When Maurice Nicholl was studying in Zurich, he met Jung, and Ouspensky. He went on to study with Gurdjieff, and from 1931 to his death in 1953, he began at Ouspensky's request, a programme of work devoted to passing on the ideas he had received. Reissued in hard cover, these five unedited commentaries are taken from the weekly lectures and talks Nicoll gave to his students in England and which were recorded verbatim; the sixth volume is an index produced by the Gurdjieff society Washington DC. These differ from Nicholl's more polished works - they are more concerned with directly applying certain deep ideas to daily life.

This book recounts P. D. Ouspensky's first meeting and subsequent association with George Gurdjieff. It is widely regarded as perhaps the most comprehensive account of Gurdjieff's system of thought available. Many followers regard it as a "fundamental textbook" of Gurdjieff's teachings and it is often used as a means of introducing new students to Gurdjieff's system of self-development.

Reprint. Originally published: Psychological commentaries on the teaching of G.I. Gurdjieff and P.D. Ouspensky. London: Vincent Stuart, Ltd. 1952.

In a fresh interpretation of Lucretius's On the Nature of Things, Charles Segal reveals this great poetical account of Epicurean philosophy as an important and profound document for the history of Western attitudes toward death. He shows that this poem, aimed at promoting spiritual tranquillity, confronts two anxieties about death not addressed in Epicurus's abstract treatment--the fear of the process of dying and the fear of nothingness. Lucretius, Segal argues, deals more specifically with the body in dying because he draws on the Roman concern with corporeality as well as on the rich traditions of epic and tragic poetry on mortality. Segal explains how Lucretius's sensitivity to the vulnerability of the body's boundaries connects the deaths of individuals with the deaths of worlds, thereby placing human death into the poem's larger context of creative and destructive energies in the universe. The controversial ending of the poem, which describes the plague at Athens, is thus the natural culmination of a theme developed over the course of the work. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"A brilliant fantasy." -- Manchester Guardian. What would you do if you could re-live your life? In his only novel, occultist P. D. Ouspensky expands upon his concept of eternal recurrence, telling of a man who travels back in time and attempts to correct the mistakes of his schooldays and early manhood, including his romantic misadventures. Set in Moscow and Paris, the story served as an inspiration for the movie Groundhog Day.