Shortlisted for the 2024 Giller Prize The Giller Prize-longlisted author of Avenue of Champions returns with a frenetic, propulsive crime thriller that doubles as a sharp critique of modern activism and challenges readers to consider what “Land Back” might really look like. Meet Isidore “Ezzy” Desjarlais and Grey Ginther: two distant Métis cousins making the most of Grey’s uncle’s old trailer, passing their days playing endless games of cribbage and cracking cans of cheap beer in between. Grey, once a passionate advocate for change, has been hardened and turned cynical by an activist culture she thinks has turned performative and lazy. One night, though, she has a revelation, and enlists Ezzy, who is hopelessly devoted to her but eager to avoid the authorities after a life in and out of the group home system and jail, for a bold yet dangerous political mission: capture a herd of bison from a national park and set them free in downtown Edmonton, disrupting the churn of settler routine. But as Grey becomes increasingly single-minded in her newfound calling, their act of protest puts the pair and those close to them in peril, with devastating and sometimes fatal consequences. For readers drawn to the electric storytelling of Morgan Talty and the taut register of Stephen Graham Jones, Conor Kerr’s Prairie Edge is at once a gripping, darkly funny caper and a raw reckoning with the wounds that persist across generations.

Saskatchewan is the anchor and epitome of the ‘prairie’ provinces, even though half of the province is covered by boreal forest. The Canadian penchant for dividing this vast country into easily-understood ‘regions’ has reduced the Saskatchewan identity to its southern prairie denominator and has distorted cultural and historical interpretations to favor the prairie south. Forest Prairie Edge is a deep-time investigation of the edge land, or ecotone, between the open prairies and boreal forest region of Saskatchewan. Ecotones are transitions from one landscape to another, where social, economic, and cultural practices of different landscapes are blended. Using place history and edge theory, Massie considers the role and importance of the edge ecotone in building a diverse social and economic past that contradicts traditional “prairie” narratives around settlement, economic development, and culture. She offers a refreshing new perspective that overturns long-held assumptions of the prairies and the Canadian west.

In this eloquent plea for compassion and respect for all species, journalist and gardener Nancy Lawson describes why and how to welcome wildlife to our backyards. Through engaging anecdotes and inspired advice, profiles of home gardeners throughout the country, and interviews with scientists and horticulturalists, Lawson applies the broader lessons of ecology to our own outdoor spaces. Detailed chapters address planting for wildlife by choosing native species; providing habitats that shelter baby animals, as well as birds, bees, and butterflies; creating safe zones in the garden; cohabiting with creatures often regarded as pests; letting nature be your garden designer; and encouraging natural processes and evolution in the garden. The Humane Gardener fills a unique niche in describing simple principles for both attracting wildlife and peacefully resolving conflicts with all the creatures that share our world.

In the early days, Plains Indians travelled on foot across the vast Canadian prairies, with only fierce, wolf-like dogs as companions. Later, with the arrival of Europeans, horses and canoes appeared on the scene. In Rediscovering the Prairies, Norman Henderson, a leading scholar of the world’s great temperate grasslands, revives the earlier modes of prairie travel. He journeys along 325 kilometres of Saskatchewan’s Qu’Appelle Valley by dog and travois (the wooden rack pulled by dogs and horses used by First Nations to transport belongings), then by canoe, and finally by horse and travois. Henderson’s often humourous descriptions of his attempts to find and train a dog and a horse highlight the difficulties involved in recreating traditional travel methods. Henderson interweaves his own adventures with the exploits of earlier travellers, such as La Vérendrye, Alexander Henry and Peter Fidler, and the experiences of fur traders and others who struggled across this strange and forbidding landscape. His captivating account will foster a better appreciation for, and a deeper understanding of, the natural and human history of the Canadian prairies.

Three local experts reveal their favorite places to watch birds in Alberta, Manitoba, and Saskatchewan. In Best Places to Bird in the Prairies, three of Canada’s top birders reveal their favorite destinations for spotting local birds in Alberta, Manitoba, and Saskatchewan. They highlight thirty-six highly recommended sites, each of which has been expertly selected for the unique species that reside there. With exclusive lists of specialty birds, splendid color photography, and plenty of insider tips for finding and identifying birdlife year-round, the book is accessible and easy-to-use—an indispensable resource that will inspire both novice and seasoned birders to put on their walking shoes, grab their binoculars, and start exploring. The destinations they feature are as varied as the birds that are found there, ranging from rural to urban, easily accessible to remote. The authors provide clear maps, detailed directions, and alternative routes wherever possible to ensure the experience is satisfying for first-time visitors and experienced birders alike.

2021 Scholarly Writing Award in the Saskatchewan Book Awards This book presents two of the most important traditions of the Dakota people, the Red Road and the Holy Dance, as told by Samuel Mniyo and Robert Goodvoice, two Dakota men from the Wahpeton Dakota Nation near Prince Albert, Saskatchewan, Canada. Their accounts of these central spiritual traditions and other aspects of Dakota life and history go back seven generations and help to illuminate the worldview of the Dakota people for the younger generation of Dakotas, also called the Santee Sioux. "The Good Red Road," an important symbolic concept in the Holy Dance, means the good way of living or the path of goodness. The Holy Dance (also called the Medicine Dance) is a Dakota ceremony of earlier generations. Although it is no longer practiced, it too was a central part of the tradition and likely the most important ceremonial organization of the Dakotas. While some people believe that the Holy Dance is sacred and that the information regarding its subjects should be allowed to die with the last believers, Mniyo believed that these spiritual ceremonies played a key role in maintaining connections with the spirit world and were important aspects of shaping the identity of the Dakota people. In The Red Road and Other Narratives of the Dakota Sioux, Daniel Beveridge brings together Mniyo and Goodvoice's narratives and biographies, as well as songs of the Holy Dance and the pictographic notebooks of James Black (Jim Sapa), to make this volume indispensable for scholars and members of the Dakota community.