Murder With a View is the third book in the delightful cozy mystery series from Diane Kelly set in Nashville, Tennessee—where the real estate market is to die for... A DREAM PROPERTY Carpenter Whitney Whitaker, her cousin Buck, and guard-cat Sawdust just scored a hot property near downtown Nashville in a tax sale. While the Music City Motor Court might not be much to look at now, the two plan to transform the motel’s twelve units into six one-bedroom condominiums with popular mid-century styling. But surprises await when Whitney discovers a squatter living in Room 9 and her cat Sawdust uncovers a body in the bed next door. A LIVING NIGHTMARE The murder victim is none other than Beckett Morgan, an up-and-coming country-western singing sensation who’s taken Nashville by storm with his number-one hit “Party in the Pasture.” Beckett’s left a long trail of broken promises and broken hearts, and the list of suspects seems endless. So does the line of female fans intent on halting the flip and turning the construction site into a shrine for the deceased star. If Whitney and Buck don’t help Detective Collin Flynn nail the killer, they’ll never be able to clear out the star-obsessed groupies, complete the remodel, and recoup their investment. But just who silenced the singer and why?

Dead in the Doorway is the second in a delightful cozy series from Diane Kelly set in Nashville—where the real estate market is to die for. A HOUSE WITH GOOD BONES. . . Whitney Whitaker has scored the perfect piece of real estate: a ramshackle white Colonial at the top of a hill with views of downtown Nashville. What more could a self-taught home-improvement maven and occasional house-flipper ask for? Ideally, the property of Whitney’s dreams would not have come with a dead body blocking the entrance to the foyer. But Whitney, always quick to take heavy-duty matters into her own hands, also happens to be a skilled amateur sleuth. So that helps. AND SKELETONS IN THE CLOSET. Who is this older woman—and how did her corpse end up at the bottom of the staircase of this locked, unoccupied house? That is what Whitney, along with the support of her wood-working cousin Buck, Detective Collin Flynn, and, of course, feline partner-in-crime Sawdust, intends to find out. Her friendly-neighbor investigation takes a sharp turn, however, when Whitney discovers that the house’s former owner was a gourmet baker whose secret recipe for peach pie was to die for—perhaps literally. Now it’s up to Whitney to learn the truth about what happened before she loses this killer real-estate deal . . . and the killer comes knocking at her door. "Adorable...Whitney and Sawdust are a welcome addition to your home and bookshelf."—Kellye Garrett, Anthony, Agatha, and Lefty Award--winning author of the Hollywood Homicide series

Batten Down the Belfry is the fourth in the delightful cozy mystery series from Diane Kelly set in Nashville, Tennessee—where the real estate market is to die for. Here is the church, here is the steeple... Carpenter Whitney Whitaker and her cousin Buck have successfully flipped houses, but this is the first time they’ve attempted to renovate a house of worship. Still, the colorful stained glass in the country church has caught Whitney’s eye, and she’d love to breathe new life into the abandoned building. What’s more, the place has perfect acoustics. Could the worship hall be reborn as an entertainment venue with its parsonage repurposed as a pre-show bistro? Open the doors, and see all the trouble. The owner of the horse farm next door has asserted a legal claim to the church property, rendering their title uncertain. If that’s not bad enough, while rehabbing the church, Whitney’s cat Sawdust discovers a bombshell in the bell tower—the body of the man who’d delivered their beautiful new replacement windows. What transpired in the spire? Who rang the man’s bell and why? The steeple is keeping its secrets and, when a second body turns up, things become even less clear. Can Whitney help Detective Collin Flynn solve the crimes before someone else is sent to meet their maker?

The first in a brand-new cozy series from Diane Kelly set in Nashville—where the real estate market is to die for. WILL THIS KILLER DEAL LEAD TO A DEAD END? Meet Whitney Whitaker. A hopeless romantic when it comes to real estate, she knows what it takes to find—and flip—the home of one’s dreams. A fixer-upper is like catnip to Whitney: she can’t resist the challenge of turning an eyesore into a priceless work of art. So when one of her clients decides to liquidate a crumbling property, Whitney seizes the opportunity to purchase it for a song. But soon a curious incident of the cat in the night-time leads to a change in tune. . . Sawdust is the name of Whitney’s cat—of course. Whitney’s passion for gut-renovation may be a mystery to him but one thing Sawdust knows for sure is this: Dead bodies don’t belong in flower beds. So why is there one in this new, albeit old, house? Now it’s up to Whitney, along with the help of hot-and-cold Nashville Police Detective Collin Flynn, to find the truth about what happened before the mortgage property forecloses and Whitney loses her investment. . .and maybe her own life.

Powerful, wry essays offering modern takes on a primitive practice, from one of our most widely read death penalty abolitionists As Ruth Bader Ginsburg has noted, people who are well represented at trial rarely get the death penalty. But as Marc Bookman shows in a dozen brilliant essays, the problems with capital punishment run far deeper than just bad representation. Exploring prosecutorial misconduct, racist judges and jurors, drunken lawyering, and executing the innocent and the mentally ill, these essays demonstrate that precious few people on trial for their lives get the fair trial the Constitution demands. Today, death penalty cases continue to capture the hearts, minds, and eblasts of progressives of all stripes—including the rich and famous (see Kim Kardashian’s advocacy)—but few people with firsthand knowledge of America’s “injustice system” have the literary chops to bring death penalty stories to life. Enter Marc Bookman. With a voice that is both literary and journalistic, the veteran capital defense lawyer and seven-time Best American Essays “notable” author exposes the dark absurdities and fatal inanities that undermine the logic of the death penalty wherever it still exists. In essays that cover seemingly “ordinary” capital cases over the last thirty years, Bookman shows how violent crime brings out our worst human instincts—revenge, fear, retribution, and prejudice. Combining these emotions with the criminal legal system’s weaknesses—purposely ineffective, arbitrary, or widely infected with racism and misogyny—is a recipe for injustice. Bookman has been charming and educating readers in the pages of The Atlantic, Mother Jones, and Slate for years. His wit and wisdom are now collected and preserved in A Descending Spiral.

Getaway With Murder is the first in a cozy series from Diane Kelly set in a lodge in the Blue Ridge Mountains, where secrets hide behind every hill. As if hitting the half-century mark wasn’t enough, Misty Murphy celebrated her landmark birthday by amicably ending her marriage and investing her settlement in a dilapidated mountain lodge at the top of the Blue Ridge Mountains. With the old inn teetering on both a bluff and bankruptcy, she must have lost her ever-loving mind. Luckily, handyman Rocky Crowder has a knack for rehabbing virtual ruins and for doing it on a dime, and to Misty’s delight, the lodge is fully booked on opening night, every room filled with flexible folks who’d slipped into spandex and ascended the peak for a yoga retreat with plans to namastay for a full week. Misty and her guests are feeling zen—at least until the yoga instructor is found dead. With a killer on the loose and the lodge’s reputation hanging in the balance, Misty must put her detective-skills to the test. Only one thing is as clear as a sunny mountain morning—she must solve the crime before the lodge ends up, once again, on the brink.

In some states by law, in others by tradition, judges imposing a sentence of death complete the grim ritual with the words "May God have mercy on your soul." In 1982, in Grundy, Virginia, a young miner named Roger Coleman was sentenced to death for the murder of his sister-in-law. Ten years later, the sentence was carried out, despite the extraordinary efforts of Kitty Behan, a brilliant and dedicated young lawyer who devoted two years of her life to gathering evidence of Coleman's innocence, evidence so compelling that media around the world came to question the verdict. The courts, ruling on technicalities, refused to hear the new evidence and witnesses. Finally, the governor of Virginia ordered a lie-detector test to be administered on the morning of Coleman's scheduled execution, and in a chair that to Coleman surely looked like nothing so much as an electric chair. In John Tucker's telling, this story is an emotional and unforgettable roller-coaster ride from the awful night of the crime to the equally awful night of the execution. Perhaps it was not Roger Coleman whose soul was in need of God's mercy, but the judges, prosecutors, and politicians who procured his death.