social commentary, Eight Strings is a gorgeous, spellbinding debut that celebrates love, life, and art in all its forms.

The newly updated, full-color Rough Guide to Belgium and Luxembourg is the definitive guide to this underrated corner of Europe. Detailed accounts and crystal-clear maps reveal every nook and cranny of both countries, from the best Belgian beer bars to comic shops, chocolate, and carnivals. The Rough Guide to Belgium and Luxembourg is packed with historical context and well-informed insights into the superb sights, museums and galleries of the big cities-Ghent, Bruges, Antwerp, Brussels, and Luxembourg City-but it also departs from the urban centers for the forests and moorland of the Ardennes, the windswept beaches of the north coast, the WWI sites of Flanders, and Luxembourg's remote hamlets. You'll find gorgeous photography and color maps throughout, plus author picks, themed itineraries, and, of course, the lowdown on the best hotels, cafés, restaurants, and shops across every price range, giving you clear, balanced reviews and honest, first-hand opinions. Make the most of your time on EarthTM with The Rough Guide to Belgium & Luxembourg.