The exhibition presented at the Musée de l'Abbaye / Guy Bardone - René Genis Donations in Saint-Claude, and then at the Musée d'Art Roger-Quilliot in Clermont-Ferrand, includes more than eighty works (paintings and drawings) brought together in the first study on the theme of landscape in the work of Édouard Vuillard and Ker-Xavier Roussel. In the 1890s, the two artists were first of all looking to renew the genre of landscape painting by subjecting it to the rather radical experimentations of the Nabis aesthetic. Ten years later however, they turned towards Post-Impressionism and in the 1920s and 1930s their aim was to go back to the tradition of French classicism, a "return to order" that combined the legacy of the seventeenth and eighteenth centuries with Puvis de Chavannes's great decorative works. Three essays shed some light on the rather singular relationship between the two artists, their specific use of pastels as well as the artistic context of the 1890s and the first decades of the twentieth century. Then comes a catalogue of all of the works presented in the two venues, paralleling the exhibition visit, with a number of commentated entries.

The Psychology of Private Events: Perspectives on Covert Response Systems provides evidence that the assessment and manipulation of private events such as thoughts, feelings, and images facilitates the prediction and control of human behavior. The individual contributions represent a variety of approaches to theorizing and research into private events, and to the clinical applications or potential applications which have been generated by such study. The authors have addressed themselves in creative and ingenious ways to such diverse topics as creating resistance to temptation; developing feelings of attraction to appropriate sex objects; training people to experience less pain; and having mental hospital patients practice being happier. This book will be of primary interest to students and teachers of psychology, particularly those interested in behaviorally oriented clinical research and practice. Other professionals and teachers in the social sciences may also find it useful to become aware of the newer trends in psychology.

In 'Frank Fairlegh: Scenes from the Life of a Private Pupil' by Frank E. Smedley, readers are transported to the Victorian era through the lens of a young protagonist navigating the challenges of a private education. Smedley's writing style combines humor, wit, and social commentary, providing a vivid portrayal of society at that time. With its engaging narrative and vivid characterizations, this novel stands out as a coming-of-age story within a unique educational setting. Smedley's attention to detail and descriptive language enhance the reader's immersion into the world of Frank Fairlegh. Frank E. Smedley, a 19th-century English author and lawyer, drew on his own experiences to create this semi-autobiographical work. His background in law likely influenced the meticulous portrayal of social norms and behaviors in the novel. Smedley's insight into the complexities of human nature is evident throughout the story, adding depth to his characters and themes. Fans of classic literature and coming-of-age stories will appreciate 'Frank Fairlegh' for its rich historical context, engaging narrative, and timeless themes. Smedley's novel offers a window into Victorian society while exploring universal themes of identity, education, and personal growth.

Stash your stuff, streamline your to-do list, control your social calendar—and discover a new kind of peace and power in your life. The bestselling author of TheHome Organizing Workbook presents a plan for organizing those buried desks, overstuffed handbags, and mysterious-yet-important papers wedged in the glove box. The Personal Organizing Workbook teaches the fundamentals of managing time and clutter, offering tips, quizzes, and checklists to help you create a personalized organization system. It also outlines skills for sticky situations such as declining a post on the PTA or being honest with a time-hogging friend. Under Meryl Starr’s guidance, dreams and priorities finally get their due, old friends are seen more than once a year, and Christmas cards beat Santa to the door. And because being organized means staying organized, there’s a special section dedicated to getting back on track. Packed with information, The Personal Organizing Workbook will inspires readers to take control of their time, their stuff, and their lives.

This book investigates Nigeria’s soft power capabilities in West Africa, demonstrating the extent to which the power of attraction may serve the country’s foreign policy interests. With the increasing popularity of internationally acclaimed cultural outputs, including afrobeat, Nollywood, and charismatic Pentecostalism, and a foreign policy disposition that is altruistic and sparsely transactional, there is increasing interest in how these soft power attributes influence perceptions of Nigeria in Africa. Drawing on extensive original research in Ghana and Liberia, this book highlights the attractive and unattractive elements of Nigeria’s soft power potential. In so far as it makes the case for Nigeria’s soft power in West Africa, it also discusses the challenges encumbering the effective deployment of the full range of Nigeria’s soft power capabilities in the operationalization of its African policy. This book is a timely contribution to prevailing scholarly discussions about the nature and utility of soft power in Africa. It will be of interest to both Africanists and researchers of international relations, foreign policy, and political science more broadly.

There is a longstanding confusion of Johann Fust, Gutenberg's one-time business partner, with the notorious Doctor Faustus. The association is not surprising to Elizabeth L. Eisenstein, for from its very early days the printing press was viewed by some as black magic. For the most part, however, it was welcomed as a "divine art" by Western churchmen and statesmen. Sixteenth-century Lutherans hailed it for emancipating Germans from papal rule, and seventeenth-century English radicals viewed it as a weapon against bishops and kings. While an early colonial governor of Virginia thanked God for the absence of printing in his colony, a century later, revolutionaries on both sides of the Atlantic paid tribute to Gutenberg for setting in motion an irreversible movement that undermined the rule of priests and kings. Yet scholars continued to praise printing as a peaceful art. They celebrated the advancement of learning while expressing concern about information overload. In Divine Art, Infernal Machine, Eisenstein, author of the hugely influential The Printing Press as an Agent of Change, has written a magisterial and highly readable account of five centuries of ambivalent attitudes toward printing and printers. Once again, she makes a compelling case for the ways in which technological developments and cultural shifts are intimately related. Always keeping an eye on the present, she recalls how, in the nineteenth century, the steam press was seen both as a giant engine of progress and as signaling the end of a golden age. Predictions that the newspaper would supersede the book proved to be false, and Eisenstein is equally skeptical of pronouncements of the supersession of print by the digital. The use of print has always entailed ambivalence about serving the muses as opposed to profiting from the marketing of commodities. Somewhat newer is the tension between the perceived need to preserve an ever-increasing mass of texts against the very real space and resource constraints of bricks-and-mortar libraries. Whatever the multimedia future may hold, Eisenstein notes, our attitudes toward print will never be monolithic. For now, however, reports of its death are greatly exaggerated.