The bizarre imagination and stylistic sorcery of Matthew Phipps Shiel have created several sleuths unique in the annals of criminal detection. The author's first published book introduced the mysterious Russian, Prince Zaleski, while his legendary Pale Ape collection present ed a second extraordinary figure, Cummings King Monk. The complete exploits of both detectives are collected here for the first time between two covers -- "The Race of Orven, " "The Stone of the Edmundsbury Monks, " "The S.S., " "The Return of Prince Zaleski, " "He Meddles with Women, " "He Defines 'Greatness of Mind, " and "He Wakes an Echo."

In this new collection of essays, well-known critic Brian Stableford presents twelve pieces on science-fiction and fantasy writers M. P. Shiel, Edward Bulwer-Lytton, Humphry Davy, Robert Hunt, Vernon Lee, J. G. Ballard, James Morrow, Dean Koontz, and Terry Pratchett. Complete with detailed index.

Although fantasy and supernatural literature have long and celebrated histories, many critics contend that the fantastic and the supernatural have no place in the logical, rational, world of the detective story. This book is the first extensive study of the fantastic in detective fiction and it explores the highly debated question of whether detective fiction and the fantastic can comfortably coexist. The "locked room" mystery--which often uses the fantastic as a red herring to eventually be debunked by reason and logic--has long been among the most popular subgenres of detective fiction. This book also explores stories featuring almost supernaturally gifted detectives, stories where the supernatural is truly encountered, and stories with ambiguous endings. Close to 500 detective stories from 1841 to 2000, in which the fantastic or supernatural plays a central role, are discussed and analyzed. Although not all the stories are judged to be successful as detective tales, in the great majority, the fantastic enlivens the tale and deepens the mystery without weakening the detective elements.

This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.

Explores the interrelations between the development of detective novels and the codification of scientific methods from the mid- 19th to the mid-20th centuries. Shows how fictional detectives increasingly drew on science and helped raise its esteem among the public. Focuses on Edgar Allen Poe, Arthur Conan Doyle, R. Austin Freeman, and Arthur B. Reeve, but also notes other writers. Paper edition (unseen), $16.95. Annotation copyright by Book News, Inc., Portland, OR