"Violet has been preparing her entire life to step into the shoes of the missing heiress Erica Silverman, in order to pull off the biggest inside job in Las Vegas history. She doesn't count on having a conscience"--

We Were Liars meets Heist Society in a riveting debut! Seventeen-year-old Violet’s entire life has revolved around one thing: becoming Erica Silverman, an heiress kidnapped at age five and never seen again. Violet’s father, the best con man in Las Vegas, has a plan, chilling in its very specific precision. Violet shares a blood type with Erica; soon, thanks to surgery and blackmail, she has the same face, body, and DNA. She knows every detail of the Silvermans’ lives, as well as the PTSD she will have to fake around them. And then, when the time is right, she “reappears”—Erica Silverman, brought home by some kind of miracle. But she is also Violet, and she has a job: Stay long enough to steal the Silverman Painting, an Old Master legendary in the Vegas crime world. Walking a razor’s edge, calculating every decision, not sure sometimes who she is or what she is doing it for, Violet is an unforgettable heroine, and Pretending to be Erica is a killer debut.

Seventeen-year-old Violet's entire life has revolved around one thing: becoming Erica Silverman, an heiress kidnapped at age five and never seen again. Violet's father, the best con man in Las Vegas, has a plan, chilling in its very specific precisio

A Real Simple Best Book of the Year A deeply moving story of an epic home renovation in the Pacific Northwest—from New York Times–bestselling author of The Scent Keeper In this mesmerizing memoir-in-essays, Erica Bauermeister renovates a trash-filled house in eccentric Port Townsend, Washington, and in the process takes readers on a journey to discover the ways our spaces subliminally affect us. A personal, accessible, and literary exploration of the psychology of architecture, as well as a loving tribute to the connections we forge with the homes we care for and live in, this book is designed for anyone who’s ever fallen head over heels for a house. It is also a story of a marriage, of family, and of the kind of roots that settle deep into your heart. Discover what happens when a house has its own lessons to teach in this moving and insightful memoir that ultimately shows us how to make our own homes (and lives) better. “ . . . for anyone who has wondered where home is and how to find it, fix it, love it, and leave it for later as well.” —Laurie Frankel, New York Times–bestselling author of This Is How It Always Is

Everyone has secrets. Even best friends. Swirling black descends like ravens, large enough to block the glow of the streetlights. A dull roar starts like a train on the 'L', a far-away rumbling that grows louder as it pulls closer, until it's directly overhead and you feel it in your chest, except this doesn't pass you by. Verity, white-faced and eyes blazing, shouts through the din, "Run, Mo!" Mo Fitzgerald knows about secrets. But when she witnesses her best friend's murder, she discovers Verity was hiding things she never could have guessed. To find the answers she needs and the vengeance she craves, Mo--quiet, ordinary, unmagical Mo--will have to enter a world of raw magic and shifting alliances. And she'll have to choose between two very different, equally dangerous guys--protective, duty-bound Colin and brash, mysterious Luc. One wants to save her, one wants to claim her. Which would you choose? "Who doesn't love a character torn between two dangerous worlds and two risky guys? The only thing safe about this book is how good it is." --Lee Nichols, author of Deception, A Haunting Emma Novel "Dark, exciting and totally addictive! Just. . .wow!" –Kristi Cook, author of Haven "Dark, magical, and delicious!" --New York Times Bestselling Author C. L. Wilson

"Women Like Us traces the lives of four women from their undergraduate days at Sarah Lawrence College in the late 1950s through the colorful and varied histories of their boyfriends, jobs, husbands, children, divorces, friendships, rivalries, failures, and successes to the present. It is a novel brimming with the lives of a group of women caught between two generations: too restless for the pieties of the fifties, too early for the revolution of the sixties." "In rejecting Ben for the beautiful but feckless Gerrit, Daisy establishes a pattern of "all for love" that, despite her talent and intelligence, will haunt her life. Gina, the class square, focuses on her career rather than love. Franca's marriage collapses under the weight of children and her husband's experimentation with open marriage. Delphine, the leader of the clique, astonishes all by marrying before her graduation." "Women Like Us captures the lives of a generation of women who at thirty were overtaken by the feminist revolution, when all the rules changed, and who have been running to catch up ever since. In the tradition of Marilyn French, Erica Jong, Judith Rossner, and Gail Godwin, Erica Abeel has written an unforgettable story; in it, every woman is sure to recognize something of her own life."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

A debut short story collection from one of Canada's most exciting new Aboriginal voices. "In our family, it was Trish who was Going To Be Trouble; I was Such a Good Girl." At times haunting, at times hilarious, Just Pretending explores the moments in life that send us down pathways predetermined and not-yet-forged. These are the liminal, defining moments that mark irreversible transitions n girl to mother, confinement to freedom, wife to murderer. They are the melodramatic car-crash moments n the outcomes both horrific and too fascinating to tear our eyes from. And they are the unnoticed, infinitely tiny moments, seemingly insignificant (even ridiculous) yet holding the power to alter, to transform, to make strange. What links these stories is a sense of characters working n both with success and without, through action or reaction n to separate reality from perception and to make these moments into their lives' new truths.