First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

"Japanese Americans developed complex silences in response to social and religious marginalization. Utilizing case studies and histories of Japanese American arts--gardening, origami, jazz, and monuments. Enfolding Silence employs interdisciplinary analysis to uncover 'non-binary silences' that are mixtures of silences from religion, art, and oppression"--Provided by publisher.

One of Freud's central achievements was to demonstrate how unacceptable thoughts and feelings are repressed into the unconscious, from where they continue to exert a decisive influence over our lives. This volume contains a key statement about evidence for the unconscious, and how it works, as well as major essays on all the fundamentals of mental functioning. Freud explores how we are torn between the pleasure principle and the reality principle, how we often find ways both to express and to deny what we most fear, and why certain men need fetishes for their sexual satisfaction. His study of our most basic drives, and how they are transformed, brilliantly illuminates the nature of sadism, masochism, exhibitionism and voyeurism.

Melanie Klein is one of the few analysts whose body of work has inspired sociologists, philosophers, religious scholars, literary critics and political theorists, all attracted to the cross-fertilisation of her ideas. Other Banalities represents a long over-due exploration of her legacy, including contributions from acclaimed interdisciplinary scholars and practitioners. The contributors situate Klein within the history of the psychoanalytic movement, investigate her key theoretical and clinical advances, and look at how her thought has informed contemporary perspectives in the behavioural sciences and humanities. Topics covered range from Klein’s major psychological theories to clinical pathology, child development, philosophy, sociology, politics, religion, ethics and aesthetics. This volume reflects the auspicious future for Kleinian revivalism and demonstrates the broad relevance of Kleinian thought. It will be of great interest to scholars and practitioners of psychology, psychoanalysis and psychotherapy.

Psychoanalytic Geographies is a unique, path-breaking volume and a core text for anyone seeking to grasp how psychoanalysis helps us understand fundamental geographical questions, and how geographical understandings can offer new ways of thinking psychoanalytically. Elaborating on a variety of psychoanalytic approaches that embrace geographical imaginations and a commitment toward spatial thinking, this book demonstrates the breadth, depth, and vitality of cutting edge work in psychoanalytic geographies and presents readers with as wide a set of options as possible for taking psychoanalysis forward in their own work. It covers a wide range of themes and perspectives in terms of theoretical approaches such as Freudian, Lacanian, Kristevan, and Irigarayian; conceptual issues such as space, power, identity, culture, political economy, colonialism, ethics, and aesthetics; disciplinary insights including Geography, English, Sexuality Studies, and History of Science; as well as empirical contexts such as the reception of psychoanalysis in early twentieth century England, psychoanalytic geographies of violence and creativity in a small Mexican city, visual cultures of second-generation Iranian artists living in Los Angeles, and the hysterical underpinnings of climate change scepticism.

From the twentieth century in the twenty-first, psychoanalysis and deconstruction have challenged, and continue to challenge, our conceptions of subjectivity and selfhood. Psychoanalysis revealed that even in our innermost households we are never quite alone; rather, instances of “otherness” incessantly interfere in our most intimate relation to ourselves, forcing us to adapt continuously. Deconstruction, inheriting both this psychoanalytic disclosure and Heidegger’s destruction of the history of metaphysics, went to the foundations of the Western constructions of “the subject” and “the self,” only to find how a destabilizing otherness was always already haunting them. What, if anything, remains of the self in the aftermath? Early on in the wake of deconstruction, a certain misconceived and simplified notion of the “death of the subject” was proclaimed and in recent years more or less successful attempts have been made at reviving the notions of “the subject,” “the self,” and “agency.” In contrast to these attempts at revival, this book offers a two-pronged approach: On the one hand, it argues that neither psychoanalysis nor deconstruction propounds a simple annihilation of the subject or liquidation of the self; on the other hand, however, neither do they pave the way for a “return to the subject” or “resurrection of the self” that would allow us once again to become confident about our presence to ourselves. Instead, this book suggests that if we set ourselves the task of taking up the heritage from psychoanalysis and deconstruction in a serious manner, we are obliged to retrace the subject and the self as undergoing perpetual auto-deconstruction.

American Fiction of the 1990s: Reflections of History and Culture brings together essays from international experts to examine one of the most vital and energized decades in American literature. This volume reads the rich body of 1990s American fiction in the context of key cultural concerns of the period. The issues that the contributors identify as especially productive include: Immigration and America’s geographical borders, particularly those with Latin America Racial tensions, race relations and racial exchanges Historical memory and the recording of history Sex, scandal and the politicization of sexuality Postmodern technologies, terrorism and paranoia American Fiction of the 1990s examines texts by established authors such as Don DeLillo, Toni Morrison, Philip Roth and Thomas Pynchon, who write some of their most ambitious work in the period, but also by emergent writers, such as Sherman Alexie, Chang-Rae Lee, E. Annie Proulx, David Foster Wallace, and Jonathan Franzen. Offering new insight into both the literature and the culture of the period, as well as the interaction between the two in a way that furthers the New American Studies, this volume will be essential reading for students and lecturers of American literature and culture and late twentieth-century fiction. Contributors include: Timothy Aubry, Alex Blazer, Kasia Boddy, Stephen J. Burn, Andrew Dix, Brian Jarvis, Suzanne W. Jones, Peter Knight, A. Robert Lee, Stacey Olster, Derek Parker Royal, Krishna Sen, Zoe Trodd, Andrew Warnes and Nahem Yousaf.