This is a study of the religious culture of sixteenth-century England, centred around preaching, and is concerned with competing forms of evangelism between humanists of the Roman Catholic Church and emerging forms of Protestantism. More than any other authority, Erasmus refashioned the ideal of the preacher. Protestant reformers adopted 'preaching Christ' as their strategy to promote the doctrine of justification by faith. The apostolic traditions of the preaching chantries provided standards that evangelical reformers used to supplant the mendicant friars in England. The late medieval cult of the Holy Name of Jesus is explored: the pervasive iconography of its symbol 'IHS' became one of the attributes of moderate Protestant belief. The book also offers fresh perspectives on fifteenth- and sixteenth-century figures on every side of the doctrinal divide, including John Rotheram, John Colet, Hugh Latimer and Anne Boleyn.

Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.

Religion, politics and fear: how England was transformed by the Tudors. The English Reformation was a unique turning point in English history. Derek Wilson retells the story of how the Tudor monarchs transformed English religion and why it still matters today. Recent scholarly research has undermined the traditional view of the Reformation as an event that occurred solely amongst the elite. Wilson now shows that, although the transformation was political and had a huge impact on English identity, on England's relationships with its European neighbours and on the foundations of its empire, it was essentially a revolution from the ground up. By 1600, in just eighty years, England had become a radically different nation in which family, work and politics, as well as religion, were dramatically altered. Praise for Derek Wilson: 'Stimulating and authoritative.' John Guy. 'Masterly. [Wilson] has a deep understanding of . . . characters, reaching out across the centuries.' Sunday Times.

This is a literary study of the seventeenth-century pamphlets and sermons delivered to the Long Parliament by Stephen Marshall, a leading English Puritan. Marshall was known as preacher to the Long Parliament and for his participation in the further reformation of the English Church in the 1640s. His understanding of the role of civil magistracy was deeply rooted in his concept of the English Reformation. He was convinced that the constitutional changes during the sixteenth-century English Reformation defined the role of civil magistrates. The King became the Supreme Head of the English Church, and the civil magistracy consisting of King-or-Queen-in Parliament had the responsibility to spearhead the reformation of the English Church. He also insisted that restoring godly preaching and teaching in every local church would eventually complete the English Reformation. Marshall also argued that the Henrician schism paved the way for England to become a Christian Commonwealth where the Church is lodged, whose characteristic was the unity among the people of God. This implied that in England, Presbyterians, Independents, and Erastians all belonged to one body of Jesus Christ, the Head of the Church. In a Christian Commonwealth, civil magistracy was a divine institution and had the highest power of ordering and governing the church, according to Marshall. It was the civil magistracys responsibility to protect and to take care of Gods people in all godliness. And in order to do so, magistrates should be rightly informed from the Word of God. Though Marshall showed his opposition to King Charles Is political innovation that precipitated an unfortunate war in 1642, his vision of a Christian Commonwealth where English magistracy consisting of the King-or-Queen-in-Parliament did not change. If the king could be persuaded to agree with the ecclesiastical reform Puritans proposed through Parliament, he would still be an instrument of reform.

This book examines the afterlife of the lollard movement, demonstrating how it was shaped and used by evangelicals and seventeenth-century Protestants. It focuses on the work of John Foxe, whose influential Acts and Monuments (1563) reoriented the lollards from heretics and traitors to martyrs and model subjects, portraying them as Protestants’ ideological forebears. It is a scholarly mainstay that Foxe edited radical lollard views to bring them in line with a mainstream monarchical church. But this book offers a strong corrective to the argument, revealing that the subversive material present in Foxe’s text allowed seventeenth-century religious radicals to appropriate the lollards as historical validation of their own theological and political positions. The book argues that the same lollards who were used to strengthen the English church in the sixteenth century would play a role in its fragmentation in the seventeenth.

Scholarship on religious printed images during the English Reformation (1535-1603) has generally focused on a few illustrated works and has portrayed this period in England as a predominantly non-visual religious culture. The combination of iconoclasm and Calvinist doctrine have led to a misunderstanding as to the unique ways that English Protestants used religious printed images. Building on recent work in the history of the book and print studies, this book analyzes the widespread body of religious illustration, such as images of God the Father and Christ, in Reformation England, assessing what religious beliefs they communicated and how their use evolved during the period. The result is a unique analysis of how the Reformation in England both destroyed certain aspects of traditional imagery as well as embraced and reformulated others into expressions of its own character and identity.