What the critics are saying: "Beyond the bounds of depravity!"–London Evening Standard "Despicable . . . ugly and obscene . . . a degrading, senseless misuse of film and time." –The Los Angeles Times "People are right to be shocked." –The New Yorker From the murky depths can come the most extraordinary things. . . . Profoundly Disturbing examines the underground cult movies that have–unexpectedly and unintentionally–revolutionized the way that all movies would be made. Called "exploitation films" because they often exploit our most primal fears and desires, these overlooked movies pioneered new cinematographic techniques, subversive narrative structuring, and guerrilla marketing strategies that would eventually trickle up into mainstream cinema. In this book Joe Bob Briggs uncovers the most seminal cult movies of the twentieth century and reveals the fascinating untold stories behind their making. Briggs is best known as the cowboy-hat wearing, Texas-drawling host of Joe Bob's Drive-in Theater and Monstervision, which ran for fourteen years on cable TV. His goofy, disarming take offers a refreshingly different perspective on movies and film making. He will make you laugh out loud but then surprise you with some truly insightful analysis. And, with more than three decades of immersion in the cult movie business, Briggs has a wealth of behind-the-scenes knowledge about the people who starred in, and made these movies. There is no one better qualified or more engaging to write about this subject. All the subgenres in cult cinema are covered, with essays centering around twenty movies including Triumph of the Will (1938), Mudhoney (1965), Night of the Living Dead (1967), Deep Throat (1973), The Texas Chain Saw Massacre (1974), Drunken Master (1978), and Crash (1996). Accompanying the text are dozens of capsule reviews providing ideas for related films to discover, as well as kitschy and fun archival film stills. An essential reference and guide to this overlooked side of cinema, Profoundly Disturbing should be in the home of every movie fan, especially those who think they've seen everything.

This extraordinary graphic novel is a powerful denunciation of sexual violence against women. As seen through the eyes of a twelve-year-old girl named Una, it takes place in northern England in 1977, as the Yorkshire Ripper, a serial killer of prostitutes, is on the loose and creating panic among the townspeople. As the police struggle in their clumsy attempts to find the killer, and the headlines in the local paper become more urgent, a once self-confident Una teaches herself to "lower her gaze" in order to deflect attention from boys. After she is "slut-shamed" at school for having birth control pills, Una herself is the subject of violent acts for which she comes to blame herself. But as the police finally catch up and identify the killer, Una grapples with the patterns of behavior that led her to believe she was to blame. Becoming Unbecoming combines various styles, press clippings, photo-based illustrations, and splashes of color to convey Una's sense of confusion and rage, as well as sobering statistics on sexual violence against women. The book is a no-holds-barred indictment of sexual violence against women and the shame and blame of its victims that also celebrates the empowerment of those able to gain control over their selves and their bodies. Una (a pseudonym) is an artist, academic, and comics creator. Becoming Unbecoming, which took seven years to create, is her first book. She lives in the United Kingdom.

The giant of Ljubljana marshals some of the greatest thinkers of our age in support of a dazzling re-evaluation of Jacques Lacan.

From the opening essay, "The Bloomsbury Group Live at the Apollo (Liner Notes from the New Best-Selling Album)" to the title piece that discusses ways in which you might begin a romance with your mother ("In today's fast-moving, transient, rootless society, where people meet and make love and part without ever really touching, the relationship every guy already has with his own mother is too valuable to ignore...") to a parody that features Samuel Beckett as a pilot giving an existential in-flight speech to the passengers, the twenty-five comic essays in this delightful collection are nothing short of brilliant. Ian Frazier, long considered one of our most treasured humorists, proves that comedy can be just as smart as it is entertaining.

With the death of the evil Lord Malrec, Alannys and her friends have turned the tide of civil war in Ravanmark in their favor. And yet, there is no time to relax. The rest of the Dark Alliance continues to fight. Cadenda comes calling, bringing the promise of war to enforce King Dorramon's engagement. And from the shadows, an even larger threat emerges. Strange, inflammatory rhetoric sweeps the nation, and even the stalwart Royal Guard can no longer be trusted. But how can Alannys defend herself against a menace she can’t even see? As the movement to ‘take the power of the few to the many’ continues to grow, and opposition to her swells stronger than ever, Alannys turns to the one thing that can prove her beyond a doubt—or destroy her beyond any recovery—the Acts of the Redeemer. Join Alannys and her friends again as they embark on an epic journey to save Ravanmark--and themselves.

This book is about how Western social psychology interfaces with an Eastern Zen Buddhist perspective. It is neither a purely Zen Buddhist critique of the former, nor is it merely a social psychological interpretation of Zen. Rather, it is an attempt to create common ground between each through the systematic comparison of certain shared fundamental concepts and ideas. Anglo-American social psychology is not much more than a century old despite having its roots in a broad philosophical tradition. Alternately, the Zen version of Buddhism can trace its historical origins to roughly 1,500 years ago in China. Even though the two arose at different times and at first glance appear stridently antithetical, the authors show that they share considerable areas of overlap. The logic of Zen contemplates the consequences of the taken-for-granted tyranny created by personal memories and culture. These traits, common to every culture, include hubris, greed, self-centeredness, distrust, prejudice, hatred, fear, anxiety, and violence. Social psychology leans more toward a "nurture" rather than "nature" explanation for behavior. Both areas of research are firmly rooted within the domain of sociological social psychology; the processes are also sometimes referred to as learning or conditioning. Zen challenges in radical terms key assumptions of both sociology and psychology concerning individual identity, human nature, and human motivation. This stimulating volume will provoke new thoughts about an old tradition and a newer area of scholarly work.

This book, first published in 1990, is a provocative collection of military quotations that captures the human essence of warfare. From the skirmishes beneath the walls of Troy to the dropping of the atomic bomb, nearly 3,500 quotations distil the experiences of generations of soldiers, depicting the preparation for and the waging of war. Read the words of field marshals and generals, kings and dictators, and follow them into battle – Alexander the Great at Issus, Wellington at Waterloo, Sitting Bull at Little Big Horn and Montgomery at El Alamein. Here too are the recorded details of life among the ranks as diverse as ammunition and uniform, sick parade and comradeship, discipline and ‘Dear John’ letters. A final section, ‘Last Post’, deals with the tragic aftermath of conflict.