The popularity of the work of Valerius Maximus during the Middle Ages and Renaissance was due to its value as a source of moral exhortation and guidance: the work was as relevant to the readers of those times as it had been to Valerius' contemporaries in the first century AD. Practical Ethics for Roman Gentlemen demonstrates that the purpose of Valerius' work was to promote a system of morality based upon historical precedent that was both traditional and authoritative to the educated classes for whom he wrote. Practical Ethics for Roman Gentlemen offers a re-definition of the purpose of Valerius' work and totally new conclusions about its predecessors, form and audience. The book is not confined to an examination of Valerius' work in isolation, but also examines earlier forms of exemplary literature, questions of how Roman literature was communicated to its audience, and presents an entirely new theory on the identity of Valerius Maximus the author.

The popularity of the work of Valerius Maximus during the Middle Ages and Renaissance was due to its value as a source of moral exhortation and guidance: the work was as relevant to the readers of those times as it had been to Valerius' contemporaries in the first century AD. Practical Ethics for Roman Gentlemen demonstrates that the purpose of Valerius' work was to promote a system of morality based upon historical precedent that was both traditional and authoritative to the educated classes for whom he wrote. Practical Ethics for Roman Gentlemen offers a re-definition of the purpose of Valerius' work and totally new conclusions about its predecessors, form and audience. The book is not confined to an examination of Valerius' work in isolation, but also examines earlier forms of exemplary literature, questions of how Roman literature was communicated to its audience, and presents an entirely new theory on the identity of Valerius Maximus the author.

"The well-known mythographer Marina Warner has described the process of reading fairy tales and folktales as 'tasting the dragon's blood' - a magical and transformative process by which one's ears are opened to the voices of the past and of other worlds. Roman exempla, which constitute a national story-telling tradition, are very different in many ways from the dream-like fantasies of fairy-tales and other narrative folk traditions that have been the subject of Warner's studies. In (supposedly) true stories from history, battle-hardened warriors, noble maidens and honourable sons of the soil face impossible dangers, take terrible decisions and sacrifice their lives, their limbs and even their own children for the sake of justice, discipline and the Roman community. Yet for the ancient Romans too, hearing the blood-soaked stories of their ancestral heroes was an intimate and potent experience, and this 'taste of the hero's blood' had an intoxicating effect similar to the blood of Warner's dragon: evoking other worlds, shaping understanding of their own world"--

This book examines the lives of adolescent girls in early Roman imperial society (first century BCE to third century CE).

A new reading of the portrayal of Greek myths in Roman art, revealing important shifts in Roman values and identities.

This book concerns the relationship between ideas and power in the genesis of the Roman empire. The self-justification of the first emperor through the consensus of the citizen body constrained him to adhere to ‘legitimate’ and ‘traditional’ forms of self-presentation. Lobur explores how these notions become explicated and reconfigured by the upper and mostly non-political classes of Italy and Rome. The chronic turmoil experienced in the late republic shaped the values and program of the imperial system; it molded the comprehensive and authoritative accounts of Roman tradition and history in a way that allowed the system to appear both traditional and historical. This book also examines how shifts in rhetorical and historiographical practices facilitated the spreading and assimilation of shared ideas that allowed the empire to cohere.

Rome and Judaea explores the nature of Judaea’s first diplomatic mission to Rome during the Maccabean revolt: did it result in a sanctioned treaty or was it founded instead on amity? This book breaks new ground in this debate by bringing to light the "Roman-Jewish Friendship tablet," a newly discovered piece of evidence that challenges the theory Rome ratified an official treaty with Judaea. Incorporating interdisciplinary research and this new textual evidence, the book argues that Roman-Jewish relations during the Maccabean revolt were motivated by the Roman concept of diplomatic friendship, or amicitia.