When Roz Chen's wife, Niamh, is killed in a hit-and-run on a lonely Tasmanian road, the grieving widow begins to wonder if Niamh's death was an accident after all. Meanwhile, SAS veteran Sam Willard is hoping for a fresh start with a job at a salmon farm. But as allegations of old war crimes surface and Sam is 'promoted' as a special operative against anti-salmon farm activists, he and Roz form an unlikely alliance. Forced to retreat into the unforgiving Tasmanian wilderness, Roz and Sam find themselves scrambling for the truth with murderous thugs on their trail.

The Life And Times Of The Sandalwood Brigand Engagingly Told By The Policeman Who Couldn`T Capture Him.

A grand-scope view of implementing effective evangelism strategies. For pastors and church leaders who are looking to reach people with the love of Jesus Christ.

The best of the best, the rugs chosen by rug hookers themselves, these rugs were voted the favorites by the readers of Rug Hooking magazine.

EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.

This book explores how terrorists have been portrayed in the Western media, and the wider ideological and social functions of those representations. Developing a theory of scapegoating related to narrative closure, as well as an integrated, genealogical method of intervisuality, the book proposes a new way of thinking about how political images achieve power and influence the public. By connecting modern portrayals of terrorists (post-9/11) with historical and fictional images of villains from Western cultural history, the book argues that the portrayal and punishment of terrorists in the Western media implicitly perpetuates neo-Orientalist attitudes. It also explains that by repeating these narrative patterns through a ritual of scapegoating, Western media coverage of terrorists partakes in a social process that uses punishment, dehumanization and colonialist ideas to purge the iconic ‘villain’, so as to build national unity and sustain hegemonic power following crisis.