Vol. 1 includes reprints of the "Memoranda" issued by the Society 1872-79; also "Officers of the ... Society from the commencement to the year 1879" and "Earliest list of members, 1872".

Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift.

This edition of On Poems by Philodemus (c. 110-35 BC) reconstitutes the original sequence of the 200 existing fragments, according to a new method, while exploiting previously unknown manuscript sources and new techniques for reading the extant pieces. In thus restoring this important aesthetic treatise from antiquity, it makes a major addition to the corpus of classical literature.

"A guide to the press of the United Kingdom and to the principal publications of Europe, Australia, the Far East, Gulf States, and the U.S.A.

This is the first extended study in English of Theophrastus' Characters , one of the briefest but also most influential works to survive from classical antiquity. Since the seventeenth century, the Characters has served as a model and an inspiration for authors as diverse as La Bruyère, Thackeray, George Eliot and Elias Canetti. This study aims to locate Theophrastus and his Characters with respect to the political and philosophical worlds of Athens in the late fourth century, focusing on later imitators in order to provide clues to reading the Theophrastan original. Special attention is paid to the problems and possibilities of the Characters as testimony to the culture and society of contemporary Athens, integrating the text into the extensive fragments and testimonia of Theophrastus' other writings. The implications for the historian of the elusive humour of the Characters , dependent in large measure on the device of caricature, are explored in detail. What emerges is a picture of the complex etiquette appropriate for upper-class citizens in the home, the streets and other public places in Athens where individuals were on display. Through their resolutely shaming behaviour, the Characters illuminate the honour for which citizens should, by implication, be striving. A key theme of the study is Theophrastus' ambivalent position in Athens: a distinguished philosopher and head of the Lyceum, yet still subject to the disabilities of his metic status.