Religious Transactions in Colonial South India locates the "making" of Protestant identities in South India within several contesting discourses. It examines evolving attitudes to translation and translation practices in the Tamil literary and sacred landscapes initiated by early missionary translations of the Bible in Tamil. Situating the Tamil Bible firmly within intersecting religious, literary, and social contexts, Hephzibah Israel offers a fresh perspective on the translated Bible as an object of cultural transfer. She focuses on conflicts in three key areas of translation - locating a sacred lexicon, the politics of language registers and "standard versions," and competing generic categories - as discursive sites within which Protestant identities have been articulated by Tamils. By widening the cultural and historical framework of the Tamil Bible, this book is the first to analyze the links connecting language use, translation practices, and caste affiliations in the articulation of Protestant identities in India.

The Indian Subcontinent has been at the centre of folklore inquiry since the 19th century, yet, while much attention was paid to India by early scholars, folkloristic interest in the region waned over time until it virtually disappeared from the research agendas of scholars working in the discipline of folklore and folklife. This fortunately changed in the 1980s when a newly energized group of younger scholars, who were interested in a variety of new approaches that went beyond the textual interface, returned to folklore as an untapped resource in South Asian Studies. This comprehensive volume further reinvigorates the field by providing fresh studies and new models both for studying the “lore” and the “life” of everyday people in the region, as well as their engagement with the world at large. By bringing Muslims, material culture, diasporic horizons, global interventions and politics to bear on South Asian folklore studies, the authors hope to stimulate more dialogue across theoretical and geographical borders to infuse the study of the Indian Subcontinent’s cultural traditions with a new sense of relevance that will be of interest not only to areal specialists but also to folklorists and anthropologists in general. This book was originally published as a special issue of South Asian History and Culture.

Presenting cutting-edge scholarship dedicated to exploring the emergence and articulation of modernity in colonial South Asia, this book builds upon and extends recent insights into the constitutive and multiple projects of colonial modernity. Eschewing the fashionable binaries of resistance and collaboration, the contributors seek to re-conceptualize modernity as a local and transitive practice of cultural conjunction. Whether through a close reading of Anglo-Indian poetry, Urdu rhyming dictionaries, Persian Bible translations, Jain court records, or Bengali polemical literature, the contributors interpret South Asian modernity as emerging from localized, partial and continuously negotiated efforts among a variety of South Asian and European elites. Surveying a range of individuals, regions, and movements, this book supports reflection on the ways traditional scholars and other colonial agents actively appropriated and re-purposed elements of European knowledge, colonial administration, ruling ideology, and material technologies. The book conjures a trans-colonial and trans-national context in which ideas of history, religion, language, science, and nation are defined across disparate religious, ethnic, and linguistic boundaries. Providing new insights into the negotiation and re-interpretation of Western knowledge and modernity, this book is of interest to students and scholars of South Asian Studies, as well as of intellectual and colonial history, comparative literature, and religious studies.

Through the concept of ‘Romantic nationalism’, this interdisciplinary global historical study investigates cultural initiatives in (British) India that aimed at establishing the nation as a moral community and which preceded or accompanied state-oriented political nationalism. Drawing on a vast array of sources, it discusses important Romantic nationalist traits, such as the relationship between language and identity, historicism, artistic revivalism and hero worship. Ultimately, this innovative book argues that because of the confrontation with European civilization and processes of modernization at large, cultivation of culture in British India was morally and spiritually more important to the making of the nation than in Europe.

The construction of the past, as a historical agenda, figured prominently in the attempt of intellectuals to modernize society. They realized the importance of being sensitive to their past, which had been misrepresented by colonial rule. The investigation of the past to perceive the present and to conceive a future became integral to their intellectual endeavour. To use K.N. Panikkhar's words, "the intellectual quest in colonial India, engaged in an enquiry into the meaning of the past and thus in an assessment of its relevance to contemporary society, was an outcome of this awareness''. The construction of the past, was initially viewed as pre-requisite to reform. It subsequently turned out to be part of an ant-colonial agenda to retrieve a lost identity. This agenda become very vocal as the national movement reached its mass phase.