As living in an underground kingdom has become predictable and boring, Princess Quinn of Mandria dreams of visiting the upper Earth-which she can see via a magic pond, the only portal of light and outer life in Mandria. Cam, the wizard's apprentice, tries to use his magic ring to transport them to upper Earth, but the spell only works on Quinn. Is Princess Quinn lost forever in the outer world? Or will the desires of her heart bring her home again?

Seventeen-year-old Cam realizes that to plan his future, he must untangle the mysteries of his past. For as long as he can remember, he has served as the apprentice to Melikar, the wizard. Now released from Melikars service, its time to seek out the truth of his birth. In the meantime, Princess Quinn-his princess-must choose a husband. Because of his station, Cam can only stand by and watch-or seek his future in the outer world. In this sequel to Princess Nevermore, secrets are revealed that ensure a future that neither Quinn nor Cam had dared to imagine.

Niko may live on boring old Earth with his family, but he's always finding a new adventure. Using the spaceship that he built from a box in his backyard and a little imagination, he flies off into space with his robot, Radar, and his dog, Tag. The only one NOT invited is his sister Posh who keeps trying to insert herself into Niko's story. In this first mission, Niko and crew (and maybe also pesky Posh) fly to the moon in search of a lost cat. Illustrated in comic–book style and featuring easy–to–read text packed with humor, Space Boy and His Dog is Niko's first adventure, with two more books planned in the series.

When Matt and his sister arrive at their grandmother's for Thanksgiving, strange things begin to happen involving a giant turkey with fangs and their grandmother's mysterious handyman.

Folktales and fairy tales are living stories; as part of the oral tradition, they change and evolve as they are retold from generation to generation. In the last thirty years, however, revision has become an art form of its own, with tales intentionally revised to achieve humorous effect, send political messages, add different cultural or regional elements, try out new narrative voices, and more. These revisions take all forms, from short stories to novel-length narratives to poems, plays, musicals, films and advertisements. The resulting tales paint the tales from myriad perspectives, using the broad palette of human creativity. This study examines folktale revisions from many angles, drawing on examples primarily from revisions of Western European traditional tales, such as those of the Grimm Brothers and Charles Perrault. Also discussed are new folktales that combine traditional storylines with commentary on modern life. The conclusion considers how revisionists poke fun at and struggle to understand stories that sometimes made little sense to start with.

*This is the only edition approved by the author.* Kaley sincerely tries to write assigned essays for her 4th grade teacher, but cannot resist sprinkling in her own hilarious take on ancient history--along with a few required FACTS--much to the dismay of her teacher.

When their ghost dog Thatch becomes so interested in a library book about castles that he "smooshes" into the book, ghost twins Robbie and Beka must journey into a medieval world in order to get him back