The literary canon is one of the most lively areas of debate in contemporary literary studies. This set of essays is both timely and original in its focus on the canon in South-East Asian literatures, covering Burma, Cambodia, Indonesia, Laos, Malaysia, Philippines, Thailand and Vietnam. They vary in focus, from the broad panoramic survey of trends in a national literature to very specific discussions of the role of individuals in shaping a canon or the place of a particular text within a tradition, and from contemporary to traditional literature. They include discussions of the development of prose fiction, censorship and artistic freedom, the role of westerners in codifying indigenous literatures, the writing of literary history, the development of literary criticism and indigenous aesthetics.

The Malay Dilemma Revisited is a critical and balanced analysis of Malaysia's preferential race policy and its impact on the nation's delicate race dynamics and economy. Unlike America's affirmative action, Malaysia's version is far more aggressive and pervasive and has been remarkably successful in creating a sizable and stable Bumiputra (indigenous group) middle class. The price tag is significant: distortion of freemarket dynamics and consequent inefficiency. Perversely, the policy impairs rather than strengthens Bumiputras' ability to compete. In contrast to quotas and other set-aside programs that are the hallmark of the current policy, the writer presents an alternative strategy aimed primarily at enhancing Bumiputra competitiveness. The proposed approach would not negatively impact the economy nor interfere with the freemarket. Equally important, it would not arouse resentment from other Malaysians. The first objective would be to modernize the nation's archaic educational system to emphasize English, mathematics, the sciences, and technical training. Secondly, the influences of religious and royal institutions must be curtailed, and the rates of urbanization and population growth reduced. The primary objective is in enhancing competitiveness, not on meeting arbitrarily picked numerical goals and targets.

Scholarly works considering traditional Malay letters from a literary point of view are scarce. In this book, classical Malay literature of the 16th through the 19th centuries is viewed in the context of more than a millennium of medieval Malay letters. In the first part, based on a reconstruction of the literary self-awareness of the Malays, a model is offered of classical Malay literature as an integral, hierarchically arranged a ‘anthropomorphic’ system, the impetus for its formation being the Islamization of the Malay world. A study of the origin and evolution of all genres of Malay literature, as well as an analysis of some exemplary works with special reference to their poetics, provide the factual basis for the suggested model. The second part of the book treats of the aesthetics of classical Malay literature, first and foremost the central notion of the sphere of beauty, ‘the beautiful’ (indah). Its divine origin, internal properties-such as the diversity of manifestations, perfection, orderliness-capable of arousing love and thus producing a harmonizing effect on the human psyche, are considered, as well as the synthesis of Hindu-Javanese and Muslim components in Malay literature aesthetics. This is the first study that aims to present a coherent view of the entire body of classical Malay literature. In a novel and stimulating approach, the organizing principles of Malay literature are seen as a system in which the various genres are allotted their proper place.

Contributions examine the idea of the literary canon in Southeast Asia as a list of famous authors and works which have stood the test of time and reflect a country's cultural unity.