Develop applications and experiences for Microsoft’s HoloLens 2 and other Windows mixed reality devices. This easy-to-follow guide removes the mystery behind creating amazing augmented reality and virtual reality experiences. Mixed reality development tools and resources are provided. Beginning Windows Mixed Reality Programming, 2nd edition clearly explains all the nuances of mixed reality software development. You will learn how to create 3D objects and holograms, interact with holograms using voice commands and hand gestures, use spatial mapping and 3D spatial sound, build with toolkits such as Microsoft's Mixed Reality Toolkit and Unity’s AR Foundation and XR Platform, create intuitive user interfaces, and make truly awe-inspiring mixed reality experiences. This newly revised edition also includes updated content for HoloLens 2 development, including tutorials for new interactions such as hand tracking and eye tracking. What You Will Learn Prototype ideas quickly for the HoloLens 2 and Windows mixed reality devices Get started with Unity, the preferred tool for developing 3D experiences Locate and import 3D models for your project, or make your own Use spatial sound, voice commands, gestures, hand tracking, and eye tracking Build with Microsoft's Mixed Reality Toolkit and other toolkits to make apps the easy way Publish to the Windows Store and make money from your app Who This Book Is For Programmers looking to quickly learn how to create experiences for HoloLens 2. Also for programmers interested in building applications for the growing crop of virtual reality devices that support the Windows Mixed Reality platform.

Learn how functional programming can help you in deploying web servers and working with databases in a declarative and pure way Key Features Learn functional programming from scratch Program applications with side effects in a pure way Gain expertise in working with array tools for functional programming Book Description In large projects, it can get difficult keeping track of all the interdependencies of the code base and how its state changes at runtime. Functional Programming helps us solve these problems. It is a paradigm specifically designed to deal with the complexity of software development. This book will show you how the right abstractions can reduce complexity and make your code easy to read and understand. Mastering Functional Programming begins by touching upon the basics such as what lambdas are and how to write declarative code with the help of functions. It then moves on to more advanced concepts such as pure functions and type classes, the problems they aim to solve, and how to use them in real-world scenarios. You will also explore some of the more advanced patterns in the world of functional programming, such as monad transformers and Tagless Final. In the concluding chapters, you will be introduced to the actor model, implement it in modern functional languages, and explore the subject of parallel programming. By the end of the book, you will have mastered the concepts entailing functional programming along with object-oriented programming (OOP) to build robust applications. What you will learn Write reliable and scalable software based on solid foundations Explore the cutting edge of computer science research Effectively solve complex architectural problems in a robust way Avoid unwanted outcomes such as errors or delays and focus on business logic Write parallel programs in a functional style using the actor model Use functional data structures and collections in your day-to-day work Who this book is for If you are from an imperative and OOP background, this book will guide you through the world of functional programming, irrespective of which programming language you use.

Drawing on quantitative and qualitative audience research to understand how viewers categorize the reality genre. From Animal Hospital to Big Brother, this book examines the voices of people who watch reality programmes.

"Programming Reality is a collection of original essays that explore the television programs that have thrived in the Canadian regulatory and cultural context - the programs that straddle, and even blur, the border between reality and fiction. The interdisciplinary articles in Programming Reality: Perspectives on English-Canadian Television - the first anthology dedicated exclusively to the analysis of Canadian television content - combine textual analysis with that of the political economy of media communications."--BOOK JACKET.

Reality TV has changed television and changed reality, even if we are not among the millions who watch. Written for a broad audience, this accessible overview addresses questions such as: How real is reality TV? How do its programs represent gender, sex, class, and race? How does reality TV relate to politics, to consumer society, to surveillance? What kind of ethics are on display? Drawing on current media research and the author’s own analysis, this study encompasses the history and evolution of reality television, its production of reflexive selves and ordinary celebrity, its advertising and commercialization, and its spearheading of new relations between television and social media. To dismiss this programming as trivial is easy. Deery demonstrates that reality television merits serious attention and her incisive analysis will interest students in media studies, cultural studies, politics, sociology, and anyone who is simply curious about this global phenomenon.

Between 1995 and 2000, the number of music videos airing on MTV dropped by 36 percent. As an alternative to the twenty-four-hour video jukebox the channel had offered during its early years, MTV created an original cycle of scripted reality shows, including Laguna Beach, The Hills, The City, Catfish, and Jersey Shore, which were aimed at predominantly white youth audiences. In Millennials Killed the Video Star Amanda Ann Klein examines the historical, cultural, and industrial factors leading to MTV's shift away from music videos to reality programming in the early 2000s and 2010s. Drawing on interviews with industry workers from programs such as The Real World and Teen Mom, Klein demonstrates how MTV generated a coherent discourse on youth and identity by intentionally leveraging stereotypes about race, ethnicity, gender, and class. Klein explores how this production cycle, which showcased a variety of ways of being in the world, has played a role in identity construction in contemporary youth culture—ultimately shaping the ways in which Millennial audiences of the 2000s thought about, talked about, and embraced a variety of identities.